~ Nationality: United States ~

Second Firing by Keary Rosen

This entertaining piece by Keary Rosen (text and voice) and Kelly Oliver (filming and editing) is featured in TriQuarterly, one of three videos that kick off the latest issue. The magazine’s mishandling of submissions recently sparked a kerfuffle in the American writing community, suggesting that they may be having growing pains, and they remain out-of-step with web publishing norms in preventing their own videos from being shared on blogs and social media sites (or even viewed on Vimeo) — strong evidence that they have yet to fully transition from the scarcity mentality of print publishing to the abundance mentality of the web. But I continue to be encouraged by their foregrounding of multimedia work, and I wish more web journals would follow their lead in that respect.

UPDATE (24 July 2014): I’m pleased to report that all TriQuarterly films are now embeddable.

on a prophet by Kathleen Roberts

she says that she
is learning to be immortal
although it has not
been easy
she’s trying to learn
to stop eating she says
nourishment
distracts the body
from its truth…

Indiana-based graphic designer and poet Dave Richardson, best known in the videopoetry world for his 2012 piece “The Mantis Shrimp,” combines forces with poet Kathleen Roberts to make this affecting and effective videopoem “for the upcoming show With Sirens Blaring at the Prøve Collective in Duluth, Minnesota, August 8-23, 2014.” I usually find it distracting to have a poem appear both in the soundtrack and in words on the screen simultaneously, but somehow Richardson makes it work. He gives a bit more detail about the exhibition on his blog:

Prøve Collective, in Duluth, Minnesota, will display a body of work linking poetry to visual, film, and sound art. Pursuant to a grant from the McKnight Foundation, award-winning Duluth poet Kathleen Roberts is creating an assembly of films and artwork by local and regional artists based on her words. These works will be displayed permanently on her website and in Prøve’s August exhibition, “With Sirens Blaring,” August 8-23, 2014.

Prøve Gallery is “a contemporary and experimental art gallery located in downtown Duluth.” Kathleen Roberts is the literary director.

Some small room for surprise by Jen Karetnick

https://vimeo.com/100030112

Nic S.’s latest video remix incorporating a text from the Poetry Storehouse uses a soundtrack by Elan Hickler. The poet, Jen Karetnick, blogs at A Body at Rest. See her full collection of poems at the Storehouse for a bio.

Epitaph in Reverse by Bianca Stone

https://vimeo.com/37338007

Brooklyn-based poet and artist Bianca Stone is well known for her poetry comics, but she also makes poetry videos. This animation was featured back in April on the always-invaluable Tin House Reels. Ilana Simons writes:

Epitaph in Reverse, today’s feature from Bianca Stone, includes the sort of artistic play that shows the author’s permissive relationship to her own creative mind. There is an elasticity to Stone’s process- she lets ink drops bleed, invites smudging, and whitewashes sections of her drawings for an explicit redo.

“Since I end up eviscerating the art during the filming, I sometimes start with old drawings that I’m ok deconstructing,” Stone says. “It’s really a trial and error. Which is fun as hell. I like to think of the process of making the video as a big part of the final product. In other words, you see a lot of my process in the final product.”

Stone describes her method of creation as such: “I sit at my drafting table and use my iphone usually, with a tiny tripod and a bright light on. I’m always alone. I have a beer. I first start taking pictures of the drawing I’ve started. I draw and photograph, draw and photograph, until my phone gets too hot. Then I load the photos into imovie and play with speed and filters. I find a song that fits or record my own music on GarageBand. A video takes me about five hours, depending on the length of the poem.”

The result is wild play, with guts.

Read the rest.

Stone’s blog appears to have gone missing from her long-time URL poetrycomics.com—temporarily, I hope. In the meantime, check out more of her work on YouTube. (And in some nice synchronicity, she has a poem up today on Poetry Daily.)

All American by David Hernandez

If the films released so far on their website are any indication, Motionpoems‘ 2014 season is their most stylistically diverse collection of poetry films to date. This film, released just before Independence Day in the U.S., builds on the poem’s challenge to any easy assumptions about American identity. (It’s also slightly NSFW, with glimpses of female nudity.) Here’s the description from the website:

Filmed near Lake Geneva Switzerland (and at the Large Hadron Collider at Cern), British filmmaker Richard Johnson and dancer Jasmine Morand present this francoperspective on California poet David Hernandez’s all-inclusive poem, “All American.”

Click through and scroll down for the text.

For more on Richard Johnson, see his pages on Cinely and IMDb. For more on the poet, visit DavidHernandez.com.

Hij morrelt aan je ziel / He fumbles at your Soul by Emily Dickinson

https://vimeo.com/93230216

This is Dickinson’s poem F477 (1862)/J315, translated into Dutch by J. Eijkelboom and into film by Marc Neys, A.K.A. Swoon, who says he began with an old reading he had made of the poem, building an experimental soundtrack around it.

The track was (except for the electronic ‘drumthumbs’ in the back) completely constructed out of (altered) sounds I made with my mouth. A fun experiment. For some reason the track worked quite well with that old recording. Maybe there was a short video in it too?

Keeping a similar kind of restriction as I did with the sounds, I wanted only one short piece of footage in the video; leaves.

The whole thing was created in one afternoon (and it probably shows), but I had fun doing so. Keeping it simple and fresh.

A fun inbetweenie stuffed between longer videos and ongoing projects.

Aphorism by Eric Burke

A brief Eric Burke poem at the Poetry Storehouse made into a film by Jutta Pryor with music by Masonik. The poem originally appeared in A cappella Zoo before its second life in the Poetry Storehouse, and frequent Storehouse contributor Othniel Smith has also envideoed it.

Aerial Manoeuvres by Robert Peake

A new poetry film from the husband-and-wife team of Robert Peake and Valerie Kampmeier. Peake posted the text to his blog along with some brief process notes, which are worth quoting in full, since they show how organically the film developed:

I had a feeling of the kind of film-poem I wanted to create here, something about flight. I used Blender to render a flock of birds and then composited them together with historic aviation footage from the Prelinger Archives. The poem wrote itself after that, and Valerie’s piano accompaniment followed. We also recorded birdsong on an H1 Zoom and looped it to create a backdrop of sound.

Strawberry Moon by Erica Goss

My fingers find the grit
of your chin
like the seed-crowded
tips of strawberries
we stole and ate
in darkness…

This is the 6th installment in the 12 Moons videopoetry series presented by Atticus Review each month in 2014, featuring Erica Goss (text), Nic S. (voiceover), Kathy McTavish (music) and Marc Neys, A.K.A. Swoon (concept, music and direction). Neys shared some process notes on his blog:

A lush short poem that I wanted to give an extra dark layer by adding a bit of ‘danger’.
I went back to the public domain feature Dementia 13 for the footage.
A nightly rendez-vous with a lot of staring between the two characters.
Leaving the story open and full of questions…

I started to work with certain parts of that footage.
Once I had a basic montage, I awaited Nic’s reading to work on a soundscape with musical blocks provided by Kathy.

White Fur by Mark Wunderlich

Motionpoemslatest production was directed by Georgia Tribuiani, an adaptation of a poem by Mark Wunderlich. The Motionpoems website includes bonus materials for the video: interviews with the filmmaker and poet by Jeannie E. Roberts, who writes:

As I watched Georgia Tribuiani’s motionpoem, “White Fur,” I was instantly drawn into her world of light, color, and contrast. Tribuiani sets the scene beautifully and powerfully within Switzer Falls, a wooded area in the San Gabriel Mountains, Los Angeles County. The albino deer, depicted as an African-American albino man, runs barefoot through the woods, where he follows the banks of a stream, eventually stopping to look at his reflection within a pool of water. Tribuiani imagines a story that is, in her own words, suggested: She envisions the albino deer as Narcissus: a young man, mesmerized by his own reflection, who falls in love with it and eventually drowns. Though not necessarily the intent of Mark Wunderlich’s poem, Tribuiani creates a stunning metaphor, a poem within a poem. All great poetry has layers, and this director has found another layer with thought-provoking elegance and creativity.

Read the interviews.

Mostly about a color by Jenene Ravesloot

This film by Jutta Pryor is especially interesting for what it does with the soundtrack, a psychedelic interweaving of the reading by Nic S. and a track called “The Ritual and the Delusion Part 1,” by the musicians’ collective Masonik. The poem, by Chicago-based poet Jenene Ravesloot and first published in CC&D Magazine, is from the Poetry Storehouse.

Love Song (Canción de Amor) by L.L. Barkat

Spanish filmmaker Eduardo Yagüe has made two different films, one for the English-language original and one for the Spanish version of this poem, including an additional actor in the latter film. The poem and reading by Nic S. are from the Poetry Storehouse, and Luis Yagüe supplied the Spanish translation. The author, L.L. Barkat, is among other things Managing Editor at Tweetspeak Poetry, which features poetry videos on a regular basis.