For his fourth film for a Howie Good poem, Swoon enlisted the help of a couple of other cameramen. Here are the credits as given in the film description on Vimeo:
Words and voice: Howie Good
Camera: Diego Diaz, Anthony Jackson and Swoon
Treats, editing and music: SwoonCredit and many thanks to: Diego Diaz (woman in shower) and Anthony Jackson (man on balcony) for their footage and great camerawork.
Howie sounds especially sinister slowed down like this. The stark black-and-white imagery and unusual wide-screen format are also a great fit with the poem, I thought.
The poem may be read online at Threatening Weather, the audio chapbook from Whale Sound.
http://www.vimeo.com/24165960
A film called Parental Guidance by Belgian artist and composer Swoon, his third for a poem by Howie Good.
Update: Video has been made private.
Swoon‘s second film for a poem by Howie Good (look for the third here next week). I think the fugal structure works really well with this poem, especially in light of the last sentence:
You can hear if you really listen
the common names for things
weeping noisily beneath the music.
The poem appears in Lovesick from Press Americana (2009). Here’s a review.
This video captures the nightmarish aura of the poem, but at the same time becomes a separate work of art. It does more than interpret the poem; it reinvents the poem in a new medium. Its propulsive imagery, editing, and soundtrack create an unnerving sense of urgency that the original never attained, but that it greatly profits from in its second life as a video.
This video gives precedence to the poem’s words, but without sacrificing or marginalizing visuals. In fact, the dense, gloomy background visuals and monotone music heighten the tragic sense of the poem, punctuating its doomsday storyline and elegiac atmosphere.
The most visually crisp of the videos submitted, it also uses some of the most unexpected imagery, as when the word “cornfield” is blackened out in the text. And how can you not love that ukele being plinked in the background.
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Thanks again to all the entrants, congratulations to the winners, and thanks to Howie for acting as judge. (Those are his blurbs for each of the prize winners.) I’m very pleased with how this contest turned out: the goal was to showcase a diversity of approaches to the poetry-film or videopoetry genre, and I think we succeeded in doing that.
I am very open to suggestions for future contests. I don’t want to sponsor contests so often that they become a chore, but I’m not sure I want to wait a whole year before doing another one, either, so maybe in three to six months… I also don’t want to do the exact same thing next time with a different poem, unless perhaps it’s a radically different kind of poem; I’d rather come up with a novel challenge. Feel free to email me or leave comments with your ideas.
http://www.youtube.com/watch?v=XGCgRcBZ4xU
Thanks to everyone who entered Moving Poems’ first contest! Howie Good and I were extremely impressed by the high quality and variety of the submissions. The judging worked as follows: we decided jointly which videos qualified as finalists and Howie ranked them, soliciting my opinion in a couple of cases, but ultimately making the final decisions. Tomorrow: the 1st, 2nd and 3rd place winners, and thoughts about the next contest.