An author-made videopoem by Kate Greenstreet. As always, she was assisted by Max Greenstreet, listed in the credits as “right hand”. The text is poem #7 in her latest book from Ahsahta Press, The End of Something (where the poems rather than the pages are numbered), and the soundtrack incorporates the 7th track in Greenstreet’s EP drawn from the book, birds in the house. The video first appeared in Typo 28.
The End of Something is, by the way, a beautifully designed book which I read last month with great enjoyment, savoring the openness of the poems, full of imaginative leaps and half-unspoken truths that induce a kind of contemplative mood. This quality makes them ideal for multimedia adaptation, I think. Watch all four of the videopoems from the book, and download the EP, on the book’s website.
“This videopoem is based on the chapter “Act” from my book Young Tambling,” says Kate Greenstreet in the Vimeo description. Young Tambling is “experimental memoir” that includes “poetry, prose, art”; read excerpts on Greenstreet’s website. Here’s the Ahsahta Press catalog description:
Young Tambling resonates with Greenstreet’s relentless exploration of what it means to be human, to need to feel, to make art. Memory, in this book of “experimental memoir,” works something like the narrative tactics of a traditional ballad— “alternate leaping and lingering,” in one formulation. Greenstreet does not dabble in teleological platitudes: the lives crosscutting these poems are not singular but plural and sublime, full of sacrifice and empathy for the lost. In Young Tambling, a life’s meaning is born of its poet’s song, and a memory cannot reveal its truth until it finds its ballad.
Poet and filmmaker Kate Greenstreet’s most recent book of poems, The Last 4 Things (Ahsahta Press, 2009) included a DVD with two films based on the book’s contents. This is an excerpt from one of them. For more about the book and DVD, including links to reviews and interviews, see her website. Here’s her bio.