Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
I’ve been reading interviews collected around the U.S. during the Great Depression by the Federal Writer’s Project, and this poem perfectly captures my reaction to that heritage of hard times and lives cut short by poverty and dangerous work. This is Alastair Cook‘s 19th filmpoem, with a sound composition by Mark Walters.
I just discovered that someone had uploaded a copy of this landmark film from 1952. Anaïs Nin’s husband Ian Hugo directed, with text from Nin’s novella House of Incest recited by the author over an electronic score by Louise and Bebe Barron. While the text may not be poetry per se, the form and style of the film anticipates modern filmpoetry/videopoetry by decades.
One of the 11 Billy Collins animations produced by New York TV station JWT in 2007. This one was directed by Will Hyde with animation by David Vaio.
This jazzy “video poem of New York City” by Jarrett Robertson, with music by Gaeland McKenna, has racked up more than 19,000 views on YouTube and close to 14,000 views on Dailymotion. I’m guessing that the Regis McKenna credited with the text is not the same as the Silicon Valley marketing expert.
A live-reading-with-video – videopoem hybrid, part of an interesting (and sadly under-watched) series on YouTube by Homestead MediaJive TV called “Poets of the Unreeled,” featuring poets from the Miami area. Leah Silvieus is an MFA candidate at the University of Miami.
Swoon‘s very abstract take on the Frost poem, with a reading by Nic S. from Pizzicati of Hosanna.
As you might imagine, there are more than a few videos for this poem on the internet, most of them depressingly void of originality. So often, it seems, this is the fate of the most popular poems — to be badly read. Apparently it takes a filmmaker for whom English is a second language to hear the poem with a more open mind. Of course, Nic S.’s reading may have had something to do with that, too.
Alastair Cook’s 18th filmpoem incorporates a text by Scottish poet Jane McKie which “won the inaugural Edwin Morgan International Poetry Competition in 2011 and was praised by the judges as ‘spare, musical and wonderfully imagined,'” Alastair tells us. Luca Nasciuti was the composer.
Animation by the London graphic design firm Why Not Associates: “Our Smile for London poem, broadcast on London Underground platforms over the coming weeks.”