~ Filmmaker: Matt Mullins ~
scrambled transmission #3 by Matt Mullins
This month, American writer and poetry film artist Matt Mullins released a new author-made video poem on his Vimeo channel, titled “scrambled transmission #3.” It’s the most recent work from Mullins, who took second place at this year’s Filmetry 24: The Poetics of Cinema with his film, “Janet Leigh is Afraid of Jazz,” which is based on a poem by Marsha de la O and was previously profiled by Moving Poems.
“scrambled transmission #3” leads with an interesting soundscape, one which reflects the poem’s title, by way of a fuzzy, mechanical, radio-out-of-tune loop. It pairs well with the black and white found footage. The film’s opening image highlights a compelling fusion of insect and machine, and its following frames continue riffing on this same visual theme, which often make use of repetition. This piece also uses intertitles, so between the footage and its filter and the text on screen, “scrambled transmission #3” makes direct connections with the silent film era.
The poem itself, voice-overed by Mullins, evokes something of Hunter S. Thompson in its themes and tone: a third-person narrative in fragments highlighting mundane acts of violence and estrangement on a “typical atypical day,” mind-altering substances, memory, and American underground art subculture. Overall, the links between the insect world and the human psyche are made quite clear through the poem’s intertitles, voice-over, and found footage. I also thought that the delivery of the poem, particularly its cadence and sense of addled urgency, vaguely recalled the Beat Poets.
As for the filmmaker himself, Mullins’ description of his latest poetry film is refreshingly simple, as he writes: “Some things, one hopes, are self-explanatory.”
View the videopoem here.
Janet Leigh is Afraid of Jazz by Marsha de la O
The latest videopoem by Matt Mullins, who writes:
Here’s Janet Leigh; she’s afraid of jazz in reverse as an overlay to diagrammatical stereographic explanations. The knife-blade shrieks are Doppler warps to a molasses of strips teased. Unimaginable synchronicities abound. The drain eye has an arm and spins water into sound. It’s all very pointed in its touching.
poem: Marsha de la O
concept/direction/audio-visual composition: Matt Mullins
Vimeo description
Via the Filmetry Archive. The poem by Marsha de la O was one of the texts supplied to filmmakers for their 2024 contest; this film placed second. I was especially impressed by how Mullins handled the challenge of including and suggesting jazz elements in the soundtrack without simply deploying a jazz track, giving the film an allusive depth and working to counter-balance what might have otherwise seemed too cerebral an approach to the imagery. And given the long history of jazz at poetry readings, Mullins’ Beat-style vocal delivery seemed just right to my ear.
Table for One by Carol Ann Palomba
Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.
Matt Mullins directs a film that we loved for its subtlety, its mastery of the poetry film genre, and its haiku spirit. In the end, it wasn’t a difficult decision to award it Best of Show. Jane Glennie found it “Carefully thought out and very subtly handled. The boiling water is utterly compelling within the stillness of the scene. The soundscape works really well, and the cuts to the haiku text powerful.” James Brush added, “I also like the very ordinariness of the shot. I imagine the speaker standing at the stove just staring and maybe not really seeing, his mind wandering. We’ve all been there, right? I guess that’s why it resonates so much for me.” As for me, I found the film grew on me the more I watched it: a minimalist masterpiece.
Director’s Statement: “Things come to a boil.”
Carol Ann Palomba has been published in anthologies and numerous journals, including Acorn, Frogpond, Haibun Today, Heron’s Nest, Mayfly, Modern Haiku, and Presence. She received third place in the 2020 Harold G. Henderson Haiku Contest and honorable mentions in Sonic Boom’s 4th annual Senryu Contest and the 2017 H. Gene Murtha Memorial Senryu Contest. Carol Ann is a member of the Haiku Poets of the Garden State and helps facilitate the New Jersey Botanical Garden’s haiku installation during Poetry Month. She’s thrilled that her haibun, “Table For One,” was chosen to be adapted into a short film and thanks the judges, the director, and Moving Poems. She enjoys playing darts and sounds much taller on the phone.
Matt Mullins makes videopoems, plays music, and writes. You can see more of his work at vimeo.com/mattmullins.
3 Erasures at War by Matt Mullins
An author-made videopoem from earlier this year by Matt Mullins, who probably needs no introduction here. As someone who’s dabbled in erasure poetry myself, I was impressed by how well he handled that. There’s quite a lot of free footage of the 1934 New York World’s Fair at the Prelinger Archives, which I’m guessing might be what gave Matt the idea for the videopoem in the first place, but regardless, I think he made good use of it, taking a kinestatic approach for a pleasing contrast with the longer screen-times of the text elements. The soundtrack glues it all together, incorporating Hendrix’s rendition of the US national anthem from Woodstock.
Patti Smith at the Punch and Judy Theater by Jim Daniels
Patti Smith at the Punch and Judy Theater is the latest film from Matt Mullins, a collaboration with Michigan poet Jim Daniels.
Jim’s poem was inspired by the experience of seeing Patti Smith in the ’70’s at a small theater in the Detroit area. By coincidence, Matt went to the same theater to see movies as a child.
Since watching their film I’ve read Jim’s poem in print, and watched a live version of “Gloria” by Patti Smith.
For the film’s sound composition, Matt has sampled just the first powerful line of Patti’s voice in “Gloria”. In audio editing he rearranges the sung phrases to form a new, minimal, poem-song in itself. This is in sympathetic contrast to the printed words of Jim’s poem, which appear on the screen. It’s as if they are two poems side by side.
Matt says of his approach to making the piece: “It’s pretty raw intentionally as I was trying to catch that Patti Smith vibe.”
I find it hauntingly emotional, deep, original.
There Are Bullets in This Poem by Jan Bottiglieri, Chris Green, cin salach, and Tony Trigilio
This is Semi-Automatic Pantoum, directed by Matt Mullins, made to accompany the collection Semi-Automatic Pantoums: A Collaboration on Gun Violence [PDF] by the Chicago-based collective Poetic Justice League. According to their origin story,
In 2018, in the season of Donald Trump and longing for another time, Chris Green was driving down a Chicago road to see his poetic super heroes Jan Bottiglieri, cin salach, and Tony Trigilio. He proposed The Poetic Justice League, a group for poetic non-silence on the big issues of the day. They dreamed up PJL to unfold group poems, to wake up poets and readers to a sense of newborn responsibility. [links added]
The pantoum is one of those forms with repeating lines, which makes it a good if macabre fit for the subject of semi-automatic weapons and the semi-automatic reactions of various political factions to the American epidemic of mass shootings. Matt Mullins added some lines of his own to the video, but otherwise the text is the same as “There Are Bullets in This Poem” (page 5 of the collection). As Matt said in an email on Monday,
It’s intensely disturbing that these horrific mass shooting events just won’t stop happening (I write you this the morning after we realize that families can’t even go to a food festival without being murdered by someone with an assault rifle.) American gun violence has gone far beyond insanity, and yet, as we all know, the politicians in the palm of the NRA will do nothing.
To write your own semi-automatic pantoum, see the collective’s instructions for teachers.
The Poetic Justice League hopes that high school students form their own PJL chapters! You will receive a PJL hat and will be included in all publishing and promotional ventures . . . and we will continue to include you in all future PJL political poetry adventures.
The only requirement is that students contribute their own collaborative political poems modeled after PJL projects. For now, we’re seeking semi-automatic pantoums–we will post the pantoums on our site.
Still There by Lucy English
A recent addition to Lucy English‘s collaborative, online poetry-film anthology The Book of Hours by the Indiana-based multimedia poet Matt Mullins.
Aubade by Lucy English
A collaboration between Matt Mullins (audiovisual composition) and Lucy English (poem, voiceover) for English’s Book of Hours project.
