Llenyddiaeth Cymru/Literature Wales is offering a course called The Language of Film Poetry. Let me just paste in their description of the course and instructors (none of whom I was familiar with):

Course 20: The Language of Film Poetry
31 March – 13 April
Tutors: Zillah Bowes, Asher Tlalim and Jane Corbett
Guest: Chris Pow
Fee: £1,750 per person

Participants will be selected. Please download the course document for full details on how to apply.

Whatever your background in documentary film-making, this practical course will help you develop your creativity and find fresh ideas in your work. During the course, you’ll make a short film poetry exercise in response to a written poem of your choice. In a series of workshops, we’ll focus on how to think about sound and image in a juxtaposed way. In the first week, tutorials will focus on developing your idea and shooting your short film, and during the second week, on editing it.

Zillah Bowes is an award winning film-maker and poet. Her films as a cinematographer include Enemies of Happiness, and She, A Chinese. Her debut as a director, Small Protests, was nominated for a Grierson Award, screened internationally and won, among others, the Current Short Cuts award. Zillah trained at the National Film and Television School, where she currently teaches. www.zillahbowes.com

Asher Tlalim has run workshops on Film Poetry at the Sam Spiegel Jerusalem Film School and the National Film and Television School in the UK. An Israeli Film Academy Award winner based in London, he’s been the screenwriter, editor and director of many of his films. His films have been shown at the Berlinale, Montreal, Hamptons, Hollywood and many other film festivals.

Jane Corbett is a screenwriter and novelist, who’s written award-winning screenplays for film and TV over the past twenty years. For many years she ran her own successful film-making course in central London and currently teaches at the National Film and Television School.
www.janecorbett-writer.com

Chris Pow is a senior tutor in sound design and mixing at the National Film and Television School. He teaches all aspects of sound design for documentary, fiction and animation. Before joining the NFTS he was a dubbing mixer and director of facilities company Universal Sound.

There’s more information in the linked PDF. The introductory paragraphs suggest that the focus of the course is more on making documentary poetry films than on filmpoetry, videopoetry, cinepoetry, etc., but that’s not entirely clear:

This is a practical course to introduce and explore the language of film poetry in documentary filmmaking. Whatever your background in documentary filmmaking, this course will help you develop your creativity and find fresh ideas in your work.

During the course, you will make a short film poetry exercise in response to a written poem of your choice. As it is the centenary of Dylan Thomas, you are also welcome to respond one of his poems.

During the first week we will explore the concept of film poetry and its parallels with written poetry. We will look at the differences between film prose and film poetry. In a series of workshops, we will focus on how to think about sound and image in a juxtaposed way. We will look at how to create expressive images and explore the use of non-synchronous sound and music.

Regardless of which sort of poetry film will be taught, it’s exciting to see such a course being offered, and the venue looks gorgeous. Visit the webpage to download an application.