~ Animation ~

To do list by Keith Turner

Animation by the London graphic design firm Why Not Associates: “Our Smile for London poem, broadcast on London Underground platforms over the coming weeks.”

Blue Notebook No. 10 by Daniil Kharms

A poem by the Russian absurdist poet Daniil Kharms, A.K.A. Daniel Charms, animated by Franco Geens.

When at a Certain Party in NYC by Erin Belieu

Motionpoems’ latest animation. (See the comments to that post for a quote on the process by animator Amy Schmitt, as well as the poet’s reaction to the finished piece.) This is another of the films produced in collaboration with Best American Poetry 2011.

New Year Philosophy #5 by Inua Ellams

Art direction and animation by Jonathan Mckee for Smile for London. Inua Ellams is a word and graphic artist from Nigeria.

Flames by Billy Collins

A new film by Brandon Dziokonski blends animation with recycled footage from old Smokey the Bear public service anouncements.

I Accelerate by Musa Okwonga

According to a bio at The Independent,

Musa Okwonga is a football writer, poet and musician of Ugandan descent. In 2008 his first football book, A Cultured Left Foot, was nominated for the William Hill Sports Book of the Year Award. He is one half of The King’s Will, an electronica outfit that blends poetry, music, and animated videos.

Various “poetry in motion” projects on buses, trains and subways have been a staple of public poetry campaigns in cities around the world since at least the 1980s. Smile for London is taking this a step further by bringing poetry animation to the tube. The above animation by Amy Thornley and Louise Lawlor (Collective of two) is one example of what Underground riders will see, though I gather it will be shown without audio accompaniment. Let me paste in the text from the Smile for London website:

Our Mission is to bring the talent, creativity and culture of London to the digital screens on the Underground.

We LOVE London. That’s why we’re turning the cross track projection screens on the London Underground into a digital playground by exhibiting moving image by the best emerging and established artists around. Our mission is to unleash these creative minds to explore the medium of silent digital film with the aim of engaging, uplifting and inspiring commuters.

Following the great support and feedback from our pilot exhibition in 2011, we’re back to proudly present Word in Motion, our upcoming exhibition that blends the world of literature with the world of art.

A number of this year’s animations have been popping up on Vimeo. I’ll share some more of them here in the weeks to come.

It Wasn’t the Flu by Ren Powell

Norway-based American poet Ren Powell writes,

I saw a website called fiverr. People will do/make things for 5 bucks. Nathan is making play doh stop motion animations with his kids: 15 seconds for 5.

The result is something of an exquisite corpse… with kids.

It Wasn’t the Flu (From Mercy Island. Phoenicia Publishing, 2011).

I find the result really delightful and satisfying — more so than many more sophisticated poetry animations I’ve seen.

Just As, After a Point, Job Cried Out by K.A. Hays

Motionpoems are releasing their 2012 crop of animations one a month; this is the first — an animation by Emma Burghardt of a poem by K.A. Hays. Please see the post at the Motionpoems website for the text of the poem and its full publication history.

By the way, if you like what Motionpoems are doing to bring great American poems to the big and small screen (including, hopefully, cable TV), please consider donating to their current fundraising campaign. Unfortunately, they were locked out of a major state arts grant this year due to a little-publicized change in the application process, so their need for donations is especially acute right now.

The Letters by Sigurd Tenningen

Another of Kristian Pedersen’s excellent animations for Gasspedal Animert. The sound effects are nearly are crucial as the images here. In some ways this is closer to a concrete poetry experiment than a kinetic type film.

What Draws Us To The Sea? by John Siddique

http://vimeo.com/26261699

This is “Holly Moon” from John Siddique‘s Thirteen Moons series. The paintings are by Dania Strong, Clarpupia Hernandez did the animation, and credit for direction and supervision is given to Walter Santucci. As with the others in the series, the original music was composed by Katie Chatburn in response to the video.

Andrew Wyeth, Painter, Dies at 91 by L.S. Klatt

Tom Jacobsen made this latest animation for Motionpoems, illustrating a poem by L.S. Klatt which was included in his collection Cloud of Ink as well as in Best American Poems 2011. According to a blog post from Pixel Farm, the production studio where he works, Jacobsen based his animation on a series of photos of landscapes reminiscent of Wyeth paintings: “On a 9-day Dakota road trip with his son, Jacobsen snapped photos of the Midwest landscape that were inspired by the painter and then incorporated into the finished piece.”

Let it be dark, and it was dark by John Siddique

http://vimeo.com/30260208

This is from a series of animations called Thirteen Moons. I’ll let the author, bestselling U.K. poet John Siddique, explain:

A series of 13 animated films based on a sequence of poems from Recital — An Almanac (Salt). The poems are based on the Full Moons of the year and the Celtic mythology which names each moon after a letter in the ancient tree alphabet.

The films were created when I was British Council Poet in Residence at California State University in Los Angeles. Made with determination, love, and goodwill. Animation director Walter Santucci, his students, friends and myself set to work before passing the pieces to composer Katie Chatburn. My aim was to gave each artist a free hand in what they came up with in response to the poems, interjecting as lightly as possible.

The paintings in this one are by Dania Strong. I’ll be sharing more of these in the coming weeks, but if you’re impatient, you can browse them all — or twelve of them, at any rate — at the album Siddique has set up for them on Vimeo (whence the above quote).