~ Animation ~

Saffron by Kate Ruse

A striking animation by Zhiyu Zhao for a piece by UK poet Kate Ruse.

The Art of Drowning

This film by Diego Maclean is currently one of the most popular poetry videos on Vimeo, with 3,294 likes and 97 laudatory comments. Though the rotoscopy succeeds in mimicking the effect of a graphic novel, assuming that was the intent, I personally find it less interesting as a video interpretation of the poem than the student film by Lindsey Butler which I shared two years ago.

According to Jason Sondhi at Short of the Week, this too was a student production:

Maclean created this short film as his graduation film from the Emily Carr Institute in 2009, and it has wrapped up an impressive festival run, playing at Sundance, Annecy and SXSW among others.

I spy by Martha McCollough

Martha McCollough writes: “A love poem in the voice of a surveillance satellite. Built in aftereffects, Sound design in Logic.”

Ecclesiastes 11:1 by Richard Wilbur

Faith Eskola created this month’s Motionpoem for a poem by America’s preeminent contemporary formalist poet. See Motionpoems for the text and some process notes by Eskola in the comments.

The Trees by Philip Larkin

Animation by Amy Swapp and Fiona Hobson. (For the text of the poem with proper punctuation and such, see The Poetry Archive.)

London by William Blake

This student film by Alex Robinson offers a new take on Blake’s “mind-forged manacles.”

Underwear by Lawrence Ferlinghetti

An animation by film student Aja Rose Matthews, with the reading of course by Ferlinghetti himself.

Thoreau and the Lightning by David Wagoner

See the Motionpoems website for the text. The animator and director is Adam Tow. As with April’s Motionpoem, the free email newsletter contained additional content not archived on the website — an interview with Tow.

Motionpoems: What made you choose this poem to work with?
Adam Tow: After reading all the poems available for this year’s event, ‘Thoreau and the Lightning’ was the piece that I had the strongest connection to. As I read it, I was reminded of my grandfather’s home in the country and the land around it. He was a hard working midwestern man that for some reason I felt had a lot in common with the character in the poem.

MP: What is this poem’s most important moment for you?
AT: For me, the lines that ask if he should “feel humbled” and “give thanks” are the crux of the story. The moving truck and estate sale sign are references to my experiences watching my grandfather’s estate being sold as his health deteriorated. Visually speaking, the tree exploding is my favorite shot.

MP: What was the biggest challenge in turning this piece into a film, and what was your solution?
AT: I struggled with how I wanted to interpret the final sentence of the poem. I had two ideas for what meaning to imply with the visuals (one involving a hearse, the other a moving truck). As far as how to depict things, I wasn’t sure how to show both the positive memories of the past as well as the farm’s abandoned state at the same time. I decided to use a shimmery effect to illustrate his memories overlaid on the farm’s present day appearance.

MP: What did you find most surprising in this process?
AT: It was interesting to see how much you can change the implied message of the poem just by altering a seemingly minor visual element. Also, hearing the music and voiceover for the first time was one of the most exciting moments I’ve had in the last year.

MP: Is there anything else you want to add?
AT: I have to give loads of thanks and credit to Scott Yoshimura (music composition/performance, voiceover) and Logan Christian (audio recording and mixing). I intentionally gave them zero direction and they knocked it out of the park, as I knew they would. Also, many thanks to David Wagoner for agreeing to let me humbly interpret his poem.

A heavy hand in the black sky by Martha McCollough

Another animation from Martha McCollough‘s erasure project Grey Vacation.

Written in My Dream by William Carlos Williams

This kinetic text poetry animation by Nikolaus Lesnik uses a reading by Allen Ginsberg.

innocent beat by Martha McCollough

An interesting kinetic-text animation by Martha McCollough, a painter and animator from Boston, who notes in the description that it it is “Based on a page from my erasure project Grey Vacation. The wrongest thing ever said.”

Putain by Peter Wullen

http://vimeo.com/40176696

(English version)

http://vimeo.com/39052134

(Dutch version)

Kris J. Yves Verdonck used “stopmotion, pixilation and edited images of Eadward Muybridge,” and notes that the “English version is slightly different from the Dutch one.”