~ Videopoems ~
Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
The Lines by Andrew Motion
Suzie Hanna just uploaded to Vimeo this 2001 animation she co-directed with Hayley Winter. Live images and straight recordings interact with artifice at all levels, borrowing elements from glitch art and concrete text experiments. The former UK poet laureate Andrew Motion supplied the poem and reading, and Sebastian Castagna composed the soundtrack.
The Lines, a poetry animation, was selected for numerous festivals including Manchester Poetry Festival and Hamburg Animation Festival, it was part of a programme curated by the British Council ‘Shooting Rhymes and Cutting Verses’ which was shown all over the world to promote UK Culture. The Gene used it as visuals for a concert tour and it was shown in cinemas as part of the Sonimation project which was instigated by Suzie Hanna in collaboration with Sonic Arts Network and Digital Arts Network in 2001.
We’ve shared Hanna’s work often here. The bio on her website is worth quoting in full:
Suzie Hanna is Emerita Professor of Animation at Norwich University of the Arts. She was Chair of NAHEMI, the National Association for Higher Education in the Moving Image from 2016-2019, and remains an honorary member of the executive. She is an animator who collaborates with other academics and artists, and whose research interests include animation, poetry, puppetry and sound design. She has made numerous short films all of which have been selected for international festival screenings, TV broadcast or exhibited in curated shows. She contributes to journals, books and conferences, and has led several innovative projects including animated online international student collaborations and digital exhibitions of art and poetry on Europe’s largest public HiDef screen. She works as a production consultant and as an international academic examiner, was a member of the AHRC Peer Review College from 2009-2014, and is a longstanding member of ASIFA. She plays the violin and the musical saw.
Magpie – a conspiracy story by David Bickley
Just uploaded to Vimeo last week, Magpie – a conspiracy story is a subtle and atmospheric videopoem by David Ian Bickley in Ireland. The quiet, eerie mood of the piece is hypnotic.
This folkloric exploration imagines the ancient magpie rhyme as one created by the birds themselves, deep in some misty past. Through careful propagation a protective spell was woven through their close community. (source)
The film has a relation to the nursery rhyme, One for Sorrow, and a hint of Edgar Allan Poe. Bickley created the minimal music score as well, timed beautifully with visual changes and words appearing on the screen.
Two other of Bickley’s earlier videos have been featured here at Moving Poems, including the extraordinary Marsh, an award-winning film with poet Paul Casey.
All will be well by Jane Lovell
A new videopoem from UK poet Jane Lovell and artist Janet Lees, using some stunning underwater footage from Janet’s recent trip to the island of El Hierro in the Azores. Here’s how she captioned it on Instagram:
Feeling very muted going into this new year, hard to feel hopeful. I think this short videopoem holds a sense of solace. A deceptively simple poem by Jane Lovell, containing beautiful images and word-music, combined with footage I shot in the incomparable island of El Hierro recently, notably at Cala de Tacorón, a transformative place. I usually go for the lateral rather than the literal when putting film and poetry together, but somehow in this instance a straight translation between the elements felt right. This is part of an ongoing collaboration between the two JLs
Music is by The Duke of Norfolk.
Moment by Matt Dennison
A new film by Marc Neys, with music of his own composition, for the poem ‘Moment’ by Matt Dennison. Marc used the U.S. Army’s footage of an atomic bomb test, leaning into the distressed quality of the film stock digitized by the Prelinger Archive.
If You Feel Terrible by Rebecca Wadlinger
With a pitch-black sense of humour, If You Feel Terrible is the first poem from the book Terror, Terrible, Terrific by US poet Rebecca Wadlinger. A bio:
Rebecca Wadlinger was born in Pennsylvania, where she attended the Stadler Center for Poetry at Bucknell University. She received her MFA from the Michener Center for Writers in Austin, and her doctorate in Literature and Creative Writing from the University of Houston. Her poetry has appeared in publications like The Best New Poets anthology, Tin House, Ploughshares, and Mid-American Review, among others. (source)
This film of the poem is directed, illustrated, and animated by Nick Stokes.
I found the film in Judy Elfferich‘s outstanding Poetry in Motion section of the Dutch website ooteoote, where she has been publishing videopoetry since 2015.
I See My World Shaking by Yuyutsu Sharma
This 2021 documentary poem by UK-based director Stephan Bookas uses a text from Nepalese-Indian poet Yuyutsu Sharma to portray the horror and aftermath of the 2015 earthquake with an intensity that would be hard to mimic in a standard narrative short.
Sharma is the first Nepalese poet we’ve featured on Wikipedia, and he has a fascinating background. Wikipedia notes that
In 2016 he published Quaking Cantos, a collection inspired by the 2015 Nepal earthquakes featuring Sharma’s poetry and photographs by Prasant Shrestha. In the Kathmandu Tribune, Arun Budhathoki wrote that it “immortalized the tragic event and captured the bitter memories of the Himalayan on a grand scale”. Andrea Dawn Bryant called it “stunningly heart-wrenching, albeit healing”.
a beach scene from ostend by Mola Clay
Mola Clay is the creative duo of film-maker and musician Yannick Mosimann, and vocalist and lyricist Selina Brenner, both in Switzerland. This recent video from them contains a deeply touching, poetic reverie, spoken by Brenner. Mosimann’s flickering images are ghostly, suggesting forgotten memories. The voice is calming in its subdued softness, in a soundtrack with silences, where intimacy is felt.
Mosimann’s brilliant earlier film Mrs. Bovary de Porrentruy was a couple of weeks ago awarded the international prize at Zebra Poetry Film Festival in Germany. His film-maker’s voice in both films is distinct and affecting.
From Selina Brenner’s bio…
Selinas work is transdisciplinary and interweaves art forms like music, dance, performance art and visual arts using the body, words/poetry, field recordings, song elements paired with extended vocal techniques and live electronics. Works are inspired by human behavior and perception, nighttime and feeling home, handled in a raw and expressive matter… Selina grew up in Maryland (USA) before moving to Switzerland when she was 12 years old. Selina has been living and working in Berne since 2016. (source)
Mrs. Bovary de Porrentruy by Ariane von Graffenried
This brilliant piece from Switzerland was just announced as Best International Poetry Film at the prestigious ZEBRA Festival in Germany. It is a gritty, contemporary retelling in verse of Gustave Flaubert‘s historic novel, Madame Bovary.
The film concept and editing are by Yannick Mosimann. The soundtrack is by the musical duo Fitzgerald & Rimini – Ariane von Graffenried and Robert Aeberhard. Ariane’s powerful text and voice are at the wrenching heart of the film, the poem translated to English by Anne Posten. Other collaborators are in the YouTube notes.
The judges were Rosa Maria Hopp (editorial director MDR), Federico Italiano (poet) and Maria Mohr (filmmaker and film educator). Their comments:
Hemmed in by the mountains, this film not only features a protagonist trapped in the dreariness of daily life but also an image frozen in time—sometimes the 16 mm image is torn, sometimes doubled. And then, there’s that battered post rock over and over. It’s a perfect whirlwind of cinematic elements, interwoven with the three languages of the extraordinary poem that fuels them. And in between, there’s that “disturbing woman.” Hardly any phrase encapsulates this film as well as, “Mrs. Bovary from Porrentruy isn’t who she wants to be / Her needs are big, her life’s petit.” (source)
In posting here, I have given the abbreviated English translation of the title. Zebra Festival gives its original as Fitzerald & Rimini – D Frou Bovary de Porrentruy. That title format suggests the film may have first been conceived as a music video. Indeed it can also be heard just as a music track. And what a tremendous meeting this is of music video and poetry film.
There were 25 finalist films in the international competition. These were selected from around 1,200 entries from over 90 countries. Winning films in other categories at the 2023 ZEBRA Poetry Film Festival are here.
