~ Animation ~

The Art of Poetry Film with Cheryl Gross: “Western Civilization”

Western Civilization
poem by Peter Jay Shippy
directed and animated by Alicia Reece (MotionGnome) for Motionpoems
lettering and lead actor: Emory Allen
make-up: Ashley Burke
music: Joey Verskotzi
additional animation: Valerie Lockhart
2014

Western Civilization is a well-produced, breathtaking piece. Based on a poem by Peter Jay Shippy, it was one of many short films to debut at the 2014 Motionpoems premiere. The design, poetry and voiceover work flawlessly together. This is as close to perfection as one can get.

I’ll begin with the design. Alicia Reece works with a limited color palette, then switches to black and white, then back to incorporating color against a scratchboard-like background. Add an old scratchy film effect, and we are taken back in time. If I’m not mistaken, the animators used actual video footage and applied the cartoon (special effect) using the Adobe program After Effects. This is a nice, smooth way to simulate animation. It appears that Reece does a lot of commercial work, which is apparent judging from the execution.

The poem is wonderful. It’s hip-hop coupled with American twang. Sort of like Paris, Texas meets Rihanna. The voiceover fits perfectly. I’m back in the 60s or 70s, tripping on mushrooms or peyote and looking for god. Or in this case Keith Moon (former drummer of The WHO.) The reference to popular music is a bonus. This makes the piece a total postmodern experience—or pop-culture experience if you will.

The combination of styles and the use of type all blend successfully, which clearly communicates how we can know, and have known, the American west. I’m ready to get in the car and drive all the way to New Mexico, or in this case Utah. I think it would be fun meeting up with a shaman who is familiar with rock music.

Western Civilization is truly a beautiful piece with a wicked sense of humor.

River Bicycle Peony (from August Notebook: A Death) by Robert Hass

This is a kind of metaphor, a stop-motion animation by Paige Speight of Robert Hass‘s “River Bicycle Peony.” Evan Montilla provided the voiceover.

Smell! by William Carlos Williams

William Carlos Williams’ own recitation of his poem is included in the soundtrack of this animation by Isaac Holland. The video is part of the Poetry of Perception series commissioned by Harvard for its Fundamentals of Neuroscience course.

The Art of Poetry Film with Cheryl Gross: “Working Order”

Working Order
poem by Dora Malech
video by Gentleman Scholar, for Motionpoems
2015

Gentleman Scholar is a group of solution-driven artists situated at the intersection of story, style and technology. Wielding extensive experience in strategy, live-action production, animation, digital and print, we help the world’s leading agencies and brands tell their stories.
bio on Vimeo

Gentleman Scholar created fabulous effects to illustrate the poem “Working Order” by Dora Malech. They have used a combination of animation programs to achieve a fluidity that enhances as well as captures the essence of the poetry. I personally prefer this painterly approach (there are several brush stroke filters in Photoshop that imitate painting) to the usual bells and whistles that go along with 3-D modeling, Maya and whatever else, that intends to dazzle the viewer.

The pace is fast and combined with a motion blur, Working Order gives the illusion that the paint is moving. It would be great to see it in 3-D. That would be a nice touch.

I love great art that moves. Gentleman Scholar are highly successful in their application of digital painting. A good many video-poetry artists struggle to get the same impact using illustration, photography and/or enhanced video. This group shines through and brings new life to the genre.

The combination of Malech’s poem and Gentleman Scholar’s visuals has resulted in a stunning work of art. By using this method they have not only bumped poetry video up a notch, but have succeeded in making it the quintessential platform of the 21st century.

For Gentelman Scholar’s own assessment of the video, as well as the full credits, see their website.

Split the Lark — and you’ll find the Music by Emily Dickinson

An animation by Lily Fang, part of the Poetry of Perception series for the Harvard University course Fundamentals of Neuroscience. Sarah Jessop provided the voiceover with music by Skillbard. The epigraph is by Igor Stravinsky: “I haven’t understood a bar of music in my life, but I’ve felt it.”

J’ai tant rêvé de toi / I Have Dreamed of You So Much by Robert Desnos

An animation of Desnos’ poem produced for French television by Emma Vakarelova.

We grow accustomed to the Dark by Emily Dickinson

An animation by Hannah Jacobs, part of a series called “Poetry of Perception” for the Harvard University course Fundamentals of Neuroscience. Here’s the Vimeo description:

An eight-part series (vimeo.com/channels/972301) on representations of perception and sensation made for fundamentalsofneuroscience.com. “Both artists and scientists strive, even if in different ways, toward the goal of discovering new uniformities or lawful regularities.” Hermann Helmholtz

Words by Emily Dickinson
Animation by Hannah Jacobs hellohannahjacobs.com
Narration by Anna Martine
Sound + Music by Oswald Skillbard skillbard.com
Produced by Nadja Oertelt nadjaoertelt.com

Hat-tip: Cinematic Poems, a blog somewhat like Moving Poems that’s dedicated to what it calls “an important emerging creative short film genre.”

All Watched Over By Machines of Loving Grace by Richard Brautigan

Richard Brautigan‘s famous 1967 poem may be treated as holy writ by Silicon Valley dipshits who pray for the advent of the singularity, but that doesn’t stop it from being a fascinating cultural artifact in its own right. So I was pleased to see this fine student film by Edward Phillips Hill, which also includes something I’ve never seen before: process notes right in the end credits.

  • stop animation because it’s a physical/tactile medium
  • the other images that flash by are either screen captures of social media or images taken from my phone camera while looking at social media, in essence looking through the technology seeing what is being ignored
  • the music was chosen as it resembles a techno song yet played by acoustic instruments, thus furthering the duality of modern life & the constant push and pull between ‘technological’ life and ‘real’ life

Break and Remake by Martha McCollough

A new videopoem by artist and poet Martha McCollough always makes me do a little dance of pure delight. Break and Remake debuted on Atticus Review a week ago, and I’ve held off on sharing it till now (not wanting to steal their thunder) only with great difficulty. Here’s how McCollough introduced it:

Break and Remake came out of thinking about the recombined creatures in myths and in the margins of medieval manuscripts. The whole video is broken and reassembled, as are the griffins, chimeras, and other monsters within the video. The text is also a hybrid, combining overheard remarks, a line from a song by Son House and computer-generated text from spam.

The Art of Poetry Film with Cheryl Gross: “Millionaire”

Millionaire
Poem by Mab Jones
Animation by Lauren Orme and Jordan Brookes
Dedicated to (about) the poet Johnny Giles
2015

A love poem in every sense of the word, Millionaire is uncomplicated and embraces the value of being in love. This video poem is wonderful and exquisitely charming. Unpretentious and lovely, it gets the point across without being sappy or corny.

I love the simple frame-by-frame line animation. The motion aspect is wonderful, but when I close my eyes and just listen to the audio, the poem still works. Every aspect of this video poem can stand alone, but all together, it is a very special treat.

There is nothing complicated about this piece and that’s why it works. No kitchen sink, just plain and uncomplicated. Millionaire follows the theory and quote by Mies van der Rohe: less is more. So many times, we as artists fall in love with our work and want to incorporate every detail. This is not always necessary in order to get one’s point across.

Millionaire is a true love poem. It is stunning in its plainness and doesn’t waver. There is not much else to say, just a beautiful piece.

long rong song by OTTARAS

The Norwegian concrete poet Ottar Ormstad and Russian composer Taras Mashtalir form the duo OTTARAS, currently looking for live performance venues. This video was produced in collaboration with Russian video artist Alexander Vojjov, and “exists in different versions made for screening and live performance,” according the Vimeo description.

Projected on a grid of particles that at times seem ordered, while sometimes chaotic and always in flux, Ormstad’s constructed language poetry is exposed and read by the author while performing to Mashtalirs pulsating music. Is everything connected to one another in the sphere that is shaping before the viewer’s eyes? How does language relate to the atmospheric scapes Vojjov creates of numbers, geometric forms and abstract shapes? LONG RONG SONG (2015) conveys Ormstad’s language research project that is based on AUDITION FOR FENOMENER UTEN BETEGNELSE (Audition for Phenomena without a Name), his second book of concrete poetry (2004). In the video, Ormstad reads through a cycle of 5 poems that present combinations of four letters made of an artifical language system that he has created and which may, or may not result in words commonly used in latin languages. […] Raising awareness of electronic poetry and sonic ecology, attracting new audience to a potent yet to come genre is the inspiration for this collaboration.
The video is produced in HD 16:9 in color, stereo, duration 05:26
Animation: Alexander Vojjov
Music: Taras Mashtalir
Concrete poetry, voice & production: Ottar Ormstad
© Ottar Ormstad 2015

I find it a mesmerizing hybrid of concrete and sound poetry—a great example of how an effective video can make avant-garde poetry approachable.

Testimonial by Rita Dove

An animated poem from the Traveling Stanzas public poetry project at Kent State University’s Wick Poetry Center, in which illustrated poetry broadsheets are also given a video form. In this case, the art was the work of Christopher Darling, and the animator was The New Fuel studio. Rita Dove probably needs no introduction.