~ Nationality: Belgium ~
Halloween by Hugo Claus
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UPDATE (3 Oct. 2015): Swoon has re-edited the English version, replacing the Jovan Todorovic film clip with footage by Jan Eerala.
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Belgian artist Marc Neys A.K.A. Swoon recently released two entirely different films for a poem by his great countryman Hugo Claus: “a ‘European Dance-version’ (using Hugo’s reading from Lyrikline) and an ‘American Road movie version’ using a fantastic reading Michael Dickes made from the English translation by John Irons,” as he put it in a blog post.
The visual idea for the Dutch version came to me watching a great series of short videos by dancer/artist Nadia Vadori-Gauthier: One Minute of Dance a Day:
‘since January 14, 2015, I’ve been posting one minute of dance to this blog every day, simply, without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there.’
I asked if I could use one of her ‘minutes’ (2 février 2015 – 20e danse) for this videopoem. I could.
I simply adore this combination of Hugo’s poem, his voice and her dancing in the snow.
Enjoy! (There’s also a version with French subtitles: https://vimeo.com/118980966)[…]
The source of the ‘road movie’ version is a music video by the collective ESNAF
Their video for ‘The Long Haul’ by NO (cinematography by Jovan Todorović) had all the ingredients I needed for the English version of the poem. I believe the little storyline is the perfect match for the poem and Michael Dickes’ reading.
Culoarul vagonului e liber/The coach’s aisle is clear by Doina Ioanid and Teniet/Undone by Jan H. Mysjkin
For some reason, poetry filmmakers don’t tend to combine texts by different authors very often. With Undone, Marc Neys AKA Swoon shows just how well that can work, even with multiple language barriers to cross. Doina Ioanid‘s Romanian text meets Jan H. Mysjkin‘s Dutch text in the soundtrack, with an English translation by Mysjkin in subtitles. As if that weren’t enough, Marc made a second version with the poets reading their work in French translation, also subtitled in English:
And a version of that version with subtitles in German and supertitles in Turkish:
Marc wrote about how he came to make the film in a recent blog post:
Such a fun one, this.
2 poems, by 2 different writers in different languages with different subtitles.
I have worked with Doina Ioanid and Jan H. Mysjkin before.This time I picked out Culoarul vagonului e liber/ The coach’s aisle is clear by Doina and combined it with Teniet/ Undone by Jan for obvious reasons.
They both read the poem in French, Doina also read hers in Romanian, Jan his one in Dutch. They also gave me English, German and Turkish translations. So much blocks to work with.
[…]
German, English and French translation: Jan H. Mysjkin
Turkish translation: Burak Sengir
[…]Working with a split screen came natural. I combined 2 sets of visuals for each poem. Empty <-> crowded, abstract <-> concrete, nature <-> urban, black&white <-> colour.
Shifting between those during the readings and in between…
In the final editing I made some minor cuts to fit the footage with the reading (different languages, different pace), but nothing major. They all ‘feel’ the same.
I guess that last bit answers my question: Why not put all the translations into Vimeo’s own subtitling system and just serve up a single video? Because Swoon’s an insane perfectionist, that’s why.
Trein by Astrid Haerens
Flemish poet Astrid Haerens‘ poem “Trein” in a film by American animators Annelyse Gelman and Auden Lincoln-Vogel, commissioned last year by Filmpoem and included in Deus ex Machina‘s “Filmpoem Album” DVD (which I reviewed here). Now it’s available with English subtitling.
Memoires / Memoirs by Paul Snoek
A highly inventive videopoem from the indefatigable Swoon (Marc Neys), who described how it came about in a blog post last month:
Note to self: make more ‘Belgian’ videopoems…
So I made one to start with. One I wanted to make for a long time, but never had the right idea for.Now I did.
The poem ‘Memoires / Memoirs’ is by Belgian poet / painter Paul Snoek.[…]
First I created a soundtrack so I had a time frame to work with once I would start filming. I used the recording of the poem that I found on Lyrikline. [listen on Soundcloud]
My idea for the visual was simple, but effective I believe.
‘Cut up flowers and create a house in the most simplistic manner and then destroy the house’
I filmed the whole process from different angles and with different lenses. Editing came naturally once I had the music and the visuals. I adapted the pace and feel of the soundtrack until there was a sense of unity. A translation by James S. Holmes (from ‘A quarter century of poetry from Belgium’, 1970) was used as subtitles.
Memoires is currently a featured film at The Continental Review.
Deze zachte witte kamer / Our padded white rooms: six poems by Runa Svetlikova
Belgian poet Runa Svetlikova‘s collection, Deze zachte witte kamer, has just won the 2015 Herman de Coninck Debut Prize. Here’s a film Swoon (Marc Neys) made a few months ago with help from the Spanish filmmaker Eduardo Yagüe. (Be sure to watch on a laptop or desktop computer and expand to full screen so the English subtitles are legible.) Marc described their process in a blog post:
Early this summer Runa Svetlikova asked me if I would be interested in creating a video for some poems from her debut ‘Deze zachte witte kamer’ (Uitgeverij Marmer, 2014)
“The beating heart of that new collection is a series of six poems that would fit perfectly in one video”
She was right.The collection appears to consist of no more than a handful of atoms that randomly traverse space. Against that cosmic and sometimes comical background Runa explores the alienation she feels at the birth of a child, the difficult maintenance of a love without knowing whether there is such a thing as love, the urge to give a voice to a dead father… Yet the poems do tell a story. Especially the middle six; Vogeltje / Birdie – Verzorging / Care – Habitat / Habitat – Classificatie / Classification – Conceptie / Conception – Draagtijd / Gestation.
[…]
For this project I asked the help of Eduardo Yague. I felt these poems could use the visual approach of Eduardo. We mailed back and forth on a concept. On what kind of images to use, on colours, a vision. I was lucky he said yes.
I created a track with a reading from Runa;
[listen on SoundCloud]I gave the recording to Eduardo along with a fantastic translation by Willem Groenewegen.
During a stay in Stockholm he filmed different scenes and improvisations with an actress (Gabriella Roy) and sent me the footage. I asked more or suggested different stuff.In a final stage I chose and edited the different piece of footage to the track. I am very happy the way this turned out. Working with Eduardo was rewarding and there might follow more…
This easily would’ve qualified for inclusion in my list of Top Ten Multi-Poem Films and Videopoems, had I not already included two other Swoon films. It’s interesting to see how differently he approaches the challenge of melding multiple poems into a single work for each project.
Blues by Marleen de Crée
in the coincidence of a thought everything is dream
a smile like a sliver of moon lights the night
I can’t believe I haven’t already posted this haunting, atmospheric videopoem, considering that when Swoon (Marc Neys) originally uploaded it to Vimeo nine months ago, I commented that I’d be looking forward to an English-subtitled version and he swapped one in almost immediately, with a translation by the obviously very prompt Annmarie Sauer. It’s the latest in a series of films Swoon has made with texts by the Belgian poet Marleen de Crée, and as with his very first such effort — Nog Niet / Not Yet — he worked with the actress Katrijn Clemer, who also supplied the voiceover. He posted some process notes to his blog:
Marleen de Crée, one of my favourite Belgian poets has a new collection coming in March; Fluisterlicht (Uitgeveij P., 2014)
I consider myself lucky to know her (and her husband Jean) well enough to have received some of the poems of the new collection beforehand.
It’s always a joy to work with Marleen’s words. The intimate nature of her poems are perfect to create scapes and images for.
This time for ‘Blues’, I chose to do the filming myself again. Extra info from the writer about the new collection gave me a clear idea of what and how I wanted to do this one.As always I found Katrijn Clemer to be and have the perfect voice to read Marleen’s poetry.
Around her reading I created this track: [listen on SoundCloud][…]
I wanted to create the atmosphere of long nights full of words and mystery… houses with a soul, eerie and warm at the same time… as a child I loved wandering around the house, pretending to be alone…listening to the sounds around me…
For that reason I chose candlelight as the only lighting source of the video. The love for words that Marleen received in her childhood reflects in this video.
Cirkel / Circle: 11 Belgian poets
A filmpoem by Swoon (Marc Neys) incorporating 11 poems by 11 different Belgian writers, telling a single story of life, lust, love and loss. The poems range in style from experimental to formal verse, all ably translated by Willem Groenewegen. I had the pleasure of seeing this at ZEBRA with an introduction by the filmmaker, having first viewed it online more than a year ago when Marc briefly made it public. It’s now been fully released to the web after nearly two years of festival screenings.
I don’t know if there is ever an ideal day of the week to post a 20-minute poetry video, but website visitor stats do suggest that Monday is a big day for procrastination on the job. So grab a beverage, put on your headphones and hit the play button. What better way to ease into the week than with a surreal poetry film to alter your consciousness?
Here are the poems that make up the film:
- “Meer tijd” (More Time) by Jan Lauwereyns
- “Tel Aviv” by Michaël Vandebril
- “Over de afstand tussen twee vogels (III)” (On the Distance between Two Birds (III)) by Lies van Gasse
- “Het komt” (It Will Come) by Stefan Hertmans
- “!!!” by Xavier Roelens
- “Krop” (Crop) by Leonard Nolens
- “Of wel” (Or Will It) by Marleen de Crée
- “Een hele kleine oorlog” (That Little War) by Yannick Dangre
- “De reu rouwt, de mens steelt” (The Hound Mourns and People Steal) by Delphine Lecompte
- “Dertien vragen en geen antwoord” (Thirteen Questions Without An Answer) by Stijn Vranken
- “Onvoltooid” (Unfinished) by Charles Ducal
The poems were recorded by three well-known Flemish actors: Vic De Wachter (poems 1, 6, 7, 8), Michaël Pas (poems 2, 4, 10, 11) and Karlijn Sileghem (poems 3, 5, 9). The actors are Katrijn Clemer, Mathieu Courtois, and Rommel the cat. (“Rommel” means “clutter” in Dutch; it has nothing to do with the Nazi general.) The music is by Hanklebury, Lunova Labs, and Swoon. Click through to Vimeo for the rest of the credits, not to mention the extensive list of screenings.
Naar Wat We Waren / For What We Were by Eric Joris
This film was selected as the winner of the Open Competition at the 2014 Filmpoem Festival in Antwerp (part of the Felix International Poetry Festival). The description accompanying Filmpoem’s upload to Vimeo:
Naar Wat We Waren, a film by Lies Van Der Auwera of the poem by Eric Joris is just terrific. We chose this as the Filmpoem Prize for reasons which will be clear as soon as you watch it – a real melding together of sound word and image. There are many beautiful poetry-films, lush and sumptuous. This is not one. This is real, alive and honest. Congratulations to all involved!
The film was produced collaboratively by the Poetry Prophets: Eric Joris (poem and voice), Kristof Van Rossem (music) and Lies Van der Auwera (camera and editing). There’s also a version without subtitles. It’s part of a collection of videopoems that emerged from a workshop led by Marc Neys (Swoon) at a creative writing program in Antwerp.
This is exciting to me because it shows that videopoetry workshops can be an integral part of writing programs, and that they can produce highly effective, publishable results. (Here’s the English translation of the writing program page from Google.) American MFA program directors, take note!
The End or the Beginning by Jan Lauwereyns
The origin of this recent videopoem, Diving into Broken Bits (The End or the Beginning) by Marc Neys (A.K.A. Swoon), is a little complicated, so I’ll just quote his blog post about it:
A while back I made a video for ‘Het einde of het begin van een mensenleven / The end or the beginning of a human life’
This poem by Jan Lauwereyns (you can read about the videopoem) has an extended English version (published in the book ‘Three Poems To the Question of Four. 27+3 Drawings’)
Because they were so obviously connected I wanted to create a second video for the English poem; ‘The End or the Beginning’I asked Michael Dickes to read/record the poem and he delivered a perfect (dark blue with bits of fading grey) reading. I created a very slow and deep track around that recording […]
This time I didn’t want to use IICADOM footage. No family memories. The video needed to be more abstract.
The first thing I wanted to use was an experimental performance/recording by Ephemeral Rift.
The mask and movements in this short video reminded me of bunraku. It was the perfect link to Jan’s frame of mind.
(Jan lives and works as a scientist in Japan)
This video was going to be the lead in my videopoem. I added a variety of images around this storyline. Hints of science, nature, death,…
A poetic storyline through images. It’s a flow of thoughts surrounding the poem, being a flow on itself…I am very happy with this one, so was Jan. We started a journey together with this project. It will take us to other places, new ways of combining, crossing borders. More to follow in the future…
Black Canary by Peter Wullen
A film by Chris H. Lynn with a text by Belgian poet Peter Wullen, read by Una Lee. In a blog post introducing the film, Wullen writes:
The aim of a poet is not to win prizes. To be famous. To be popular. Even not to produce books. That’s left for the others to decide. The aim of a poet is to leave as much traces as possible during a lifetime. Like seeds we blow in the wind. Like water we flow in all directions. We project fire. We consume everything before we are consumed ourselves.
De barometer hapert / The barometer’s stuck by Jan H. Mysjkin
A piece by Belgian poet Jan H. Mysjkin, ably translated into English by John Irons, supplied the inspiration for Swoon’s first videopoem of 2014. Check out his process notes, where he talks about how the soundtrack took shape and what led him to settle on the footage he used from the Prelinger Archives.
La Casina Rossa / The Red House by Michaël Vandebril
A film by Dutch photographer and filmmaker Judith Dekker with words by Belgian poet Michaël Vandebril. The English translation for this version of the film is by Will Stone; there’s also a version without any text in the soundtrack at all, which Vandebril uses for live performances. The poem appears in his book Het Vertrek van Maeterlinck.
This was Dekker’s very first filmpoem, and it won the 2013 Filmpoem Festival Prize in Dunbar, Scotland.
Casina Rossa is the name of the house in Rome where John Keats died.
