I’m pleased by my own small role in making this happen as managing editor of qarrtsiluni, where the poem first appeared in text form a month ago as the final piece in our Imitation issue, and as compiler of the podcast from which Swoon took the recording of Australian poet Matt Hetherington reading his poem. As we say in the note there, it was “inspired by the poetry of Ian McBryde, particularly his book of one-line poems, Slivers (Melbourne: Flat Chat Press, 2005).”
Swoon blogged some process notes:
I liked the poem and, even more so, his great reading of it for the podcast.
(People who follow my work know how important I think a good reading or voice is for a good videopoem)
I wanted to keep the pauses he made in his reading, so I didn’t change a thing.
Just added the right track […] and went on a search for the right footage or images. I needed empty houses and remembered a great video I once saw by someone who calls himself Tschmite. He gave me his consent to use footage of it.
I added some of my own recordings and also found amazing images in a series of films made by Graham Gilmore about Tsjernobyl.
I edited all I wanted and needed for the right atmosphere. Gave the words by Matt, the space and the room they needed to unfold themselves.
(Incidentally, I wish more videopoem/filmpoem makers would post such detailed descriptions of their process. It’s really helpful for those of us who are trying to learn the craft.)