Posts By Marie Craven
The Torrid Zone by Tania Haberland
The Torrid Zone is a strong and beautiful video, the first one up in my Vimeo feed today.
The poem is by Tania Haberland. It can be read on the page below the video at Vimeo. Her voicing of it is marvelous: slow in rhythm, minimal, richly-toned, and affecting. From a bio for her:
…a tri-national poet (German-South African-Mauritian)… born in Africa, raised in Arabia and matured in Europe. She publishes, performs and exhibits her poetry and multi-media collaborations across the globe.
The abstract moving images and the soundtrack are credited to Poetics of Reverie. This is French artist Carine Iriarte and her collaborators in various media. She describes this project in her bio:
…a collaborative artistic project mixing poetry, electro music, painting, short films, movement and nature…
Seven things I know by Janet Lees
Janet Lees is a poet and film-maker with a distinctive voice.
Her images are often black and white, with soft shades of grey, or tinged with the subtlest of colours. Her poetry is minimal in style, carrying quiet emotion. In counterpoint, the soundtracks are often lush in feeling. So it is in her latest film, Seven things I know.
The atmospheric music is by alt-pop duo Narrow Skies, Anita and Ben Tatlow. The song’s lyrics weave with those of the poem, which is given as text on screen. Anita Tatlow sings in an abstract way that is more musical than verbal, and so the song does not detract, but instead adds fine strands of meaning to Janet Lees’ poem.
The poem is whimsical while uncovering depth. A few of the seven things of the title:
the cadbury’s flake jingle
…
the magpie’s rough music
…
that eric morecambe
was not my uncle
Both poem and song lyrics are printed on the page with the video. This is a film in a single shot and slow motion rhythm, with breathing space for each of its elements.
More of Janet Lees’ films are to be found on her Moving Poems author page.
The Peace of Wild Things by Wendell Berry
There is balm to be found in this poetry film from Wendell Berry‘s deep and enduring poem, The Peace of Wild Things. Berry has a close connection to rural Kentucky USA, where he was born in 1934 and has maintained a farm for over 40 years. It is his own voice in the soundtrack.
The animation is touchingly childlike, directed by UK artists Charlotte Ager and Katy Wang. The project was produced by The On Being Project, a non-profit initiative. Music and sound is credited to David Camp. In-depth process notes on the making of the film can be found here.
I found The Peace of Wild Things among a fine Top Ten of films from classic poems published recently on the magazine side of our site. These films were selected by Paul Casey and Colm Scully, organisers and judges of the Ó Bhéal Winter Warmer poetry festival and poetry film competition in Ireland.
Landschop by Valerie LeBlanc & Daniel Dugas
From the Canadian duo of Valerie LeBlanc and Daniel Dugas, Landschop is one in a series of videopoems titled Around Osprey. The artists’ words about the overall project:
Around Osprey is a series of short videopoems based on our 2018 residency at the Conservation Foundation of the Gulf Coast Preserve in South Florida. These poems have been derived from our exploration of the lands and waters of the Myakka River, the Manatee River, Sarasota Bay, and Charlotte Harbour. While looking for the crossovers between nature and culture, we were also looking for threads of human histories within protected natural spaces. (source)
Whispered voices combine with cleverly designed on-screen text to convey the single words and short phrases that form the poetic piece of writing. The background of the soundtrack is comprised of subtle sounds of nature, randomly punctuated by sounds of gunshot. The latter are a mysterious aural presence through the video and only connect to the text in the final moments.
I appreciate the gentle, open-ended qualities of this video, consistent with much of the other work from these artists. It’s as though each of their videopoems is just one moment in a long and steady stream of contemplations.
Their daily blog entries for the Around Osprey residency can be found here.
blue jay by Anthony Matos
A poem accompanied by a visual story, blue jay is written and directed by Anthony Matos in Maine, USA. He describes the film as “a story about three strangers trying to overcome different forms of grief and loneliness.”
From his bio at FilmFreeway:
My love for film grew from my love of poetry and the Walt Whitman and Mary Oliver collections I read in high school. I lived through these poets and craved to be able to appreciate life and the moment around me as they did.
Poetry films are most often very short and small-scale in production. By contrast, Blue Jay is over 12 minutes and involved a substantial cast and crew. In these ways it more closely resembles a well-produced narrative short.
The combination of poem and story is an interesting approach, and I find this touching film well worth the time in watching.
REELpoetry 2023: Ecopoetry Films & Subjectivity
Ecopoetry Films & Subjectivity is the title of a group discussion to be given by Ian Gibbins (Australia), Mary McDonald (Canada) and Sarah Tremlett (UK), as part of this year’s REELpoetry, a festival for videopoetry in Houston, USA.
These highly esteemed artists and thinkers will be discussing approaches to making poetry films in relation to the theme of ecopoetry and subjectivity. The full discussion will be streamed at REELpoetry on Sunday 26 February at 6:30-7:15pm (Houston time). The full festival program and more information is here.
The trailer:
Sound of the footsteps of water by Sohrab Sepehri
A most rewarding part of sharing videos at Moving Poems is finding a film-maker or poet who has never been published on our site. Sound of the footsteps of water spoke to me while searching the #poetryfilm tag at Vimeo.
The beautiful and mystical poem from 1964 is by Iranian writer and artist Sohrab Sepehri (1928-1980).
Well-versed in Buddhism, mysticism, and Western traditions, he blended the Eastern concepts with Western techniques, thereby creating a kind of poetry unprecedented in the history of Persian literature. (Wikipedia)
The English translation in the film’s subtitles can be read on the page in the Vimeo summary. It is a selection from a much longer poem. A different translation in entirety is here.
This delicate film and its subtle music are by French media artist Carine Iriarte, and gently voiced in Farsi by Mossi Hashemi.
Carine Iriarte has also made a companion video to this one, a part two, from another section of Sohrab Sepehri’s poem.
Top Ten: Poetry, Dance and Song
Dancing, music and singing have been key aspects of my life over the decades since my childhood, and I am naturally drawn to them as ways of exploring and expressing poetry in film.
This collection of ten is made up of pieces that move me in different ways. The order I have given them is not a ranking, but simply designed to be seen and heard in a flow from start to end.
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ODE TO MY BITCHFACE
Film-maker: Tim Davis
Writer & Voice: Olivia Gatwood
Choreography & Performance: Rebecca Björling & Rebecca Rosier
USA/Sweden
A marvelous response in dance to a powerful poem, Ode To My Bitchface was written by Olivia Gatwood in the US, who also voices the piece. The rhythm of the film, directed by Tim Davis, follows closely the choreography and dancing by Swedish artists Rebecca Björling and Rebecca Rosier. The dance is timed to the rhythms of phrases in the poem, and the movements literally matched to the meanings of the words. The fast-paced precision is exhilarating. The absence of music highlights instead the strength of the words, voice and bodies in motion. The poem can be read on the page here.
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DEAF BROWN GURL (LA MORENA SORDA)
Film-maker, Writer & Performer: Sabina England
Voice & Sound Design: Micropixie
Music: Om/Off (Paco Seren and Pablo Alvarez)
India/UK/USA
Sabina England makes beautiful expressive dance from American Sign Language in this film about identity. In her own words…
It’s based on a poem of the same name that I wrote, which I performed in San Francisco, Washington DC and at Pride Fest. It’s about exploring my identity as a deaf brown girl growing up feeling isolated, lonely and different, and learning to accept who I was and coming to love myself.
I shot beautiful scenes of various places all over Bihar, including the ancient Buddhist site at Mahabodi Temple in Bodh Gaya, Bihar. I also went to a deaf girls school in Patna and I was so proud and impressed with these little girls because they could write in Hindi, English, and they were also fluent in Indian Sign Language! (source)
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MORE THAN ONE
Film-maker & Writer: Amang
Composer & Singer: Lo Sirong
Taiwan
A musical videopoem from Taiwan, More Than One features the exquisite voice of Lo Sirong singing a poem by the writer known as Amang, who is also the film-maker. The image streams in Amang’s videos are distinctly poetic in themselves, with a quality of mystery going far beyond literal illustration of the words. The wonderful music and voice of Lo Sirong features in some videos by other film-makers here. More videos from Amang are here.
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BETWEEN BEFORE AND AFTER /WAR/
Film-makers: Marichka Lukianchuk & Elena Baronnikova
Writer: Marichka Lukianchuk
Dancer: Angelina Andriushina
Music: DakhaBrakha
Ukraine
This profoundly moving video from Marichka Lukianchuk and Elena Baronnikova features a brief dance sequence as part of an ensemble of poetic image and sound. The subject is the experience of living in Ukraine at this time of war. I find unimaginable serenity and bravery in this film. The simple beauty of the dance performed by Angelina Andriushina is an important part of the vulnerability and hope expressed. The music that further graces the piece is by DakhaBrakha. Marichka Lukianchuk writes eloquently and at more length about the film here.
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SHADOWS
Film-maker: Tal Rosner
Writer: Langston Hughes
Composer: Lior Rosner
Singer: Janai Brugger
Dancers: Cameron McMillan & Fiona Merz
USA
The poem Shadows by Langston Hughes (1901-1967) is expressed in this film in exquisite music by Lior Rosner, so beautifully sung by Janai Brugger. Visually it begins as an abstract animation that graphically responds to the music, later morphing into fragmented moments of dance performed by Cameron McMillan and Fiona Merz. The film-maker bringing all elements together is Tal Rosner. The poem can be read on the page at poets.org. More information and stills can be found at Tal Rosner’s website.
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HALLOWEEN
Film-maker: Marc Neys
Writer & Voice: Hugo Claus
Choreography & Performance: Nadia Vadori-Gauthier
Belgium/France
Central to this haunting film by influential Belgian artist Marc Neys, is an extraordinary dance piece created and performed by Nadia Vadori-Gauthier, artistic director of the French dance company Le Prix de l’essence. The piece for this film is from her amazing project titled One minute of dance a day. For this she has posted inventive short dance videos every single day since 2015. Marc Neys has been a prolific maker of distinctive videopoetry for over a decade. His slow motion treatment of the dance, and his selection of moments from it are mesmerising. The dark ambient music is also his creation. The poem is read in Dutch by its well-known Flemish author, Hugo Claus (1929-2008), in a recording from the German Lyrikline website, where it can be read in a number of different translations.
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T.I.A. (THIS IS AFRICA)
Film-makers: Matthieu Maunier-Rossi & Ronan Cheneau
Writer: Ronan Cheneau
Choreographer & Performer: Aïpeur Foundou
France/Congo
Congolese dancer Aïpeur Foundou is a graceful and compelling presence in this film, a collaboration between director Matthieu Maunier-Rossi and poet Ronan Cheneau, both in France. The poem is a reverie about the freedom that can be found within, in simple experiences and places, when it cannot be found in the wider world. The film-maker writes about the process of making the piece here.
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ROLLING FRAMES
Film-maker: Katie Garrett
Writer: Ella Jane Chappell
Voices: Katie Garrett & Nicholas Herrmann
Choreography: Anna-Lise Marie Hearn
Performers: Laura Boulter, KJ Clarke-Davis, Lydia Costello, Jennifer Jones, Nathalia Lillehagen & Ella Mackinder
UK/Norway
Film-maker Katie Garrett and writer Ella Jane Chappell, both in the UK, teamed up with Norwegian choreographer Anna-Lise Marie Hearn to create this affecting dance film that won the Southbank Poetry Film Festival in 2014. From the film’s notes at Vimeo:
At the heart of Rolling Frames are a series of shifting voices and characters that inhabit three very different relationships. These relationships are linked by the role that dependency plays in each. To some extent, every relationship involves a yielding of independence. The poem dissects this manner of yielding: the manifestation of greed in desire, the vulnerability in love, the loneliness in lust. The physicality and inner rhythms of the words are translated once over by the expressive movements of dance, and once again through the gaze of the camera’s eyes.
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BECAUSE GODDESS IS NEVER ENOUGH
Film-maker: Jane Glennie
Writer: Rosie Garland
Voice: Rosie Garland & Alison Glennie
Dancer: Natasha Jervis
UK
This film about a dancer draws inspiration from the life of Austrian-born Tilly Losch (1903-1975), also a choreographer, actor and painter. It is a collaboration between film-maker Jane Glennie and writer/performer Rosie Garland, both award-winning artists in the UK. The subject is the representation of women artists in history, especially the ways their stories have been footnoted in relation to famous men. Jane Glennie animates thousands of her photographs in a rapid stream, meticulously layered with contrasting rhythms that underscore voice and text. Rosie Garland’s expressive narration of her own poem is highly effective, alternating with that of Alison Glennie, equally as affecting in the sections that evoke Losch speaking for herself. Jane Glennie writes about the process of making the film here.
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HUMAN CONDITION
Film-maker: Mark Wilkinson
Writer and Performer: Rich Ferguson
Singer: Stella Ademiluyi
USA
Compared to most poetry videos, Human Condition is an action-packed blockbuster. It was written and performed by Rich Ferguson, the beat poet laureate of California 2020-2022. For this satirical, sometimes scathing, yet ultimately uplifting musical, he teamed up with director Mark Wilkinson and an ensemble of performers and musicians, including singer Stella Ademiluyi and James Morrison from the cast of Twin Peaks. The text of the poem is posted at YouTube in the video notes.
