http://vimeo.com/6501098
“A digital version of a poem of mine, first published in The Crab Orchard Review,” the author says.
A poem about domestic violence, on YouTube courtesy of a magazine called Shattered Thought which appears to be no longer online. Heather Haley, however, is very much still online — in fact, the annual videopoetry festival she organizes in Vancouver, Visible Verse, will be celebrating its 10th anniversary on November 19-20. This is the premiere videopoetry event in North America. Go if you can.
The Videopoems page of her personal website says about this film, in part:
Heather’s videopoem Purple Lipstick still garners kudos having been an official selection at the VideoBardo 2nd International VideoPoetry Festival in Buenos Aires, Argentina, the 3rd Zebra International Poetry Film Festival in Berlin, Germany and the Women in Film Festival in Vancouver where she was a guest speaker. Purple Lipstick also screened at Commfest, Wildsound, Female Eye in Toronto, Northwest Projections and Reel to Real in Seattle.
Purple is the colour of a fresh bruise and domestic violence the single greatest cause of injury to women in Canada. Purple Lipstick confronts its insidious nature through compelling juxtapositions. A disembodied female voice employs vivid language, absurdist against a backdrop of banality, images of *normal* family life. Numb in her isolation and still in her nurse’s uniform, a wife and mother prepares dinner. The inherent terror of her home life is invoked with excruciating tension. Its brutality can only be alluded to.
Shot on Bowen Island near Vancouver, Purple Lipstick features actors Bazil Graham, Ripley Ferguson, Cairo Ferguson and slam poetry star Alexandra Oliver-Basekic.
James’ first video haiku — see his blog post about it.
I’ve posted a number of Ren Powell’s other animations, but for some reason I skipped this one. As always, see her site Anima Poetics for a much sharper, Flash version.
Dorholt’s poems on the page are long, difficult and packed with arresting images, so it’s perhaps unsurprising that his videopoems would be the same. The text of this one originally appeared in Slope.
For links to all Dorholt’s films, see his blog.
Outstanding poet-made videopoem. Claire Walka says in a note on Vimeo:
Doing shopping in the supermarket can become an expedition into a new world… A poem made of brand-names.
I’m grateful she took the time to add English subtitles so those of us with no German can appreciate this ingenious little film.
Another “poem film” by Zachary Schomburg in support of his collection Scary, No Scary.
A really fine author-made videopoem (hat-tip: 32 Poems Magazine). Karapetkova doesn’t appear to have a website, but there’s a brief bio at Gryphon House.
One of a couple pieces by Ryan MacDonald at The Continental Review. He blogs at Brief Epigrams.
This is the French version of the film that just won the Public Jury Prize for Best Film at the 2010 Zebra Poetry Film Festival in Berlin. Emma Passmore is a British writer, director, and poet, and Breathe was one of 26 films screened this year, out of more than 900 submitted.
Evidently restrictions imposed by some of the festivals it’s been entered in will prevent Breathe from being shared online for another year, but here’s what Emma wrote on Vimeo for the French version:
Using super 8mm footage I originally shot on the London Underground 13 years ago, which captured commuters unawares as they made their way to and from work. The new voice over is a poem which describes the effect of modern life – sucking up time and energy, when all one wishes for is time to breathe; time to live. I aimed to create an evocative piece concerned with longing, hope, history and soul.
The other awards handed out in Berlin yesterday are listed on the website.
Update: Video is no longer online.
Viral Verse marked the first anniversary of their launch with this videopoem, written, filmed and narrated by Vanessa Plain. Here’s what she wrote about the film over at VV and at Vimeo:
Easy to Love a Beautiful Woman is a dramatic narrative, a sci-fi poem. It was inspired by a worrying trend – I see a lot of love for the Earth but little faith.
They say we are here because of planetary accident. The intelligence of nature is dismissed as illusionary. We convince ourselves that it us vs. nature, yet we are here only by the Earth’s good grace.
We are dazzled by technology, believing any new discovery to be for our good. But all too often our choices have proved wrong.
The poem is a cautionary tale. It’s set in a future when Revelations become real and they tell us to pack…
Easy to love a new idea,
Fall deep in its charms.
Jump head first with a cursory look
blind to any harm.
Australian artist Patrick Jones recently worked on a project called Food Forest with his family, and “Natural Bitterness” is another project in the same spirit of uniting art with gardening or gathering: it’s “a video-poem as field guide to some of the edible weeds and wild foods we’ve been eating lately in central Victoria, Australia,” according to the description on Vimeo. A brief blog post goes into a little more detail.
As high-concept as this is, it’s also a fine poem, and I love the name of his production company: Gift Ecology Films.