~ Poet: Henrique Costa ~
Le Mince Rideau (The Thin Curtain) by Henrique Costa
Brazilian American poet Henrique Costa says,
I wrote this poem in 2019 and made it into a film with Jonny Knowles in mid-2020.
Another collaboration with the outstanding Mr. Knowles, in which we sought to capture l’air du temps.
Jonathan Knowles is an award-winning filmmaker and animator from Huddersfield, UK. This is his sixth poetry-film collaboration with Costa; this is the third we’ve shared here, and you can watch the others on Costa’s Vimeo page.
The current events unfolding in this four-year-old film still feel current, with so much civil unrest and the hegemonic world order continuing to unravel, so the blend of French in the voiceover with English in the subtitles and scenes from Brazil and elsewhere seems fitting.
A Sonnet to the Smartphone by Henrique Costa
Back in May, Dave wrote some words about a video from the poem The Long Burial by Brazilian-American writer Henrique Costa. That piece was a collaboration between Costa and UK film-maker and animator Jonathan (aka Jonny) Knowles.
They made A Sonnet to the Smartphone a few months earlier. It is an elegiac and then rousing cry for our times. For both videos they teamed up with actor Suzanna Celensu, also in the UK, who appeared and voiced the soundtracks.
All parts of this collaboration are equally wonderful. Let’s hope there are more videos from them in the future as well.
The Long Burial by Henrique Costa
British filmmaker and animator Jonathan Knowles collaborates with Brazilian-American poet Henrique Costa, who lives in Brazil but writes poetry in English. Costa told us
I started making video poems in November 2019, when I teamed up with Jonny Knowles, an English director from Huddersfield, in the UK.
Since then, we have made five video poems. [The Long Burial] was written in 2017, but was reinterpreted by Jonny to address the strange times in which we are living now, in the spring of 2020.
I found the contrast between the formal sonnet and the glitchy, hyper-modern video especially effective. The soundtrack, including voiceover by Suzanne Celensu and music by Alias Here (AKA James Cunliffe) was also excellent.
