Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.
From German director Beate Gördes, who was born in 1961 in Germany, and currently lives and works in Cologne. She studied Fine Arts at the University of Applied Sciences in Cologne. Since 2006, her main focus has been on video compositions combined with electroacoustic sounds. She has participated in exhibitions both nationally and internationally since 1985, including most recently the 2023 COLLAGE ON SCREEN Kolaj Fest New Orleans, USA; 2023 INTERNATIONAL POETRY FILM FESTIVAL OF THURINGIA, Weimar, Germany; 2022 HIER NICHT HIER (with Dagmar Lutz) TENRI Japanese-German Cultural Workshop Cologne, Germany; and 2022 ZEBRA Poetry Film Festival, Berlin, Germany.
Judges’ statement: “Bewitched and glitchy—a mesmerizing film with strong use of layout and a graphic image. Great sound choice, eerie but not too dominating.”
Joseph Salvatore Aversano is a native New Yorker currently living on the Central Anatolian steppe with his wife Asu. His poems have been published in numerous journals and some have been awarded or anthologized. He is the founding curator of Half Day Moon Press and editor of Half Day Moon Journal. We chose five different films that used his haibun, “The Gone Missing,” intrigued that so many filmmakers chose to work with it, and eager to show the variety of approaches that poetry filmmakers can take.
Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.
Janet Lees is a lens-based artist and poet. Her films have been selected for many festivals and screenings, including the Aesthetica Art Prize, the ZEBRA Poetry Film Festival, and Festival Fotogenia. In 2021 she won the Ó Bhéal International Poetry-Film competition. Her art photography has been exhibited around the world and her poetry is widely published and anthologised. She has had two books published: House of Water, a collection of her poems and art photographs, and A bag of sky, the winning collection in the Frosted Fire Firsts prize hosted by the UK’s Cheltenham Poetry Festival.
Director’s statement: I use the camera as a storytelling machine rather than a documenting device. I think film, photography and poetry are among the most important means of creative expression in the Anthropocene. Joseph Aversano’s intriguing haibun ‘The Gone Missing’ seems to me to encapsulate so much of the nature of humanness and life in these times; a sense of living on a knife edge of destructive compulsions. As a photographer and filmmaker I am drawn to damaged, dangerous places, so this piece absolutely struck a chord.
Judges’ statement: We loved the framing, the camera angle, the flickering filtered sunlight and the soundtrack, and admired the build-up to the closing shot, which somehow fully expresses Aversano’s enigmatic haiku.
Joseph Salvatore Aversano is a native New Yorker currently living on the Central Anatolian steppe with his wife Asu. His poems have been published in numerous journals and some have been awarded or anthologized. He is the founding curator of Half Day Moon Press and editor of Half Day Moon Journal. We chose five different films that used his haibun, “The Gone Missing,” intrigued that so many filmmakers chose to work with it, and eager to show the variety of approaches that poetry filmmakers can take.
Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.
A Super 8-style film by Pete Johnston, one of two films by him that we selected for the festival. Pete Johnston teaches and makes film at Michigan State University in East Lansing, Michigan. He co-founded the FILMETRY online festival of poetry and film with Cindy Hunter Morgan.
He told us: “Aversano’s piece, the shortest of the bunch, obviously evokes a lot for so many people, hence why it was adapted so many times! I was no different and got to use some old footage and create some new footage to go with it. I’m fascinated to get to see all the versions and it highlights what makes cinepoetry or filmetry a favorite mode of mine, the way cinema can interpret and reinterpret poetry in unique ways artist to artist.”
Judges’ statement: “We liked the balance between playful fun and melancholy that the two scenes create. It all worked together to create a lovely sense of real people that we could actually know and their journeys away from each other. We also appreciated the treatment of the text on screen, which really helped us make sense of the haibun.”
Joseph Salvatore Aversano is a native New Yorker currently living on the Central Anatolian steppe with his wife Asu. His poems have been published in numerous journals and some have been awarded or anthologized. He is the founding curator of Half Day Moon Press and editor of Half Day Moon Journal. We chose five different films that used his haibun, “The Gone Missing,” intrigued that so many filmmakers chose to work with it, and eager to show the variety of approaches that poetry filmmakers can take.
Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.
Marilyn McCabe’s second full-length collection of poems, Glass Factory, was published by The Word Works in 2016, and her second chapbook, Being Many Seeds, was published in 2020 by Grayson Books. She’s based in upstate New York.
She included this note: “The haiku portion of the haibun form often sounds to me like a whisper. Mr. Aversano’s piece felt so intimate to me that a soft delivery of the prose portion and a silent haiku felt appropriate for the video, and fit perfectly with the video footage of moving mist I captured in the Adirondacks one day.”
Judges’ statement: “Beautiful footage in black and white, the soft floating mist and soft clouds contrasting with the spiky lines of the tree in the foreground, creating an unnerving and strong sense of cataract and uncertainty.”
Joseph Salvatore Aversano is a native New Yorker currently living on the Central Anatolian steppe with his wife Asu. His poems have been published in numerous journals and some have been awarded or anthologized. He is the founding curator of Half Day Moon Press and editor of Half Day Moon Journal. We chose five different films that used his haibun, “The Gone Missing,” intrigued that so many filmmakers chose to work with it, and eager to show the variety of approaches that poetry filmmakers can take.
Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.
From Australian director EnD, AKA Nigel Wells.
Director’s statement: “Produce, Produce, Produce!”
Judges’ statement: “A colorful film with some great changes of pace and use of speeded-up footage. Though rather literal at times, there was an interesting mix of images that worked to not feel too obvious overall.”
Joseph Salvatore Aversano is a native New Yorker currently living on the Central Anatolian steppe with his wife Asu. His poems have been published in numerous journals and some have been awarded or anthologized. He is the founding curator of Half Day Moon Press and editor of Half Day Moon Journal. We chose five different films that used his haibun, “The Gone Missing,” intrigued that so many filmmakers chose to work with it, and eager to show the variety of approaches that poetry filmmakers can take.