In some ways I feel it’s more difficult to make a super short videopoem than it is to make a long one, but animator Liah Honeycutt pulls it off. She notes that this is
The third installment in my visual poem collaboration with Josh Jacobs. This piece explores the themes of distance (in time and in physical space) and apathy, and attempts to capture the empty nostalgia that comes with looking back on bad memories after the pain has worn off. I decided on a very analog approach to the execution after being inspired by Josh’s original portfolio layout, opting to let the imperfections show through and stand as a metaphor for the human experience.
Programs used:
After Effects
Premiere ProMusic:
Come Down by Sylvan EssoSpecial thanks to Dean Velez.
Malcolm Friend‘s poem was turned into a film by Matthew Ericson for the Visible Poetry Project.
This remix videopoem by Christina Ellsberg for the Visible Poetry Project incorporates a text and recitation by poet and economist Homa Zarghamee and historic footage from the Library of Congress.
Narrative poetry film done right: Kassy Lee‘s quiet, devastating poem, which originally appeared in Apogee Journal, has been turned into a film by Michelle Cheripka for the Visible Poetry Project.
Sojourner Ahebee‘s words meet Reva Santo‘s filmmaking, with actress Alana Ogio and a score by Avila Santo, in today’s film from the Visible Poetry Project, a NYC-based initiative to produce a poetry film for every day of April. I’ve been remiss in sharing their videos here, but expect at least 75 percent of them to appear on Moving Poems eventually, because the quality has been really high so far, and they’ve been amazingly varied, as well. I also like the project’s openness to emerging as well as accomplished poets from all walks of life; they had an open call for submissions back in January.
You can watch all the videos on their website or Vimeo page, and/or attend one of the live screenings still upcoming in Brooklyn, Manhattan, upstate New York, or Beijing. Here’s how they describe the project on their About page:
The Visible Poetry Project brings together a collective of filmmakers to create a series of videos that present poems as short films. Drawing from works created by renowned poets, including Neil Gaiman and Tato Laviera, as well as emerging poets, the Visible Poetry Project strives to make poetry accessible, exploring how we can recreate and experience poems through the medium of film.
Throughout the month of April – National Poetry Month – we will release one visual poem each day at 9 AM EST. An exercise in translation and a reclamation of both poetic and film discourses, the resulting thirty videos will explore how we read, interpret, visualize, and hear poetry.
The Visible Poetry Project is no longer accepting submissions from poets and filmmakers for the 2017 series. We will reopen for 2018 submissions in December 2017. If you would like to be involved with the Visible Poetry Project, or have any questions about our organization, please don’t hesitate to reach out to us at visiblepoetryproject@gmail.com.
Motionpoems’ latest poetry film is directed by Donna Lamar using a poem from Safia Elhillo‘s collection January Children. The Sudanese-American poet stars in the film.
A brief but effective film combining animation and live action by Atlanta-based motion graphics artist Liah Honeycutt, who notes in the Vimeo description that this is
A second installation of my visual poem series in which I team up with poet Josh Jacobs and bring his written word to life. I allowed myself to feel insecure and uncomfortable by including my own face and body in this piece (something I loathe) in order to connect a little deeper with the overall tone of isolation, inadequacy, and insecurity found in the poem and, to be honest, in my own life.
The first short animation in the series, Goldfish, is also worth checking out.