We strive to link to as many poetry film/video contests and calls for entries as we can. (See also the festivals category.) Please let us know about any we might miss.
All festivals, events and calls for work are mentioned by Moving Poems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.
Heather Haley sent along this press release:
Please send in your videopoem by Sept. 1, 2010.
Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee.
For more information, see below, or contact Heather Haley at: hshaley@emspace.com
In 1999 the Vancouver Videopoem Festival, the first of its kind in Canada, began as an effort of the Edgewise ElectroLit Centre, a non-profit literary arts organization dedicated to expanding the reach of poetry through new media with programs such as Telepoetics Vancouver and the Edgewise Café electronic magazine. The VVF became critically regarded owing to its progressive regard for spoken word in cinema, presenting poets both in performance and on the big screen. The audience could explore the merits and distinctions of poetry rendered in these two forms, stage and screen, sparking new dialogue as to the essential nature of poetry. The festival then built upon that foundation, with widened explorations into poetry cinema across national frontiers. They presented significant new works from Europe and the Americas, and continued to offer Canadian audiences a remarkably broad selection of new videopoems from their own country.
Pacific Cinémathèque has been the VVF’s partner since 2000 and throughout the dissolution of the Edgewise. Founder Heather Haley continues to provide a sustaining venue for the presentation of new and artistically significant videopoetry as host and curator of SEE THE VOICE: Visible Verse. And owing to Vancouver’s strength in the film and television production industries, Haley has been able to cultivate critical interest between filmmakers and poets, with positive consequences for both.
To celebrate entering their second decade of showcasing videopoetry, Haley and the Pacific Cinémathèque are presenting two screenings this year as well as poetry performances, a panel discussion and an awards gala, Friday Nov. 19 and Saturday Nov. 20.