~ slam poetry ~

A Short History of Spoken Word Poetry

If you’ve ever wondered, as I have, why the U.K. has such an incredibly vital spoken word scene, this charming animated short from Apples and Snakes’ Spoken Word Archive will bring you up to speed. (Yes, YouTube gets a nod.)

Spoken Word Archive is a celebration of the artists and the events that make up the Apples and Snakes story, as well as the wider story of the modern spoken word poetry movement.

http://www.spokenwordarchive.org.uk

Apples and Snakes is the leading organisation for performance poetry in England, with a national reputation for producing exciting and innovative participation and performance work in spoken word.

http://www.applesandsnakes.org
http://www.facebook.com/applesandsnakes
http://www.twitter.com/applesandsnakes

Animated by Caroline Rudge and Creative Connections
Voiceover by Charlie Dark
Script by Ben Fagan
Produced by Nicky Crabb, Ben Fagan and Giovanna Coppola
Research from the Spoken Word Archive team: Russell Thompson, bleue granada and Chikodi Nwaiwu.

The Art of Poetry Film with Cheryl Gross: “Scalia’s Poetry Slam”

still from Scalia's Poetry Slam
View on Vimeo or at Daily Kos (which includes the text of the found poem).

Scalia’s Poetry Slam
Animation by Mark Flore
2015

For many years I made a living poking fun at people. And why not? There was money to be made and I was good at it. I’m still pretty good at it but now I’m a bit more reluctant to parade my sarcasm and wit for fear of backlash. There are those who misinterpret humor, sarcasm, satire, etc., but as the saying goes, fuck ’em if they can’t take a joke.

That being said, this week’s (bi-monthly) review is an animation that pokes fun at Supreme Court Judge Antonin Scalia—as well as the poetry community. The creator Mark Flore takes a political stand and combines it with slam poetry. The result is hilarious.

Scalia’s Poetry Slam is well done, unpretentious and fun. It reminds me of how unassuming animation on TV used to be when I was a kid. Aside from the process being labor intensive (artists would hand-draw every movement), I assume there was a time factor involved as well. The cartoons were created for network television and clients can be demanding. The artists had to get the message across using a minimal amount of movement. This applied to some animation houses but not all (Disney had larger teams and produced multiple projects). Much like the cartoons of yesteryear, this one gets the point across without all the bells and whistles. I like to compare it to the style of humor in a New Yorker cartoon: it’s the old less-is-more theory. The piece relies on simplicity to carry the joke. Scalia’s Poetry Slam does a good job in embracing irony and helps put a smile on one’s face, reminding us not to take ourselves too seriously.