A new videopoem by Marc Neys A.K.A. Swoon uses text and voiceover from the American poet and philosopher R.A. Briggs. Other credits include:
Concept, editing, grading & Music: Marc Neys
Field recordings and footage: Jan Eerala
Extra Footage: FKY (from ‘The Sea Also Rises’)
webpage: vimeo.com/fky – Licence: ATTRIBUTION LICENSE 3.0
Thanks to Mazwai & Ray Hsu
A simple but perfect animation of an Anne Sexton poem by Montreal-based multi-disciplinary artist Ohara Hale, with Maria Popova of the venerable Brain Pickings blog supplying the voiceover. It’s been viewed 136,000 times since Hale posted it to Vimeo in May of 2015. Popova blogged about their collaboration — a great post, too long to reproduce here. A snippet:
Hale’s concept, predicated on the mesmerism of angles, was inspired by legendary neurologist Oliver Sacks and his work on how the blind see the world. It sparked in her a fascination with how they construct a kaleidoscope of angularity, which led her to imagine how a dog is perceived not as a single dog but as a million dogs, each “seen” from a different angle. Many of the angles don’t resemble a “dog” in the pictorial sense but still contribute to the understanding of what a dog is.
This way of deconstructing the world into fragments and reconstructing them into a wholeness of understanding is so different from how we see via regular vision that, as Dr. Sacks so movingly wrote in The Mind’s Eye, the newly sighted are often utterly overwhelmed by having to process information in this new way and revert to “blindness,” closing their eyes and continuing to navigate the world scanning for angles.
Elizabeth Masucci directs and stars in this adaptation of “Apartment Living” by Meghan O’Rourke — the second installment in Masucci’s ambitious poetry short film anthology series (Maya Angelou’s “Phenomenal Woman” was the first).
It’s always great to see professionally made, narrative cinema-style poetry films that seek to inhabit a poem and take it in new directions rather than just using it as a jumping-off point. Apartment Living compares very favorably with other recent, stand-out films of this type such as Lotus Hannon’s The Expiration (based on John Donne) and Laura Scrivano’s A Lovesong (based on Prufrock).
Ella Quinn was 17 years old when she directed this film written by Luz Emma Cañas. It’s the winner of the Shoots! Youth Prize and finalist for Best Overall Production at Rabbit Heart Poetry Film Festival 2017. A new addition to the festival this year, the Shoots! Youth Prize was sponsored by the Worcester County Poetry Association and, judging from the finalists, received some very high-quality submissions.
See the PARTICL3 blog for more about all the members of the production team for Stolen Moments. Ella Quinn’s bio gives some background:
Ella is part of the family production team, PARTICL3, along with her brother Adrian Miles and mother Luz Emma. She served as Creative Director on their first short film, Pas de Deux, which was “Official Selection” at four international film festivals. She also contributed to the fine details of production from script editing to wardrobe selection. Stolen Moments is Ella’s directorial debut and is “Official Selection” at two film festivals for young filmmakers, Young Filmmakers Film Festival and Rabbit Heart Poetry Film Festival.
And here’s the synopsis:
Stolen Moments is the third in a series of four dance shorts that tell stories of women of color, relationships and intimacy. This story takes place during the Roaring Twenties. From fashion to sexuality, Evelyn is breaking free from societal norms established by the Victorian Era. She is the center of a love triangle with two ladies, Harper and Lily. One love is repressed while the other is realized but not publicly. Like Pas de Deux, our debut film, there is no dialogue in this short. It relies on poetry and visuals to tell the story. The film features three Sufi poems from the book, “Stolen Moments: A Lover’s Recourse,” by Luz Emma Cañas Madrigal who also produced and acts in both films.
“Shot with a 16mm film Bolex, this film depicts an identity that has always existed, but rarely acknowledged,” notes poet-filmmaker Olufunke Adeniyi on her Tumblr blog. Black Woman won Best Production 1 Minute or Under at Rabbit Heart Poetry Film Festival 2017, and was a finalist in both the Best Sound/Music and Best Overall Production categories. Toks Adeniyi is the actress and Faith Osunde provided the voiceover; the score is by Olufunke Adeniyi and Jay Moh Productions.
I’ve been championing the dance category of videopoetry for years, so I was pleased to see this worthy representative of it take the top honors at last weekend’s Rabbit Heart Poetry Film Festival. Written and performed by “modern-day mystic” Rachel Kann, with choreography by her and Jhon Gonzalez, and directed by Brad (Bradford L.) Cooper, it won Best Overall Production and Best Sound/Music (the work of Cooper and Atom Smith). See YouTube for the complete credits and Hevria for the text.