~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

Reprieve by Luisa A. Igloria

Luisa Igloria has been writing daily poems for my blog, Via Negativa since last November, but I didn’t get around to envideoing any of her poems until her 50th birthday last week — shameful, I know! Luisa is the author of Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), Trill & Mordent (WordTech Editions, 2005) and eight other books, and grew up in Baguio City, the Philippines. I blogged about the making of the video here, and Luisa’s poem first appeared on the blog in text form here.

read these roads by Kai Lossgott

A very interesting approach to stop-frame animation by South African videopoet Kai Lossgott, who also organized, directed and curated the City Breath Festival of Video Poetry and Performance last year, and is currently searching for experimental films about climate change for a new exhibition called Letters from the Sky. (See the Moving Poems forum for more details on the latter.)

Kai’s notes about this film at Vimeo are worth quoting in full:

The evaporating water puddle images in this stop frame animation hint at the living systemic relationship between Table Mountain’s hydrology systems, the City of Cape Town’s water system and the biological systems of the human body. This is a video poem of unfulfilled desire for the lost personal bond with the natural world. The soundtrack of the video is taken from Adderley Street in the Cape Town CBD, above the underground storm water drain where the now forgotten Varsterivier, among others, (3 million cubic tons of untapped fresh spring water) runs into the sea daily. Fresh water is one of South Africa’s scarcest resources.

The Sights and Sounds of Arctic Birds by Helen Vitoria

A film called Flight, showcasing the collaborative efforts of Swoon (video editing, production, etc.), Nic S. of Whale Sound (voice), and Kathy McTavish of Cello Dreams (music). This was the dry run for their new collaborative videopoem project announced in a call for submissions last week (which was soon answered).

Pennsylvania poet Helen Vitoria is the editor of THRUSH Poetry Journal. The text of “The Sights and Sounds of Arctic Birds” is available as a PDF from Gold Mark Press.

The video features footage of the Berlin Holocaust Memorial by Ira Mowen. Swoon states in the description at Vimeo that it is “dedicated to Vladek & Anja Spiegelman, the main characters in Maus by Art Spiegelman.”

Challenge Me Vista by R.W. Perkins

http://vimeo.com/13102380

This is the first in a projected series of poetry videos by R.W. Perkins, a Fort Collins, Colorado-based video producer. The YouTube version of the video has garnered an impressive 10,595 views since it was uploaded a little over a year ago. I especially enjoyed the light-hearted tone and the great soundtrack.

The Wall by Brenda Clews

Video, words, voice and music are all by Brenda Clews, who notes in the YouTube description:

I meditate regularly and often do yoga sets. Especially I do this when I am working through issues. During one of my sessions last week the metaphor of the wall arose, and while resting after the yoga set I picked up my iPhone and began speaking, intending to write a prose poem from my voice notes. I left the recording as is, and added the background of sounds and instruments. My speaking of the words is not a performance but an embodiment of the meaning. Then I began to work with recent footage of a lightning storm I had shot. Initially, when looking at the rushes, I was perturbed that I hadn’t removed the mesh screen. Yet the footage is perfect for this video. The subconscious is all of a processing, mobile, energy of constantly equilibrating unity, and what we are voicing here is what we are filming there. Our lives are always moving beyond their boundaries as we push into deeper processes of who we are, alone and together.

Brenda also blogged a few process notes at Rubies in Crystal, where she went into more detail about the soundtrack:

The sound track is a midi file of the text that I generated at http://www.p22.com/musicfont/ and yes, I used copters, and gunshot, and a pad4choir from the music text generator (I did have to copy the sound files from the site one by one and mix them later) and ethereal sunrise, smooth clav, whirly, and nature sounds from GarageBand, plus the original track of thunder and lightning, so it is meant to be a bit, well a bit of a war zone. It works, but it’s not for relaxation, obviously!

The Last Brave Ship by Dale Favier

Portland, Oregon-based poet Dale Favier has been blogging at mole since 2003. His first collection of poems, Opening the World, is due out this month just out from Pindrop Press, and I recently had the pleasure of reading it in manuscript. A subsequent sighting of a mole in the yard resulted in this video. (See Via Negativa for a more detailed description of the process.)

In Extremis by Marly Youmans

Marly Youmans reads another poem from The Throne of Psyche, out earlier this year from Mercer University Press. Film and music once again are by Paul Digby. In her description at YouTube, Marly writes:

This poem is about a visionary experience that flooded in during a harrowing passage in my life. The timing was a bit difficult; I had given birth to a third child and then immediately moved to South Carolina. Not long after we arrived, our eldest, a little boy of 8, was struck with meningitis. The short blank verse poem begins at a point where he had been immobile for a week: still and unresponsive, and was about to be moved from St. Francis Children’s Hospital to a larger hospital with an Infectious Diseases specialist.

New Year’s Eve by Thomas Hardy

http://www.youtube.com/watch?v=yX746yXs96A

With all the videopoems that have been made with her readings or for her poems, it was probably inevitable that sooner or later Nic S. would have to try making one of her own. This is her maiden effort — and the first Hardy poem in the Moving Poems archive. She used some wonderfully creepy footage of cockroaches from the Prelinger Archives. She her blog post for more about her process.

“Hope is the thing with feathers” by Emily Dickinson

Moving Poems’ latest in-house production attempts to put Emily Dickinson’s famous poem in its historical context. I used clips from a public-domain educational film, “Civil War,” by Encyclopaedia Brittanica Films, 1954, from the Prelinger Archives, and found an excellent recording of a wood thrush at the equally invaluable freesound.org. But the most essential ingredient here, I think, was the reading by Nic S.. As Julie Martin put it in a comment on my blog post introducing the video,

Nic’s reading is masterful. Dickinson is so condensed and elliptical that her work seems impossible to read aloud, much like the unplayable late string quartets of Beethoven. But Nic invests each word with a different weight; she doesn’t play with expectations, but transcends them.

Two poems (personality fragmented and notes from a taxi cab at 2 a.m.) by u.v. ray

U.K. photographer and musician gordon eightball made this wonderfully atmospheric film, with words and voice supplied by u.v. ray, whose website says he has been “a stalwart of the underground literary scene for 20 years.”

This Was Supposed to Be About Karl, But It Didn’t End Up That Way, by Sherry O’Keefe

A film called “Nightvision” by Swoon Bildos, which he blogged about (in Dutch) here. Fortunately for us English speakers, though — and for everyone who’s been following Swoon’s work — the poet, Sherry O’Keefe, blogged a conversation with him about the process of making this video, how he got into videopoetry and more.

The poem originally appeared in PANK, and was recorded by Nic S. for Whale Sound. The video includes some camera work by Kristoffer Jansson and Keith Marcel.

Highway Coda by Matt Mullins

This piece began life as “a multi-faceted, collaborative project consisting of a prose poem, an experimental film, a musical composition, and an interactive interface” — see the lit-digital site for more. Matt Mullins specializes in what he calls script poems, and this semester will be teaching a creative writing course on “Book Trailers and Visual Adaptations of Literature” at Ball State University.