Jessica Mookherjee‘s poem “Song of the Soil”, from her collection, Tigress (Nine Arches Press, 2019), is given heartfelt filmic treatment by Helen Dewbery and Chaucer Cameron, under the auspices of their production house, Elephant’s Footprint. According to the book’s webpage,
Jess Mookherjee is of Bengali heritage and grew up in Swansea. She has been widely published in magazines, including Under the Radar, Agenda, The North, Rialto, Antiphon and Ink, Sweat & Tears. She is author of The Swell (Telltale Press) and Joyride (Black Light Engine Room Press) and Flood (Cultured Llama). She was highly commended in the Forward Prize 2017 for best single poem. Jessica works in Public Health and lives in Kent.
The poem expresses a deep connection to the Earth in an elegy of lost origins and disappearing ground. Giving further voice to these themes, the film is imbued with overexposed images of a natural world scorched yellow and burnt brown, and a soundtrack made ominous by ambient bass. Mookherjee’s solemn, rich narration rounds the elements of this powerfully organic piece.
The film is part of a series Helen and Chaucer have been doing for Nine Arches Press. They note that “The film-poems are not only viewed by Nine Arches’ existing readers and online audiences, but are a tool for their poets to engage more easily with their existing and new audiences.” The press, however, does not appear to embed any of the videos on the books’ pages, which is kind of baffling.
This is the latest in a series of videos by Helen Dewbery and Chaucer Cameron for collections of poetry from Nine Arches Press, which just celebrated its tenth birthday with the publication of the book excerpted here: What Are You After? by Josephine Corcoran. (It’s a lovely collection, incidentally; I just bought a copy and began reading it yesterday. Always good to support a fellow blogger and late bloomer!)
A videopoem by Helen Dewbery and Chaucer Cameron for the title poem from Tania Hershman‘s debut poetry collection with Nine Arches Press. A song by Tania’s brother Nick Hershman, “You Get What You Deserve”, is also incorporated into the soundtrack, and the interplay between the two texts is part of what makes this work so well, I think.