An interesting experimental videopoem by Koniclab: Rosa Sánchez (director) and Alain Baumann (sound) of the Barcelona-based Kònic thtr. Here’s the description on Vimeo:
Video Poem. Words are appearing on screen, as thin and fragile looking poles move and change to letter shapes. In contrast, we hear the sound of a synthetic and neutral voice, reading and extract of the manifesto from the Mortgage Victims Platform (Plataforma de Afectados por la Hipoteca) who is a movement in Spain whose members have managed to stop evictions by physically standing in front of doors. Estimations are that since the beginning of the crisis in Spain, over 170.000 evictions have taken place in Spain. In the background, the comforting sound of a shop and its cash register.
Performance poems illustrated with live-action sequences aren’t perhaps as common as they should be. This is a particularly well-made example of the genre. In the too-brief Vimeo description, the video is credited equally to Wyatt Andrews (who also plays Jesse James), GennaRose Nethercott (the poet) and Ian McPherson.
Andy Bonjour is a professional filmmaker, but this has the feel of something utterly off-the-cuff, film and poem coming into existence at the same time.
A poetry film by Irish poet and filmmaker Melissa Diem, with sound production by Colm Slattery.
Screened at FILMPOEM 2013 as part of the main programme, Dunbar, Scotland.
Selected for the CologneOFF IX – 9th Cologne International Videoart Festival
Selected for the 2013 VISIBLE VERSE FESTIVALA poetry film that explores ideas of alienation and personal identity in relation to others and by testing the limits within the self. Filmed in Ireland in 2013.
A professional filmmaker‘s first venture into videopoetry. Baralla tells me he lives in Brooklyn, and shot the footage for this film in Maine.
Moving Poems returns from its extended summer holiday with this beautiful animated short by the Bulgarian-born artist Emma Vakarelova, who is currently based in Valence, France. There are no English subtitles, but a translation of the brief text is provided in the description on Vimeo:
Before I became an island, I was called Kalina… Before Marcos saw me, he was a postman…
Vakarelova adds that this is her first film. Here’s hoping for many more.
Long poems don’t always translate well into the film medium, but American poet Richard Siken seems to have hit upon a winning formula in his very first go at filmmaking, collaborating with the French-born singer Marianne Dissard, three of whose songs are heard in succession while the text of the poem appears on the screen. The description on Vimeo quotes her reaction:
I am deeply honored that Richard would use my music to accompany his stunning poem “Why”. Richard is by far my favorite American poet. This is his first film and, as a filmmaker myself, I am awed not only by this short work’s striking imagery but also by its rare ability to get to the essence of these three songs. As a lyricist, to no other writer than Richard would I trust my work to take a back seat but in doing so, I get gently but confidently pointed to its essence. I am beyond grateful to Richard for that rare poetic gift.
It’s always encouraging to see poets of Sikens’ stature taking up videopoetry, especially when the results are this ambitious.
Hungarian-British filmmaker Csilla Toldy wrote, directed and produced this “poem about the end of the world as we know it and a new beginning,” as she describes it on YouTube.
Experimental short poem in motion. Made in Northern Ireland, in 2008 with support from Northern Ireland Screen
Cast: John Livingstone, Donna Ansley, Ivan Ryan
Camera: Alistair Livingstone
Music: Kampec Dolores
Editor: Tom McFarland
http://vimeo.com/64472403
Another in the collaborative series of videopoems by two Evergreen College students, this one by written and directed by Annie Ferguson. All five films by Ferguson and Catherine Michaelis have also been rolled into a single video. Watch it at The Fluid Raven.
A great environmental/social justice videopoem by Evergreen College student Catherine Alice Michaelis, part of a collaborative series with Annie Ferguson that grew out of “a 10 week immersive experiment with cinépoetry,” according to The Fluid Raven. Deserving of special mention here, I think, is the eerie and effective whistling by Bill Moody on the soundtrack.
“A film-poem by Valerie Kampmeier and Robert Peake, incorporating footage of children in Britton, South Dakota filmed by Ivan Bessie in 1939.” For the text, see Peake’s blog.
An author-made, stop-motion videopoem.