Susanne Wiegner‘s most recent 3D animation of a poem by Robert Lax is among the films scheduled for screening this Saturday, October 17, at Visible Verse in Vancouver, North America’s longest-running videopoetry festival.
To me, this is an excellent example of how a good videopoem can open up a difficult or hermetic text. If I’d encountered Lax’s poem on the page, I doubt I would’ve given it more than ten seconds of my attention before becoming irritated or exasperated, but Wiegner’s animation is so compelling and so full of surprises, its seven minutes went by all too quickly. Here’s what she wrote in the Vimeo description:
“the light – the shade” is a poem by Robert Lax that plays with the contrasts and opposites light and shade, with bright and dark, black and white, red and blue. The film begins with a nighttime scenery in a city, moves into a room and starts watching the movement of the shadows on the wall. Finally the camera enters the screen of a laptop and goes deeper and deeper into the poem. The film becomes a journey through the realm of imagination, through spaces and pictures, through letters and words. In that way the minimal language of the poem is unfolded into unexpected pictures.
Book your tickets! The annual autumn parade of poetry film festivals is about to begin. Some calls are still open: for the Vienna, Ó Bhéal and CYCLOP festivals (see below), and for the as-yet-unscheduled 5th Sadho Poetry Film Fest (deadline: October 30) and International Film Poetry Festival in Athens (deadline: November 20). And don’t forget that submissions to Zata Banks’ PoetryFilm screenings series never close.
September 15-19, Vilnius, Lithuania
TARP Audiovisual Poetry Festival 10: INTER-states
This year‘s special touch – audiozine, which will see poets Dainius Gintalas, Laima Kreivytė, Marius Burokas, Benediktas Januševičius, Agnė Žagrakalytė and others being recorded reading poetry in their favourite settings.
The last day of the festival TARP 10 will be dedicated to TARP academy, together with video poetry researchers Sarah Lucas and Lucy English from Great Britain, andan open discussion with the festival guests. The closing of the festival will be crowned as usual by an open mic readings and the opening of the „INTER-states“ exhibition – because it is just the festival that will end, while poetic states will flutter in the air for long afterwards.
September 30, Minneapolis, MN, USA
Big Bridges Film Festival
Mark your calendar for September 30, 2015 when we will reveal the winners of the Big Bridges Film Contest! The event, hosted by MotionPoems and the Target Studio at the Weisman Art Museum, will include a special screening of selected films from the contest. All are welcome!
More details coming soon at www.BigBridgesWAM.com!
October 4-11, Cork, Ireland
Ó Bhéal @ IndieCork Film Festival
→ Submissions open until September 15
This is Ó Bhéal’s sixth year of screening poetry-films (or video-poems) and the third year featuring an International competition.
Up to thirty films will be shortlisted and screened during the festival, from 4th-11th October 2015.
October 10-11, Worcester, MA, USA
Rabbit Heart Poetry Film Festival
Rabbit Heart 2015 will once again be at the delightful Nick’s Bar in Worcester, MA! This year there will be two shows–
Showcase Matinee – Saturday, October 10th 12-3pm
Join us for lunch, and check out some of the fantastic material that we wish we had time to share at the awards ceremony (we got SO many good entries this year!) We will screen the best of the best that didn’t fall into prize categories, as well as curated showcases from renowned UK archivist Zata Banks of PoetryFilm. Watch this space for more information on the individual showcases.Awards Ceremony and Viewing Party – Sunday, October 11th 8pm (doors at 7:30)
The show you’ve been waiting all year for – the best of the best, the handing out of trophies, popcorn and fancy dresses, and your lovely emcees Tony Brown and Melissa Mitchell! Come meet your judges and cheer for your finalists – and see who takes home the sparkle-hearted bunny for Best Overall Production.
October 17, Vancouver, BC, Canada
Visible Verse 2015 Festival
Presented by The Cinematheque since 2000, Visible Verse is one of the longest-running video poetry festivals in the world. Video poetry is a hybrid creative form bringing together verse and moving images. Visible Verse selects its annual program from hundreds of submissions received from local, national, and international artists.
On the occasion of the 2015 festival, The Cinematheque says a fond farewell and expresses its great gratitude to Heather Haley, founder of Visible Verse and its curator and host from 2000 to 2014. We welcome Vancouver poet Ray Hsu into his new role as Visible Verse’s artistic director.
November 20 and 22, Kyiv, Ukraine
5th CYCLOP International Videopoetry Festival
→ Submissions open until September 30
The festival programme features video poetry-related lectures, workshops, round tables, discussions, presentations of international contests and festivals, as well as a demonstration of the best examples of Ukrainian and world videopoetry, a competitive program, an awards ceremony and other related projects.
December 5-6, Vienna, Austria
Poetry Filmfestival Vienna (AKA Art Visuals & Poetry Festival)
→ Submissions from German-speaking countries open until September 15
After an inspiring Poetry Film Festival in 2014 we are happy to go on in 2015. What´s new in 2015? We found a new festival location in middle of city center. Metro Kinokulturhaus. It’s one the most beautiful cinemas in Vienna and the result of a new cooperation with Filmarchiv Austria.
Vancouver’s Visible Verse Festival is the longest-running poetry film and videopoetry festival in North America, and last April we shared the sad news that its founder and long-time director Heather Haley had reluctantly decided that she couldn’t do it anymore. Today on their Facebook group page, however, writer and entrepreneur Ray Hsu posted:
Just wanted to give y’all a heads up that Visible Verse is on for this October. Longtime Artistic Director Heather Haley will continue to offer her wealth of knowledge as an Advisor while I will step in as Artistic Director. I will try my absolute best to fill her shoes. :)
And he shared this Call for Entries:
VISIBLE VERSE FESTIVAL 2015
Call for Entries and Official Guidelines:
We seek videopoems and poetry films with a 7 minute maximum duration.
Works will be judged by their aesthetic interest, innovation and the integration/interplay between film and poetry.
The ideal video poem plays with image and word, whether the words are seen, heard or otherwise approached in the context of the piece.
Please do not send documentaries as they are beyond the scope of this genre.
Entries in any language are accepted, though if the video is not in English, then an English-dubbed or -subtitled version is preferred. Videopoems may come from any part of the world.
Please submit by sending the URL to your videopoem for previewing, along with a brief bio and contact information to Ray Hsu (Artistic Director) at drrayhsu@gmail.com.
If selected, you will receive notification and further instructions. Selected artists will be paid a standard screening fee.
VISIBLE VERSE FESTIVAL 2015 is scheduled to take place in October at the Cinematheque in Vancouver, Canada, in October.
DEADLINE: August 15, 2015
This is such great news. A huge thanks to Ray Hsu for stepping up and to Heather Haley for agreeing to stay on in an advisory capacity. Please join me in wishing them every success in this transition period, and do consider sending your best work.
UPDATE: Visible Verse will continue after all!
Vancouver’s long-running Visible Verse Festival, which justly described itself as “North America’s sustaining venue for the presentation of new and artistically significant videopoetry and film,” is coming to a close. Festival organizer Heather Haley first mentioned the likelihood of discontinuing it in an update to her personal Facebook page last fall, after the successful completion of the 2014 festival. She’s now made it official with a post to the Visible Verse Facebook group:
It is with great sadness that I must inform you, my fellow videopoem and poetry film aficionados, that the Visible Verse Festival is coming to a close. My circumstances have changed drastically in the past few years and I can no longer afford to donate my time, especially as the work load, along with the festival, continues to grow. I now have a *real job,* rather a crappy job but one has to pay the bills, so neither do I have time to seek funding or find a sponsor. I am very grateful to the Cinematheque’s volunteers and staff, especially Artistic Director Jim Sinclair. We had a great run! I will keep this group page up, please feel free to continue posting and sharing.
Originally known as the Vancouver Videopoem Festival, it had its first run in 1999, found a home at The Cinematheque the following year, and ran every year since, with Haley doing most of the work single-handedly. Historically speaking, along with VideoBardo in Buenos Aires (biannual since 1996), Visible Verse bridged the gap between the Poetry Film Festival/Cin(E)-Poetry Festival in San Francisco—the world’s first poetry film festival, which ran from 1975 to 1998—and ZEBRA, PoetryFilm, TARP, Sadho, and all the other poetry-film festivals and organizations that sprang up in the new millennium. Haley also helped set the tone for many of these later festivals with her eclectic and inclusive approach to programming, representing mainstream, avant-garde, and spoken-word communities in roughly equal measure. She was a major inspiration for Moving Poems, as well. Visible Verse will be missed, but here’s hoping that Haley continues to direct her own poetry films and collaborate with other filmmakers as time permits.
Ladies & Gentlemen! Announcing the 2014 VISIBLE VERSE FESTIVAL program:
INTERMISSION
The leading videopoetry festival in North America, Visible Verse, takes place in Vancouver every fall. Heather Haley, the organizer, messaged me on Facebook to let me know that they are already open for submissions again. Here’s the call from their new website:
Call for Entries and Official Guidelines:
- VVF seeks videopoems and poetry films with a 12 minute maximum duration.
- Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
- Please do not send documentaries as they are outside the featured genre.
- Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required. Videopoems may originate in any part of the world.
- Please submit by sending the url/link to your videopoem for previewing to VVF Artistic Director Heather Haley at: hshaley@ emspace.com along with a brief bio and contact information. If selected, you will receive notification and further instructions.
- There is no official application form nor entry fee.
2014 Visible Verse Festival will take place in October
Submission deadline: July 1, 2014
Two other international poetry film festivals are also currently open for submissions: the ZEBRA Poetry Film Festival in Berlin (deadline: 25 April) and The Body Electric Poetry Film Festival in Fort Collins, Colorado (deadline: 16 February).
If you organize, or simply know about, other poetry film festivals and contests, please contact me when they open for submissions so I can help spread the word.
The latest installments from our two favorite monthly columnists don’t disappoint. In his “Swoon’s View” column at Awkword Paper Cut, Marc Neys considers “Two Cinematic Approaches to the poetry of Elizabeth Bishop”: “First Death in Nova Scotia” by John Scott, and “Where are the Dolls” by Cassandra Nicolaou.
The editing is thoughtful and draws the viewer inside the story (I love the jump cuts between the introvert close-ups of the woman and the loud and intimidating girls). Nicolaou did an amazing job in translating the poem to this day and age with respect and love for the original words, accenting the power of Elizabeth Bishop’s poetry. And when it’s over, I want to see it again.
And in her “Third Form” column at Connotation Press, Erica Goss mixes interview with analysis for an in-depth portrait of Heather Haley, organizer of the long-running Visible Verse Festival in Vancouver and a talented filmmaker in her own right.
Heather Haley’s videos take risks. They deal with domestic violence, eating disorders, prostitution, and other serious issues that affect society. “I don’t set out to deliver a message. I don’t like being preached at and I don’t want to preach. My work comes from my experience, but it’s also universal. I don’t theorize,” Heather told me. “There’s not enough time for that.”
October is definitely the biggest month on the calendar for fans of videopoetry/filmpoetry, cinepoetry and animated poetry, with at least six seven major events on both sides of the Atlantic. Here’s a brief rundown:
Canada
Ireland
Italy
Lithuania
U.K.
U.S.