~ Nationality: United States ~

Mirror by Sylvia Plath

A brilliant text animation of Plath’s 1961 poem with images from vintage print advertisements. It’s the work of the New Zealand-based designer Kylie May, née Kylie Hibbert — the name under which she made this film and another in 2005, part of a “postgraduate study exploring the visual language of poetry” she called the Belles Lettres project.

By transforming the written words of poetry into choreographed kinetic performance the project seeks to expand typographical conventions of traditional published poetry. The research project utilises the poetry of Emily Dickinson’s (1862) I died for beauty and Sylvia Plath’s (1961) Mirror, to explore the potential of paralinguistics and poetry as emotive narrative. These two poetic voices are fused by intimate revelations of anxiety, which have relevance in today’s society.

Both films were shortlisted for the 2006 Berlin ZEBRA Poetry Film Awards, Mirror attracting a finalist placing.

PLEASE NOTE: Music used under the AUT screenrights license. For academic research purposes only.

I Will Make an Exquisite Corpse by Matt Mullins

A terrific new video from Matt Mullins. I’ll just quote his emailed description of how this came about:

This evolved from a video loop that is one facet of a piece of electronic/interactive literature currently under development (also titled “I Will Make an Exquisite Corpse”). This piece of e-lit will be the third installment in a triptych of pieces I’m creating for lit-digital.com. (The first two are already up there.) The poem and this particular video both play off the concept of the surrealist exquisite corpse [see the Wikipedia article —ed.]. As such, I’m working with the notion of three sections/elements that flow together while remaining singular/disconnected. The poem strives to do this on the page with three sections that stand alone while also flowing together to create a larger whole. Those who want to see the poem in its original form can find it here: http://killauthor.com/issueeight/matt-mullins-2/

The poem and video mean that title line in two ways (i.e., the speaker of the poem is about to create, before your eyes, the surrealist idea of an exquisite corpse; and, the speaker, treading the self-destructive path of the poem, is telling the reader “I know where I’m headed and I’m gonna look damn good dead”).

The motionpoem seeks to do the same through repetition/evolution of its primary elements and its three image specific sections. It’s all footage I shot myself, with the exception of two stills I found online (the anatomy mannequin and the doll’s leg). I did my visual and audio edits/effects/etc in iMovie and Garage Band.

What I Have Learned So Far by Mary Oliver

http://vimeo.com/31104514

O.K., this is something different for Moving Poems — a videopoem made to embody the mission of a university. Marquette University is a Jesuit school whose motto is “Be the Difference.” (Gotta love Jesuits!) The filmmaker is James P. O’Malley of Carnaval Pictures. Here’s what he says in the description at Vimeo:

Using Mary Oliver’s inspirational poem as a script, I created this Poem-Videoclip for the inauguration ceremony of Marquette University’s new president.

I shot all the images solo with my Canon 5D Mark2, using Nikkor and Canon lenses and available light. The sync sound day included John Egan, of Egan Audio Services, and Patrick O’Malley as assistant. Patrick composed, recorded and mastered the piano solo, and John Egan created the sound design and audio master.

The readers are Marquette University students, and all on-camera performers are “non-pro” or “real-people”.

I edited and mastered on FCP, except for the simple graphic call to action I exported from After Effects.

The result is lightly branded enough, I think, to engage Oliver fans unconnected with Marquette. I know I enjoyed it.

No. XLII by e. e. cummings

http://vimeo.com/29969928

Another text-only videopoem, but today with a soundtrack. I’m not crazy about the font-choice — for some reason, I have trouble seeing a Cummings poem in anything but a typewriter font — but otherwise this strikes me as a highly successful re-imagining of the text.

Nic S. blogged about “using text vs voice in videopoems” the other day, and it’s sparked an interesting discussion in the comments, with videopoetry pioneer Tom Konyves weighing in.

Disillusionment of Ten O’Clock by Wallace Stevens

http://vimeo.com/26089551

A visually arresting, silent watercolor animation by Lilli Carré. The poem has its own Wikipedia page. (Hat-tip: Hannah Stephenson)

In Praise of My Brother, the Painter by Michelle Bitting

Another film directed by Michelle Bitting for one of her own poems, with editing by Phil Abrams. Great use of found material, I thought, suggesting quite a bit more than the text itself says about the narrator’s brother.

Prison Hounds by Cynthia Cox

A new video for an old poem by Cynthia Cox, using found footage from the Prelinger Archives. Cynthia writes,

The footage is from an excruciatingly bad ‘scary’ film I found in the Prelinger Archives written by John Parker called “Daughter of Horror.” The howling hounds I downloaded from iTunes and ran through the iPhone VoiceChanger app, because on its own the howling sounded too low and kinda dopey. Honestly, there is a prison right behind my neighborhood, and when they run the dogs there’s a much higher, keening sort of sound that I couldn’t get VoiceChanger to duplicate, so I went with an effect called “Haunting.” Then I recorded my voice with VoiceChanger as well, using an echo effect mostly to try and disguise the pops I made on “prison” and “quiet” (didn’t really work, but I timed everything else about the reading out so well I chose not to re-record. I’m far from a perfectionist.)

Everything Simple Becomes Complex by Howie Good

http://vimeo.com/29124206

Another Swoon film for a poem by Howie Good — his seventh to date. The description at Vimeo characterizes this as “an edited, layered compilation of ‘simple’ camera-errors, to fit the jagged music and the title of the poem itself.”

Landscape with the Fall of Icarus by William Carlos Williams

http://www.vimeo.com/28799428

Making a videopoem for a poem that was written in response to a painting is always a challenge. Nic S. used footage of a California forest fire from 1914 in what strikes me as a fairly successful pairing.

In other Nic S.-related news, she has just launched a new venture that should be of interest to anyone making poetry videos — Pizzicati of Hosanna: dead poets’ poems read by Nic S. in English & other languages. According to a note in the sidebar, “These recordings may be used for any type of creative non-commercial project. No need to ask permission.” Poets recorded so far include Stevens, Baudelaire, Quasimodo and Neruda, all in the original languages.

one moment passes by Robert Lax

German animator Susanne Wiegner made this film with audio from the late poet, who “did nothing to court publicity or expand his literary career or reputation,” according to the Wikipedia. A man after my own heart!

Commands by Dana Heise

http://vimeo.com/17160224

In the description at Vimeo, multimedia artist and poet Dana Heise writes,

Commands is a performance video and sound poem that addresses desire and the boundaries of consensual relationships.

Icicles by Todd Boss

A motionpoem created by Michael Guncheon and Ben O’Brien.

And speaking of Motionpoems, if you can get to Minneapolis on October 25, they’re planning to screen a whole new season’s worth of films, which will include poems by Jane Hirshfield, Mark Strand, Richard Wilbur and others — a dozen in all, produced to accompany the Best American Poetry 2011 anthology From Scribner. See their website for details.