~ Nationality: United States ~

Deaf Brown Gurl (La Morena Sorda) by Sabina England

On 27 January, 2015 by Dave Bonta with 2 Comments - Author-made videopoems, Performance Poetry
Poet: | Nationality: , , | Filmmaker:

This is

a film written, directed, shot, performed, and edited by Sabina England.

-Voice Over & Sound Design by Micropixie.
-Music by Om/Off (Paco Seren and Pablo Alvarez)
-V.O Recording by Elliott Peltzman.

Filmed in India (Old Delhi, India and Patna, Bihar, India)

Though England grew up in the UK, the sign language here is ASL. She notes in her bio (which is so interesting, I almost hate to excerpt it):

I use a combination of American Sign Language, mime, poetry, voice-over, multimedia, and/or music in my stage performances. I am always looking for more opportunities to expand my works, and I love meeting new people from different cultures. I believe that art and culture can bring people together in spite of differences and issues.

I have been profoundly deaf since I was two years old. I am fluent in English, Spanish, and American Sign Language.

Click through and scroll down to the Long Biography to read about some of England’s other films. In a blog post announcing this film’s release, she wrote:

After one year in the making, it’s here for public viewing. ENGLISH & SPANISH subtitles are available for your watching. My film shows the diversity of Indian society (in Patna) and I wanted to show a variety of Indian groups (Muslims, Hindus, Sikhs, Buddhists), including Deaf Indians (and myself as a Deaf Indian).


(Hat-tip: Thomas Zandegiacomo Del Bel at the ZEBRA Poetry Film Festival group page on Facebook)

,

Monster Movie by Matt Mullins

On 23 January, 2015 by Dave Bonta with 0 Comments - Author-made videopoems
Poet: | Nationality: | Filmmaker:

A new author-made videopoem from Matt Mullins. Poet as Godzilla (rather than poet as god, à la Vicente Huidobro) is definitely a concept I can get behind. For the first couple of minutes, I was puzzled by all the different screen arrangements, but it eventually made sense… in fact, using videopoetry to critique movie making and movie watching is something that should happen more often, I think.

To / For by Luisa A. Igloria

On 16 January, 2015 by Dave Bonta with 2 Comments - Videopoems
Poet: | Nationality: , | Filmmaker:

A text-on-screen-style videopoem by Swoon (Marc Neys) with a text from Night Willow, a 2014 collection of prose poems by Luisa A. Igloria. Back in September, Marc blogged some process notes about the video, calling it “The latest experiment in my series of videos where I re-think the relationship of image, sound, and text”.

Combining lines from the poem with the suitable footage, trying out different fonts and sizes for the text on screen, placement of words… It’s a puzzling way of editing.
I’m not only editing film anymore, I’m carefully trying to blend sound, image and text in one cut. It feels more like composing. It makes me rethink the way I worked (and still work) with audible videopoems.

These ‘film Compositions’ are meant to be played full screen and loud!

Marc talked about this style of editing in a brief interview I filmed for Moving Poems, Swoon on finding a new angle in videopoetry composition.

And God… by Eric Blanchard

On 15 January, 2015 by Dave Bonta with 0 Comments - Videopoems
Poet: | Nationality: | Filmmaker:

Australian filmmaker Marie Craven demonstrates one way to get away with out-right illustration in a videopoem. Had she used footage of pinball games in a poem that references pinball, it would’ve seemed merely redundant, I think. But instead she hit upon the idea of using colorful still images (by Donald Bell) alternating with dark, silent-film-like title cards bearing the lines of the poem. Cut these images in time with up-tempo, pinball-esque music by CIRC, and rather than simply depicting a game of pinball, the video actually enacts or reproduces the effect of a highly kinetic ball careening around in an inert cabinet. “The whole thing / goes tilt.” And the poem is raised to a new level, I think.

The text by Eric Blanchard, first published in Pudding Magazine, was sourced from The Poetry Storehouse.

, ,

Mule & Pear: two videopoems by Rachel Eliza Griffiths

On 14 January, 2015 by Dave Bonta with 0 Comments - Author-made videopoems, Book trailers
Poet: | Nationality: | Filmmaker:

Rachel Eliza Griffiths has made poetry book trailer-style videopoems for a couple of other poets, but this one from 2011 was for her own collection, and Roxane Gay, writing at HTML Giant, was impressed:

Mule & Pear is a new book of poetry by Rachel Eliza Griffiths and has a book trailer I really love which is saying something because I do not care for book trailers.

This Dust Road: Self Portrait is an excerpt from the final poem in Mule & Pear. According to the publisher’s description,

These poems speak to us with voices borrowed from the pages of novels of Alice Walker, Jean Toomer, and Toni Morrison—voices that still have more to say, things to discuss. Each struggles beneath a yoke of dreaming, loving, and suffering. These characters converse not just with the reader but also with each other, talking amongst themselves, offering up their secrets and hard-won words of wisdom, an everlasting conversation through which these poems voice a shared human experience.

Three haiku by Angie Werren

On 13 January, 2015 by Dave Bonta with 0 Comments - Author-made videopoems
Poet: | Nationality: | Filmmaker:

*

*

These are three, seven and twelve from Angie Werren‘s “twenty seconds of haiku” series, a deliberately low-tech approach to videohaiku that’s brilliant when it works. One big advantage Werren has over most other filmmakers, amateur or professional, who attempt videohaiku: she understands what English-language haiku — and micropoetry in general — is all about. Spend some time at her blog Feathers and you’ll see what I mean.

Watch all 13 videos in the “twenty seconds” series on Vimeo. Six also appeared in the new online literary journal Gnarled Oak (which is very videopoetry-friendly, by the way).

Simple Brushstrokes on a Naked Canvas by Howie Good

On 7 January, 2015 by Dave Bonta with 0 Comments - Videopoems
Poet: | Nationality: | Filmmaker:

This is Five Miles (Simple Brushstrokes on a Naked Canvas) by Swoon (Marc Neys), made with the text of a poem from Fugitive Pieces, Howie Good’s new collection of poems. Here’s what Marc blogged about it:

So. A New year. New sounds. New videos. A big new project (more on that one later)
A solo exhibition  (more on that one later) and
New collaborations.

My first video of the year is Five Miles (Simple Brushstrokes on a Naked Canvas)
I first got the idea for this when reading ‘Fugitive Pieces’ by Howie Good.
It’s a great book of found poems published by Right Hand Pointing Press.
All proceeds from the book go to the Food Bank of the Hudson Valley.

People who follow my work, know I’m a big Howie fan. His writing moves me and (very often) is a perfect fit for my videos and sounds.

In Fugitive Pieces Howie Good used the techniques of the collagist.
The poems are collages sourced from various texts as well as his own imagination.
From the author’s note:

This meant creation through destruction, lifting things from one context and dropping them into another, establishing unfamiliar relationships among familiar objects.

That sounds a bit like creating videopoetry. I often find myself using that same approach (especially when working with found footage or archive material)

I first created a track around samples I took from a documentary ‘Target for today’.

[Soundcloud link]

Only after creating that track I chose a poem from ‘Fugitive Pieces’: Simple Brushstrokes on a Naked Canvas
The poem was the perfect match for my soundscape and would work well as ‘text on screen’ in a film composition.

[…]

I collected footage (from Videoblocks) to combine with certain lines from the poem. Played around with timing, font and placement of the text and started puzzling it all together. I believe it works well.

Click through for the text of the poem (or, you know, just watch the film).

Jung/Malena/Darwin by Albert Goldbarth

On 6 January, 2015 by Dave Bonta with 0 Comments - Videopoems
Poet: | Nationality: | Filmmaker:

The deeply clever and always entertaining American poet Albert Goldbarth meets his match in director Chris Jopp. This is one of Motionpoems’ latest releases (click through for the text of the poem), and it was “made possible through a partnership with Graywolf Press.” Supplemental materials on the Motionpoems website include interviews with Goldbarth and Jopp by Rosemary Davis. I particularly liked this last bit of the latter:

MOPO: Have you done any collaborations like this before? What was it like to work with Albert?

JOPP: I have not collaborated with poets before. After hearing Albert did not own a computer, I thought about calling him. I then heard, that he was a fan of letters so I decided to write him a letter through the mail. I always feel like I can communicate better through text anyhow and this was a way to more thoughtfully pick his brain without the nerve-racking reality of this award winning poet breathing on the opposite end of the telephone. In fact, I think our “analog” correspondence influenced the way I made the film. I wanted it to feel genuine and authentic, and something about sending and receiving actual inked letters through the mail made me stick to that idea.

Albert was very receptive through the whole conceptual process and then sort of handed me the reigns and was like, “Alright, you have my thoughts and concerns, and think I trust you, so GO FOR IT!” So now I’m just following my own intuition! He said, at the screening he’d either shake my hand or punch me in the nose. Hopefully, the first.

MOPO: What has this project done for you? Learn anything?

JOPP: It has changed the way I think about poetry.

Read the rest.

Woman Without Umbrella: poetry by Victoria Redel

On 2 January, 2015 by Dave Bonta with 0 Comments - Book trailers, Videopoems
Poet: , | Nationality: | Filmmaker:

This is a fascinating experiment: a poetry book trailer of sorts that’s also a collage videopoem by another poet, Rachel Eliza Griffiths. Here’s the description from Vimeo:

A visual poem based upon the poetry collection of the same title, “Woman Without Umbrella”, by Victoria Redel. Published by Four Way Books, 2012. The visual poem incorporates various spoken lines gathered from the poet’s collection and employs associative thematic imagery inspired by Redel’s work.

Directed/Edited by Rachel Eliza Griffiths
Associate Producer: Joseph A.W. Quintela
Make-Up Artist: Cassi Renee
Narrator: Gabriel Don

Visit
rachelelizagriffiths.com
victoriaredel.com
fourwaybooks.com

Kudos to Redel and Four Way Books for giving permission for such an innovative remix.

drift by Martha McCollough

On 1 January, 2015 by Dave Bonta with 2 Comments - Animation, Author-made videopoems
Poet: | Nationality: | Filmmaker:

Let’s start the New Year with a brand-new piece by one of our best and most unique videopoets, Martha McCollough. (That link went to her page at TriQuarterly. Her website seems a little out-of-date.) Only those who create films entirely by themselves have the luxury of leaving out all credits as McCollough does. The free-and-easy motion of the fish through the word-water seems all the freer as a result.

Broken Figure / Figura Rota by Kathleen Kirk

On 30 December, 2014 by Dave Bonta with 0 Comments - Videopoems
Poet: | Nationality: | Filmmaker:

Spanish director Eduardo Yagüe used a still image of Camille Claudel (“Camille Claudel à 20 ans” by César D.R.) as well as his own footage and music by Four Hands Project in this film of a poem by Kathleen Kirk from the Poetry Storehouse. The poem also appears in Kirk’s chapbook, Interior Sculpture: poems in the voice of Camille Claudel (Dancing Girl Press, 2014).

Yagüe has made not one, but two films based on this poem. They couldn’t be more different. Here’s the other one:

The translation is Yagüe’s own. The music this time is by archiv ev noise. Broken Figure was filmed in October 2014 in Stockholm, while Figura Rota was filmed the following month in Madrid. I wonder to what extent the different locations and languages may have helped produce such divergent results. But perhaps the real marvel is how the two films nevertheless exist in dialogue with each other in something approaching an apotheosis of translation.

, ,

When nights are longest by Luisa A. Igloria

On 22 December, 2014 by Dave Bonta with 1 Comments - Videopoems
Poet: | Nationality: , | Filmmaker:

Happy Holidays to all Moving Poems readers/viewers. This is a joint production of Moving Poems and Via Negativa, where Luisa A. Igloria and I blog daily poems. Via Negativa began in mid-December 2003, and this time of year “when nights are longest” has always seemed full of creative possibilities to me. So I found a mysterious, dark but light-filled home move at the Prelinger Archives, selected and arranged some of the images into a composition that made sense to me, emailed the link to Luisa and asked her if she thought she could find a poem in it. Indeed she could! After a little back-and-forth about the title and opening lines, she settled on a final form for the text and sent me a reading that she recorded with her mobile phone. I found a Creative Commons-licensed sound recording on SoundCloud through my usual method of clicking on random links and trusting in serendipity: it’s a field recording by Marc Weidenbaum of Phil Kline’s “Unsilent Night” boombox procession passing a certain point in the streets of San Francisco on December 18, 2010.

Moving Poems will be taking the rest of the week off, but will be back on the 29th.