“People and places from a recent trip to San Diego, CA,” says documentary photojournalist and filmmaker Kristyn Ulanday in the description at Vimeo. I think she rather understates the awesomeness of this videopoem. (For the text of the poem, see Poets.org.)
http://vimeo.com/38687396
Three poems in one video by the indefatigible Swoon. The poems are: “Spread Out,” “Trash” and “A Sonnet for Edgar Allan Poe.” For the texts, see Swoon’s blog post about the video.
These poems are from Becoming Judas by Nicelle Davis, forthcoming from Red Hen Press. The wonderfully whimsical drawings by Cheryl Gross are animated in a fairly basic style which the description at YouTube dubs “motion graphics.”
This is the English version of the “visual poem” Boy in Blue with poetry by Kwame Dawes, images by photographer Andre Lambertson, editing by Robin Bell and music by Kevin Simmonds. See YouTube for the text.
I’ve decided to change course here and begin occasionally posting films that consist entirely of still images so I can feature projects like this. The technical term for a film montage of still images (often found in documentary films) is kinestasis, so that’s the name of this newest category at Moving Poems.
I previously shared Dawes’ kinestases with photographer Joshua Cogan, Live Hope Love, which was about living with HIV in Jamaica. Voices from Haiti is a newer series, also produced by the Pulitzer Center, which explores life after the earthquake in Haiti, focusing on the lives of those affected by HIV/AIDS.
At the AWP conference in Chicago the week before last, I had the pleasure of seeing Mr. Dawes speak about the collaborative process involved in making these videos, and was impressed by the extent to which he and the other artists involved in these projects seem to have stumbled upon some of the same principles that make regular videopoems or filmpoems work: the importance of the soundtrack and the need for juxtaposition rather than simple illustration to created multiple narratives in the listener’s head — “reportages in dialogue,” as he put it. These visual poems are creations in their own right, different from purely textual poems, and would not have happened without collaboration between poet, photographer and composer, he said.
I just discovered that someone had uploaded a copy of this landmark film from 1952. Anaïs Nin’s husband Ian Hugo directed, with text from Nin’s novella House of Incest recited by the author over an electronic score by Louise and Bebe Barron. While the text may not be poetry per se, the form and style of the film anticipates modern filmpoetry/videopoetry by decades.
One of the 11 Billy Collins animations produced by New York TV station JWT in 2007. This one was directed by Will Hyde with animation by David Vaio.
This jazzy “video poem of New York City” by Jarrett Robertson, with music by Gaeland McKenna, has racked up more than 19,000 views on YouTube and close to 14,000 views on Dailymotion. I’m guessing that the Regis McKenna credited with the text is not the same as the Silicon Valley marketing expert.