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On the stars outside by Dena Rash Guzman

Dena Rash Guzman supplies the words and voice for a Swoon video that includes footage from a 1915 version of Alice in Wonderland by W.W. Young. Guzman “wrote the poem inspired by raw footage and sounds send to her by Swoon,” according to the description on Vimeo, following which he re-edited the footage and added the silent film images.

It’s always interesting to see the results of such close collaborations between filmmaker and poet. Swoon goes into much more detail in a post at his blog. At one point in the process, he emailed Guzman:

I chose ‘Alice in Wonderland’ footage to layer with the ‘dirt-video’ you knew.
The images do not glide or work together, they seem to ‘interfere’
(Wikipedia: “The phenomenon of retroactive interference is highly significant in the study of memory as it has sparked a historical and ongoing debate in regards to whether the process of forgetting is due to the interference of other competing stimuli, or rather the unlearning of the forgotten material.”)

Your poem is full of warm memories on one side (though nobody loves to have lice, I guess) but I wanted to use some kind of ‘luring danger’ (the rabit) as a kind of visual ‘counterpoint’ with the darker music as guide to the unknown that is outside…

Swoon also quotes Guzman’s summary of the experience:

I love writing from prompts and so when you sent me the video and sound samples I sat down to ingest them like a glass of wine. I kind of meditated on the titles of the samples and the content itself and began firing off poem after poem. Dirt was the inspiration for the poem you selected. Dirt makes me think of earth, soil, dust, decay. It’s not dirty, though it can impose itself to make things so. For me, dirt is a host for the living, and that brought me to a childhood experience: I got lice at school when I was 8.

It was exciting to take your work, give you mine, and get your work back. I’m a fan of Poem films and yours in particular and it was a great experience.

The Altruist by T. Carmi

A moving tribute to the power of poetry from Israeli filmmaker Avi Dabach and PTSD-sufferer Micha Shalvi, who describes how the poem by T. Carmi — which he reads at the end — saved his life.

graffiti angel / infinity part 1 by Kathy McTavish

This is by far the most beautiful and successful example of computer-generated videopoetry I’ve seen. I recommend expanding it to full screen, putting on headphones, and immersing yourself in the flow. Here’s the description from Vimeo:

kathy mctavish, sound, text, code and moving images – part of the holy fool project – funded by the jerome foundation and the minnesota state arts board – code generated using open source semantic web gears / pulleys / bolts / html5 / xml / css3 / javascript. This video is a screen shot of a computer-generated session.

Graffiti angel premiered at Zinema 2 in Duluth, Minnesota on September 13, according to McTavish’s website, which also includes video embeds of a number of shorter sketches.

As for the Holy Fool Project of which this is a part, according to an event description on Google Plus,

Holy fool is a live performance & multimedia installation. It is the culmination of a year-long project by cellist, composer & transmedia artist, Kathy McTavish.

On November 9th she joins forces with Sheila Packa (poet), Cathy Podeszwa (illumination), Cecilia Ramon (the infinite line), Anton Jimenez-Kloeckl (voice), Molly Tillotson (iron bells), and Carla Stetson (the map) to create a multi-sensory, immersive reflection on our times.

Tickets are available for $10 through the Sacred Heart Music Center

…which is on 201 West 4th Street, Duluth, Minnesota. Here’s their website. The performance/installation will take place on Friday, Nov 9, 8:00 PM – 10:00 PM EST.

The Herrin’ Trail by Rita Bradd

Alastair Cook writes about his 24th filmpoem:

The Herring Trail was commissioned by North Light, based on the poem The Herrin’ Trail by Rita Bradd as part of my summer residency at McArthur’s Store in Dunbar. I spent 3 months there over the summer, working with the fishermen using wet plate collodion (a photographic process from 1851), 120 film and shooting with 8mm and 16mm. This film has scant relation to that, as I’ve used film given to me by the British Council, which is deliberately digitally extrapolated.

To be able to find such a wonderful poet in Rita was inspiring and I asked her to compose for the filmpoem on the Clarsach (or Lever Harp, if you’re not in Scotland) and I read the poem so that she might play. We premiered this at Sally Evan’s Callander poetry weekend in early September 2012 to a full house, with Rita playing live while i read over the film. Lovely to read in my native Scots, though not quite in my natural Galloway Irish/ Ulster Scots brogue!

Judging by North Light Dunbar’s news blog, Alastair has been very busy there indeed. They also have a page about his residency. I like the bio:

Alastair works predominantly with lens-based media as an analogue photographer concentrating on antique technologies and as a filmmaker using 8mm and 16mm film, combining these with digital technology to great effect. His award winning film and photography is driven by his knowledge, skill and experience as an architect: this mercurial work is rooted in place and the intrinsic connections between people, land and the sea. Alastair trained at the Glasgow School of Art then fled the country, returning after a dutiful spell in London and a more relaxed time in Amsterdam; he now lives and works in Edinburgh.

(Unfortunately, I wasn’t able to find a good webpage for Rita Bradd.)

I-poem 6 by Vangelis Skouras

http://vimeo.com/49758673

Pablo Lópes Jordán directed, filmed and composed the soundtrack for a text by Vangelis Skouras. Jordán noted at Vimeo:

Daily thoughts can be a form of poetry even if, or assisted by the fact that, they are not expressed face to face. Images of real life help these words gain further substance and depth.

I like the leisurely pace at which the text fragments are shared, and how well that contrasts with the more frenetic image-stream and (excellent) soundtrack.

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