We strive to link to as many poetry film/video contests and calls for entries as we can. (See also the festivals category.) Please let us know about any we might miss.
All festivals, events and calls for work are mentioned by Moving Poems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.
Just received this communication from the Ó Bhéal International Poetry-Film Competition.
2018 is Ó Bhéal’s ninth year screening International poetry-films, and sixth year featuring this competition. Up to thirty films will be shortlisted and screened during the festival in October. One winner will receive the IndieCork/Ó Bhéal prize for best Poetry-Film.
The festival takes place between the dates of the 7th and the 14th October, 2018.
Entry is free to anyone, and should be made via email to poetryfilm [at] obheal.ie – including the following info in an attached Word document:
You may submit as many entries as you like. Films must interpret, or convey a poem which must be present in its entirety, having been completed no earlier than August 2016. They may not exceed 10 minutes in duration. Non-English language films will require English subtitles. The final shortlist will be announced during September.
Shortlisted films also appear in Ó Bhéal’s poetry-film touring programme, at a number of film and literary festivals, to date including the Clare Island Film Festival, Belfast Film Festival, Stanzas in Limerick, the Cyclops festival in Kiev, Poemaria in Vigo and at the Madeira Literary Festival (2018). Shortlisted entries are also screened throughout the year from Ó Bhéal’s competition shortlist archive (in random), at the start of each Ó Bhéal poetry evening.
This year’s entries are judged by poet Oonagh Kearney and filmmaker Anamaria Crowe Serrano.
The submission deadline is August 15th, 2018.
The Fort Collins, Colorado-based poetry film festival formerly known as Body Electric Poetry Film Fest is planning a 2018 festival.
Poetry and filmmaking converge for this unique, one night only event. Featuring films from around the globe, the Juteback Poetry Film Festival highlights the creative migration of two art forms, video & poetry, also known as Videopoetry. JPFF is Colorado’s only poetry film festival and one of only two screening in the U.S. today. Join us on Friday October 19th at Wolverine Farm Publishing’s Letterpress and Publick House, 316 Willow St, @ 7:30 in Fort Collins CO. for Juteback Poetry Film Festival 2018
And they’re open for submissions:
THE JUTEBACK POETRY FILM FESTIVAL SUBMISSION GUIDE
- All films must be submitted online. Please use the form below to complete your submission. To submit please load your film to Youtube, Vimeo or media sharing site of your choice, then provide the link in your submission. If you choose to use a privacy setting on either Youtube or Vimeo please be sure to provide us with a proper access code to view your film.
- All films must be completed before the deadline of Aug. 19th, 2018. As long as your film has been completed before the Aug. 19th deadline please feel free to submit.
- All non-English films must have English sub-titles.
- All films selected for the festival grant Juteback Productions, LLC the rights to use all video images and press materials from the film for promotional purposes.
- Juteback Productions, LLC is permitted to retain copies of each film selected as part of our festival library and for media educational use.
- You may submit more than one film, please repeat process for each entry.
- Films must be no more than 15 minutes in duration.
Doublebunny Press announced on Wednesday, February 28 that submissions were open for the fifth Rabbit Heart Poetry Film Festival.
The Rabbit Heart Poetry Film Festival is a competition meant to highlight poetry and visual art at the intersection of film. The festival, due to take place in Worcester, Massachusetts, USA in October of 2018, focuses on short films that illustrate original poems, all of which are non-performance based (read: no footage of the poems being performed).
As well as a $200 prize for Best Overall Production, Rabbit Heart will be awarding $100 prizes in six other categories: Best Animated, Best Music/Sound, Best Smartphone Production, Best Under 1 Minute, Best Valentine, and the Shoots! Youth Prize. The matinee, and then the gala awards ceremony and viewing party will be at Nick’s Bar in Worcester, MA on October 20th.
Doublebunny Press is a small, independent press that serves the New England area through poetry design, layout, and production of fine books and posters. Doublebunny also supported Omnivore Magazine, a poetry and arts monthly which, during its three-year run, published poetry and articles by over 150 authors, and carried a national subscription base.
Doublebunny has a history of great spoken word events in Worcester. They combined forces with The Worcester Poets’ Asylum to present V Day to the city in 2002 and 2003, and the Individual World Poetry Slam in 2005. In 2014, Doublebunny brought the inaugural Rabbit Heart Poetry Film Festival to the city, and now for the fifth year’s festival, they plan an even more exciting show for Worcester, inviting the imagination of poets and filmmakers to once again take center stage.
Rabbit Heart Poetry Film Festival is one of very few outlets in the US for poetry on film, and the only festival that asks that the author of the poem participate in the making of the production. In 2014 and 2015 Rabbit Heart attracted international attention, including not only European submissions, but also the honor of a showcase in the CYCLOP festival in Ukraine and showings in Barcelona, Spain at pro.l.e. In 2017 Rabbit Heart was thrilled to present at the Mass Poetry Festival.
Submissions are now open for the 2018 Rabbit Heart Poetry Film Festival, and will remain open through July 1st.
To learn more about this event, please go to www.rabbitheartpoetry.com or to www.doublebunnypress.com, and then click on the menu link to Rabbit Heart Poetry Film Festival.
The Poetry Library at London’s Southbank Centre posted a Call-out for Instagram Poetry back on the first of February — but there’s still plenty of time to enter:
A whole new generation has taken to Instagram to create and share poetry. Often described as an underground culture, some of the most successful Instagram poets have millions of followers and post over a dozen new poems a day.
That’s why we are asking poets and Instagrammers alike to share their work on Instagram, by tagging the library @nationalpoetrylibrary and using the hashtag #instapoetrylib. We are also looking for short poetry films which should be submitted using the same hashtag.
The best of these will be displayed in an exhibition at the National Poetry Library. From striking typographic design, to social comments and emotional confessions, this exhibition provides the perfect introduction to this emergent form of poetry.
How to enter
Participants can start publishing their Instapoems and short films right now, and can continue to do so until Wednesday 21 March.
All entries must be posted on Instagram using #instapoetrylib and tagging the library too (@nationalpoetrylibrary). Make sure you do this otherwise we might not see your entry! Only one entry per person.
By submitting your poems you are agreeing for your entry to be shown in the exhibition at the library.
We welcome you to play around with the form using images, illustrations, different typefaces or anything creative you want to explore – there are no limits! We are looking for interesting designs as well as strong poetic content.
There are no restrictions on location – this is a global competition so please share far and wide.
What you get
A selection of the library’s favourite poems will be displayed in an exhibition at the National Poetry Library, Southbank Centre. Three of the selected poets will be invited to read at the opening event and will receive a £100 performance fee.
If you’re new to Instagram, here’s how to post a video (note the maximum length: 60 seconds). You can of course create a video on a desktop computer, but it must be transferred to a mobile device and uploaded via the app. (User agent switcher plugins make it possible to post still photos from a web browser, but not video.) Note that Instagram videos play in a loop, like GIFs, so it might be fun to take that element of the user experience into account.
Instagram is of course the epitome of a web-hostile app — so much so that it doesn’t even permit links in posts — so if you’re an idealist who believes in the open web, and you’re not already on Instagram as I am, you’re probably better off not joining just to enter this contest. In any case, you don’t have to join to browse the web version, which is a far pleasanter experience than attempting to watch a video on a goddamn phone. Here are all the posts tagged #instapoetrylib so far. It looks as if at least one user has ignored the instruction to only enter once, and is busy spamming the hashtag with utter dreck. Yep, that’s Instagram.
But OK, being able to view all the other submissions is pretty cool, I’ll give them that. I’d love to see contests on other platforms practice this kind of openness.
Hat-tip: the Poetry Film Live group on Facebook.
If you thought you missed your chance to submit to the Weimarer Poetryfilmpreis (original deadline: January 31), you’re in luck: the new deadline is March 31. Here are the guidelines.
I’ll share the full announcement next weekend, but for all you eager beavers, gird your loins!
If you missed your chance to attend Motionpoems’ Season 8 premiere screening in New York on February 8 (which was sold out), you’re in luck: they’re holding a second Season 8 premiere in Minneapolis on April 13! You might’ve thought that “second premiere” is a logical impossibility, but that’s the magic of poetry film for you.
Motionpoems Season 8: Dear Mr. President is screening in Minneapolis! Two screenings will be held at 5:30 and 7:30 with a panel discussion in-between. Admission is free, but a $10-20 donation is encouraged to support Motionpoems Season 9. Beer and wine will be available.
Led by Executive Producer Claire McGirr, this year Motionpoems has decided to tackle issues that affect everyone.
Pairing filmmakers & poets to make creative content, Season 8 features 12 short films that tackle racism, LGBTQIA+ rights, immigration, women’s rights, gun control, educational & social welfare, judicial system reform, climate change, and news/media/social platforms.
Our poets include Tiana Clark, Natalie Diaz, Eve L. Ewing, Peter LaBerge, Robin Coste Lewis, Susannah Nevison, Danez Smith, Maggie Smith, Lee Ann Roripaugh, and Nomi Stone.
Their poems were adapted to film by directors Daniel Daly, Kate Dolan, Mohammed Hammad, Anais LaRocca, Savanah Leaf, Monty Marsh, Jane Morledge, Ty Richardson, Ryan Simon, Tom Speers, Jovan Todorovic and Tash Tung.
The overall winner of this new UK competition was Kneading Language by Celia Parra Diaz. Here are the shortlist, the judge’s statement, and the winning film.
It was recently brought to my attention that the Out-Spoken Prize For Poetry 2018 includes Poetry in Film among its three categories (the other two being Page Poetry and Performance Poetry).
This category is for those who wish to submit poetry films. Pieces must not exceed the ten-minute time limit and the film must include the poem either being read by a narrator or have it featured as subtitles.
Note that this contest is only open to poets residing in the UK. The deadline is March 2 and the judges are Inua Ellams, Selena Godden, Akala, Caroline Bird, and Caleb Femi. Click through for complete guidelines and a submission form.
If it’s an even-numbered year, you know that it’s time to start planning for the world’s biggest and most influential poetry film festival, ZEBRA. Their website has yet to be updated from 2016, but a call for entries has indeed been issued; you can find it on FilmFreeway in both German and English. I’ll take the liberty of pasting in the English version:
In 2018 the Filmwerkstatt Münster, in cooperation with Haus für Poesie, will host the ZEBRA Poetry Film Festival Münster|Berlin. The festival will be located at Schloßtheater, a repertory cinema in Münster.
The prizes are endowed together with € 12.000. A programme commission is going to nominate the films for the festival and the competition. An international jury will choose the winning films.
The prizes that will be awarded are (i. a.):
The ZEBRA Poetry Film Festival Münster|Berlin 2018 is inviting entries for the competition for the best poetry film. Eligible for submission are short films based on poems.
The Festival is also inviting entries of films based on this year’s Festival poem, “Endless wall-to-wall carpet (of the VIP foyer)” by Ann Cotten. The directors of the three best films will be invited to Münster to meet the poet and have the opportunity to present and discuss their films. You can find the poem together with a sound recording and various translations at https://www.lyrikline.org/de/gedichte/unendlicher-spannteppich-des-vip-empfangsraums-8387#.WkYsv1XiZEY
The closing date for entries for all competitions is the 1st May 2018. All films submitted are automatically considered for all selection processes.
Deadline: 1st May 2018 (date as postmark)
Rules of Entry
1. The organizer of the ZEBRA Poetry Film Festival Münster|Berlin is the Filmwerkstatt Münster in cooperation with the Haus für Poesie.
2. Eligible for submission are poetry films with a maximum length of 15 minutes that were finished after 1st of January 2015. The ZEBRA Poetry Film Festival reserves the right to show films longer than 15 minutes in duration. All films submitted must be visual realisations of one or more poems. There are no language restrictions. Admissible formats are: DCP, Blu-ray, DVD as well as mp4 or mov files with a resolution of at least 720p or 1080p. All films that are not in English must have English subtitles.
3. The closing date for entries is the 1st May 2018 (date as postmark). Entries must be accompanied by a video file (preferably MPEG-4), Blu-Ray or DVD of the film for preview, a completed entry form, a digital film still (JPEG or TIFF, 300dpi), a translation of the poem into English or German, a short summary of the content, a biography of the poet and a biography and filmography of the director. All texts must be provided in digital form. Video files, DVDs or Blu-rays for preview purposes must be delivered within the period of submission (by the 1st May 2018) and will be retained for storing in the festival archives. The preview copies will only be returned at the express wish and expense of the sender.
4. A programme committee will select the films for the competitions and recommend films for other sections of the programme. All films submitted will automatically be considered for all selection processes. An international jury, consisting of at least three members, will choose the winning films. Those involved in the production or commercial exploitation of any of the competition films may not be part of the jury. The audience will vote the winners of the Audience Award and the ZEBRINO Prize.
5. The jury’s verdict will be taken by simple majority. The discussions and the votes will proceed in confidentiality.
6. The prizes are endowed with a total of € 12.000. The sponsor will present the winning director with a cheque or by bank transfer for this amount.
7. All entrants will be informed via e-mail of the results of the call for entries in mid-July 2018. Please make sure that your e-mail address is correct and legible. No enquiries about the selection process will be answered before mid-July 2018.
8. Submitting the ZEBRA Poetry Film Festival Münster|Berlin is free of charge!
9. By submitting your film, you confirm that the film may be shown at the Festival. The film may no longer be withdrawn once the entry form has been sent off. The sender is required to obtain permission from any third parties involved in the production to agree to the film being screened at the festival.
10. The transportation costs of the film copy to the festival will be charged to the sender. There will be no screening fee for submitted films that are selected for the competition.
11. For the duration of the festival the film will be insured at copy value. Insurance protection begins with the arrival of the copy at the festival office and ends on its leaving. If a copy should be damaged, the sender must register that damage within one month from the end of festival. The festival will assume the cost of repair to a maximum amount equivalent to the manufacturing costs of a copy in the same format.
12. By arrangement with the owners of the rights, the Filmwerkstatt Münster and the Haus für Poesie will show selected Festival films as part of non-commercial selection screenings following on from the ZEBRA Poetry Film Festival Münster|Berlin.
13. Registration for participation at the ZEBRA Poetry Film Festival Münster|Berlin 2018 will be deemed to entail acceptance of these rules of entry. The festival management is entitled to decide on any case not covered by the guidelines and to permit exceptions in special cases.
This sounds like a terrific deal: a two-day workshop with Helen Dewbery and Chaucer Cameron (Elephant’s Footprint, Poetry Film Live) for less than £20. Here’s the description on Eventbright:
As part of Light Up Poole’s film poetry competition, Poole Museum are hosting this fantastic film poem weekend course. Learn the ins and outs of film poetry on this two-day course, led by Helen Dewberry and Chaucer Cameron.
Day 1 (10am-4pm)
Day one will be an introduction to film poetry, from theory to practise. By the end of the day, you will have created your very own film poem, and have an understanding of its significance, as well as the various genres.
- Understanding film poetry.
- Genre.
- The creative process – text, filming, sound and editing.
- Creating your first film poem using archive footage.
Day 2 (12pm-4pm)
Participants will be supported to plan and make their own personal film poem. You are welcome to bring your own equipment for this process.
We will give a demonstration using iMovie. For Windows users, please download Movie Maker before the session. You are welcome to use any other software you are familiar with.
Limited editing equipment is available for loan during the sessions.
For more information and concessions, email matt@artfulscribe.co.uk.
If you’re a poet curious about poetry film, and especially if you’d like to enter the Lighthouse Poole competition judged by Lucy English and Sarah Tremlett, here’s your chance. Click through to register.
Speaking of Chaucer and Helen, be sure to visit Poetry Film Live. They’ve got the Christmas decorations up and are posting new poetry films and features all month long.
Some upcoming deadlines:
An email newsletter on Tuesday shared the results of the just-concluded festival in Kyiv, Ukraine:
Breaking News! ⚡
Yesterday, November 26, at the closure of the VI CYCLOP Videopoetry Festival at Port Creative Hub, the winners of the CYCLOP Videopoetry Contests were announced and summed up.
Time to announce winners!
🏅 Nomination «Debut» | Ukrainian program
Oleksandra Proms’ka «When the sun has long gone …» (Rivne)🏅 Nomination «Experiment» | Ukrainian program
Eugene Umanov «A rubber little ball» (Mykolayiv)🏆 Audience Award | International program
Radheya Jegatheva «iRony» (Australia)🏆 Audience Award | Ukrainian program
Eugene Vorozheykin «Lonely Man» (Kyiv)🥉 3rd place | Ukrainian program
Arsen Podosyan «It’s worth it?» (Odesa)🥈 2nd place | Ukrainian program
Eugene Vorozheykin «Lonely Man» (Kyiv)🥇 1st place | Ukrainian program
Olha Fraze-Frazenko «The blindworm» (Lviv)🥇 1st place | International program
Manuel Vilarinho «Calling All» (Portugal)Congratulations to the winners! :) 👏
Visit the CYLOP Facebook page for photos from the festival.
This small festival debuted in Oregon in late October. I received an email from the director back on Nov. 18 and forgot to post it:
Kudos and congratulations! Cinema Poetica 2017 screened ten short poetry films at our first international festival. The ten films:
City of My Heart, Kostas Petsas, Greece (Grand Prize Winner)
Love’s River of Errors, Dave Richardson, U.S. (Audience Favorite)
Falling, Dave Bonta, U.S. (Finalist)
Spring on the Strand, AD Cooper, U.K. (Finalist)
Old Rain Temple, Kim Stafford, U.S.(Finalist)
Letter from Avostanis, Luca Fornasiero, Italy
Body Talk, Amy Bobeda, U.S.
Night Court, Erica Goss, U.S.
Love, Judith Barrington, U.S.
I’ve Never Felt this Way Before, Courtney Ross, U.S.All viewable at https://vimeo.com/album/4821195
Submissions are requested from poets and filmmakers as part of Light Up Poole, a unique digital Light Art Festival aiming to transform Poole’s town centre after dark from 15-17 February 2018.
Focussing on a theme of ‘Identity’, festival organisers are looking for films, up to a maximum of three minutes, that address the topic and consider how identity is reflected in contemporary society. What does it mean to be an individual, a member of a family, a worker in the city, in a rural setting, a person living in Britain today?
For the purpose of this submission request, a poetry film is defined as a fusion of spoken/written word with visual images where the combination of media provide a richer experience than either the spoken/written word or visual images could do on their own. In this instance, a poetry film isn’t simply a video recording of a poet reading a poem. The poetry film can also include music.
Ten short-listed films will be shown at select venues in Poole’s town centre throughout the duration of the festival, with further screenings as a prelude to main cinema screenings at Lighthouse Poole during March/April 2018. The winning film will receive £500, to be shared between poet and film-maker in the case of collaborations.
Links to films must be received by 26th January 2018. High Definition files will be required for short-listed films.
Please send to matt@artfulscribe.co.uk
Lucy English is co-creator of the poetry film organisation, Liberated Words, which curates and screens poetry films. Lucy is best known as a performance poet who has published three novels and is currently a Reader at Bath Spa University where she teaches on the undergrad and Master’s Creative Writing courses. Her specialisms include writing for digital platforms.
Sarah Tremlett, MPhil, FRSA, SWIP, is a British poetry filmmaker, artist and arts theorist/writer, with a first-class honours degree in Fine Art and an MA in Creative Writing from Bath Spa University. In 2012, she co-founded Liberated Words poetry film events with poet and novelist Lucy English to screen international poetry filmmakers alongside films made in the community, and co-conceived MIX conference, Bath Spa University.
Entry is free to anyone, and should be made via email to matt@artfulscribe.co.uk including the following info in an attached word document:
You may submit as many entries as you like. Films must interpret, be based on, or convey the festival theme. Non-English language films will require English subtitles.
From the front page of poetryfilm-vienna.com/en:
ART VISUALS & POETRY FILMFESTIVAL VIENNA NOV 4 – 6, 2017
The award winners 2017
People, we had three great days with lots of fantastic poetry shorts. The festival donates 5 prizes. The festival awarded the Austrian animator Gudrun Krebitz for her film “Exomoon” with the main festival prize. The Rilke Competition prize or Special Award goes to Sebastian and Daniel Selke for their interpretation “rilke überoffen”. The only Honorable Mention of the Vienna Poetry Film Festival goes to Andrea Capranico from Italy for “The Landscape Within”. The Hubert Sielecki Award for the best Austrian poetry film of the festival goes to Moritz Stieber “Die Tatsachen im Fall Waldemar”. The OKTO audience award goes to Christian Heinbockel for his film “Lass uns von Liebe sprechen” or “Let´s speak about love”. Stay tuned. We will publish the jury statements soon!
Go here for the post in German.
Once again, the annual backup_festival at Bauhaus University and the Literary Society of Thuringia are cooperating to sponsor a poetry film prize in association with Poetryfilmkanal. The 2018 Weimarer Poetryfilmpreis is now open for submissions. Here’s the English version of their bilingual call:
Through the new film award, backup_festival and Literarische Gesellschaft Thüringen e.V. (LGT) are looking for innovative poetry films. Filmmakers from any nation and of any age are welcome to participate with up to three short films of up to 8:00 mins, which should explore the relation between film and written poetry in an innovative, straightforward way. Films that are produced before 2015 will not be considered. From all submitted films selected for the festival competition three Jury members will choose the winner of the main prize (1000 €). Moreover, an audience award of 250 € will be awarded.
The competition »Weimar Poetry Film Award« is financed by Kulturstiftung des Freistaats Thüringen, Thüringer Staatskanzlei and the City of Weimar.
Deadline: January 31th, 2018.
Form for submissions [pdf] by mail or e-mail.
Literarische Gesellschaft Thüringen e. V.
Marktstraße 2–4
99423 Weimar, Germany
Email: info@poetryfilmkanal.de
The »Weimar Poetry Film Award« call for entries is international. For the submission send with the other informations a quotable text of the related poem in German or English.
Presentation of awards: June 2nd, 2018.
More information about the program: www.backup-festival.de.
Link.