~ Nationality: United States ~

Hay Otra Voz—A Chicano Poem by Tino Villanueva

A collaboration between Chicano poet Tino Villanueva and filmmaker Alberto Roblest.

The Mantis Shrimp by Dave Richardson

A meditation on the Mantis Shrimp’s 16 photoreceptors, a yellow blouse from the past, and a desire for more and more color. A previous version of “The Mantis Shrimp” was juried into Liberated Words at MIX: A Conference Exploring Transmedia Writing & Digital Creativity, 16-18, July 2012; Bath Spa University, UK. “The Mantis Shrimp” is now showing at the Tarble Arts Center, Charleston, Illinois, from Sept. 21 to Dec. 2, 2012, in the EIU Art Department Faculty Show.

Thus the description at Vimeo [for an earlier version of the video]. For more of Dave Richardson’s work, see his design website and Rocky Hill Studio blog.

What I Say When You Ask What I’m Up To by Diana Salier

San Francisco-based writer and musician Diana Salier collaborated with the animator and director, Daniel Lichtenberg, on

A paper cutout-style animated video adapted from Diana Salier’s poem WHAT I SAY WHEN YOU ASK WHAT I’M UP TO, from her new book LETTERS FROM ROBOTS.

Diana builds a couch fort to hide herself from a former lover.

LETTERS FROM ROBOTS is out now on Night Bomb Press.

Salier stars in the film (along with Leiandrea Layus), composed the music and did the voice-over. Additional credits include assistant animator Max Berry and gaffer Matt Rome. (One doesn’t see nearly enough poetry films crediting gaffers.) It was produced at Photon SF.

A Year Younger by Hal Sirowitz

Hal Sirowitz’ Mother Said was a bestseller in Noway, whence this film by Kajsa Næss, who notes,

The film is made using a mix of pixillation, cut out photographs and stop motion.
Shot on 16mm

mr. lucky’s jackpot by Martha McCollough

In the description at Vimeo, McCollough notes:

This has more of a straightforward voiceover than most of the pieces I have been making.
Built in after effects, Sound design done using Logic.

Words by VIV G

http://vimeo.com/34825832

This kintetic text animation by VIV G (Vivian Giourousis) definitely qualifies as a concrete poem.

Antique Store by Chloe Zola

This is not, strictly speaking, a videopoem, but it’s something awfully close: a videomemoir by Chloe Zola, part of a series of videos she edited and directed in support of her book Beside My Doorstep.

A Woman by Jillian Brall

Jillian Brall is responsible for the still images of street art as well as the text and reading in this experimental video by VIV G. It’s interesting to contrast this with the way Pablo Lópes Jordán used graffiti in “I-poem 6.”

Edge by Sylvia Plath

UPDATE (3 October 2019): According to a comment (see below) from the maker of the video,

The Poem is from Sylvia Plath and the video making is from Lina Gaitán. The video was made for a film screening in Cali, Colombia, of the movie “Sylvia” by Christine Jeffs.

ORIGINAL POST: According to the description at Vimeo, this videopoem was the opening clip to a 2003 film by New Zealand director Christine Jeffs called Sylvia. Lina Gaitán supplied both the reading in English and the Spanish translation for the subtitles. The introductory text in Spanish points out that this was Plath’s last poem, written four days before her suicide (though other sources claim it was written six days earlier, on the same day as another poem, “Balloons”).

On the stars outside by Dena Rash Guzman

Dena Rash Guzman supplies the words and voice for a Swoon video that includes footage from a 1915 version of Alice in Wonderland by W.W. Young. Guzman “wrote the poem inspired by raw footage and sounds send to her by Swoon,” according to the description on Vimeo, following which he re-edited the footage and added the silent film images.

It’s always interesting to see the results of such close collaborations between filmmaker and poet. Swoon goes into much more detail in a post at his blog. At one point in the process, he emailed Guzman:

I chose ‘Alice in Wonderland’ footage to layer with the ‘dirt-video’ you knew.
The images do not glide or work together, they seem to ‘interfere’
(Wikipedia: “The phenomenon of retroactive interference is highly significant in the study of memory as it has sparked a historical and ongoing debate in regards to whether the process of forgetting is due to the interference of other competing stimuli, or rather the unlearning of the forgotten material.”)

Your poem is full of warm memories on one side (though nobody loves to have lice, I guess) but I wanted to use some kind of ‘luring danger’ (the rabit) as a kind of visual ‘counterpoint’ with the darker music as guide to the unknown that is outside…

Swoon also quotes Guzman’s summary of the experience:

I love writing from prompts and so when you sent me the video and sound samples I sat down to ingest them like a glass of wine. I kind of meditated on the titles of the samples and the content itself and began firing off poem after poem. Dirt was the inspiration for the poem you selected. Dirt makes me think of earth, soil, dust, decay. It’s not dirty, though it can impose itself to make things so. For me, dirt is a host for the living, and that brought me to a childhood experience: I got lice at school when I was 8.

It was exciting to take your work, give you mine, and get your work back. I’m a fan of Poem films and yours in particular and it was a great experience.

graffiti angel / infinity part 1 by Kathy McTavish

This is by far the most beautiful and successful example of computer-generated videopoetry I’ve seen. I recommend expanding it to full screen, putting on headphones, and immersing yourself in the flow. Here’s the description from Vimeo:

kathy mctavish, sound, text, code and moving images – part of the holy fool project – funded by the jerome foundation and the minnesota state arts board – code generated using open source semantic web gears / pulleys / bolts / html5 / xml / css3 / javascript. This video is a screen shot of a computer-generated session.

Graffiti angel premiered at Zinema 2 in Duluth, Minnesota on September 13, according to McTavish’s website, which also includes video embeds of a number of shorter sketches.

As for the Holy Fool Project of which this is a part, according to an event description on Google Plus,

Holy fool is a live performance & multimedia installation. It is the culmination of a year-long project by cellist, composer & transmedia artist, Kathy McTavish.

On November 9th she joins forces with Sheila Packa (poet), Cathy Podeszwa (illumination), Cecilia Ramon (the infinite line), Anton Jimenez-Kloeckl (voice), Molly Tillotson (iron bells), and Carla Stetson (the map) to create a multi-sensory, immersive reflection on our times.

Tickets are available for $10 through the Sacred Heart Music Center

…which is on 201 West 4th Street, Duluth, Minnesota. Here’s their website. The performance/installation will take place on Friday, Nov 9, 8:00 PM – 10:00 PM EST.

Septate by Timothy David Orme

Filmmaker and poet Timothy David Orme notes in a webpage for the film:

“Septate” is a short experimental poem film that examines the spaces and tensions between images and abstraction via hundreds of hand painted frames.