Blake in Turkish kinetic type animation! I think Alper Yildirim really captures the mood of Blake’s poems (see the Wikipedia for the complete text). In the notes on Vimeo, he explains:
This video is done for the typography course, when i was in the post-graduate program of Hacettepe University -i am not studying there now ,thanks to god-. I tried to make a mixage of using moving typographic elements with animation. The Chimney Sweeper is a poem of William Blake, and i used its first verse.
When my mother Died, I was very young,
And my father sold me while yet my tongue,
Could scarcely cry weep weep weep weep,
So your chimneys I sweep & in soot I sleep.
http://www.vimeo.com/18828632
A kinetic text piece called “In the Memory” by Hyunjoo Oh, who writes, “I wanted to talk about how longing and yearning become stronger as the relationship fades away. Through the process of blowing away and forming typography in various ways, I tried to express Shelly’s poem ‘Music, When Soft Voice Die’ visually; existing permanent values among many things that fade out in this world.”
Update: Video has been made private.
A film called Ochlofobie by Belgian artist Swoon, who also supplied the music. British performance poet John Cooper Clarke is responsible for text and voice.
Here’s a video of Clarke doing the poem at a live reading from 2008:
A prose-poem from Gaiman’s collection Smoke and Mirrors animated by the Beijing motion graphics studio 39 Degrees North to serve as a video Christmas card. Gaiman himself was enthusiastic, and encouraged people to make and post more video adaptations of the poem to be featured on his blog on Christmas day.
Sally Fryer animates a poem by Diana Syder for the Version Film Festival in Manchester. The poem is from the recent Comma Press title Planet Box, a collaboration between Syder and artist Laura Daly.
A collaboration between Glenn-emlyn Richards and Sadie Fisher for the Comma Press Poetry Film Festival 2010. Fisher describes herself as
a writer of short fictions;
an actress of clear convictions;
an image maker & photoshop breaker;
a producer of films & inconstant lover of sox.
A masterful filmpoem by Alastair Cook — be sure to expand it to full-screen size. Check out Andrew Philip’s website. In an accompanying note on Vimeo, Cook indicates that the film was commissioned for the Hidden Door festival in Edinburgh, where it premiered last month.
Si Clark animates. According to an online bio, Amie Saramelkonian
lives in the South West of England with her husband and two cats. Until recently the majority of her publications have been in scientific and engineering journals. She writes predominantly poetry, but also writes shorts, has several unfinished novels and is currently working on a screenplay.
This new collaboration for the This Collection project features Anna Dickie, who also contributed a poem to the project (see “Same Place, Different View“), in charge of camera and editing, joined by Stefanie Tan for the sound editing. As Stefanie explains on Vimeo,
With the help of the local butcher, traffic lady and sporting residents, Dorothy Baird and Anna Dickie bring to life the portrait of Edinburgh’s unassuming suburb, Currie.
The bus 44 links Anna’s stomping ground, Haddington to Dorothy’s neighbourhood, Currie and this intimate collaboration adds to the magical mysterious connections the poems from thiscollection continues to unearth.
Anna used only photographic stills to piece together the concept for the film.
For more on Dorothy Baird, here’s a bio and interview.