All festivals, events and calls for work are mentioned by Moving Poems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.
A new videopoetry festival has emerged in Madison, Wisconsin: Midwest Video Poetry Fest.
Arts + Literature Laboratory has brought creativity and community into the lives of thousands of people during our first four years in Madison through exhibitions, concerts, readings, and education programming for all ages. We bring together world-class artists, emerging and local artists, writers, musicians, and audiences for approximately two hundred events each year. In 2020, our programming and audiences will expand as we move into a new, more accessible, and larger location in the heart of Madison’s Capitol East District. At this new location, we will be hosting the first Midwest Video Poetry Fest (MVPF).
Video poetry gives creators an opportunity to use one of our newest art forms–film–to transform one of our oldest art forms—poetry. This emerging and exciting format is adding to the rapidly growing audience for poetry in America. Leading up to the screenings, which will be part of the Wisconsin Book Festival in October of this year, Arts + Literature Laboratory (ALL) will be hosting free poetry video making workshops, featuring video poetry on our ALL Review, and hosting discussions on the genre of video poetry.
MVPF will be the first of its kind in Wisconsin and will present the work of local, national, and international poets and filmmakers. All events will be free and open to the public.
Midwest Video Poetry Fest is made possible in part by a grant from Dane Arts. For sponsorship and volunteer opportunities, please genia@artlitlab.org.
Read the full Rules and Regulations here.
DEADLINE: August 1, 2020
Midwest Video Poetry Fest proudly accepts entries on FilmFreeway, the world’s #1 way to enter film festivals and creative contests.
In case you missed the brief link in last week’s news round-up, here’s a press release from Ó Bhéal with the full call-out.
The 8th annual Ó Bhéal International Poetry-Film Competition
2020 is Ó Bhéal’s eleventh year screening International poetry-films, and the eighth year featuring this competition. Up to thirty films will be shortlisted and screened during the festival in November 2020. One winner will receive the Indie Cork / Ó Bhéal prize for best Poetry-Film.
Submissions are open from: 1st May – 31st August 2020. You may submit as many entries as you like. Films must interpret, or convey a poem which must be present in its entirety (audibly and/or visually), having been completed no earlier than 1st of May 2018.
Entries may not exceed 10 minutes in duration. Non-English language films will require English subtitles. The shortlist will be announced during October 2020.
One overall winner will receive the Ó Bhéal award for best poetry-film. Shortlisted films will be screened (and the winner announced) at the 8th Winter Warmer poetry festival (27th-29th Nov 2020).
Entry is free to anyone, and should be made via email to poetryfilm [at] obheal.ie – including the following info in an attached word document:
**If you are sending a vimeo or youtube link, etc, please ensure that the download button is enabled. All films not shortlisted by the judges are permanently deleted directly after the adjudication process.
The Judges for this years competition are poet/playwright/filmmaker Dairena Ní Chinnéide & poet/filmmaker Paul Casey
Follow the link for an outline of the submission details:
http://www.obheal.ie/blog/competition-poetry-film/
Adapted from a press release from the Haus für Poesie
As of today, the ZEBRA Poetry Film Festival in Berlin is inviting entries for its competition for the best international poetry films. Eligible for entry are international short films produced since January 1, 2018 which are based on poems and are no more than 20 minutes in duration. All languages are allowed. The competition winners will be awarded prize money. A programme committee will select films for the international competition and for all the other festival programmes from among the entries. At the festival, the winning films will be selected by a jury comprising representatives from the worlds of poetry, film and media.
In addition, ZEBRA is inviting filmmakers to submit a film interpretation of this year’s festival poem “Lethe” by the poet TJ Dema.* Text and audio of the poem together with translations come from lyrikline.org, a leading online archive for poetry. The directors of the three best film interpretations will be chosen by the programme committee and invited to come to Berlin where they will have the opportunity to present their films at the festival and discuss them with the poet.
Entry deadline is the 1st of July 2020.
Conditions of participation and entry form are here. Please submit using FilmFreeway here.
The 11th ZEBRA Poetry Film Festival will run from November 19-22, 2020 in Berlin’s Kino in der KulturBrauerei. It’s the largest international platform for poetry film worldwide. Since 2002 it has offered poets, film- and festival-makers from all over the world a platform for creative exchange, brainstorming and meeting with a broad audience. With a competition, film programmes, poetry readings, retrospectives, exhibitions, performances, workshops, colloquia, lectures and a children’s program, it showcases in various sections the diversity of the poetry film genre. In 2018, more than 1200 submissions from 97 countries were submitted for the international competition.
Follow ZEBRA at Haus für Poesie and on Vimeo, Facebook, Twitter, and Instagram.
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*The Festival Poem may be used only for the purpose of film interpretation within the scope of this call for entries. For any other use at other festivals or on other platforms, etc. the film makers must obtain the rights from the rights holders.
Cadence: Video Poetry Festival is open for submissions! This annual festival at the Northwest Film Forum in Seattle, Washington will host screenings on April 16 and 17 and is looking for work ranging from adaptations to collaboration to include in the festival. Cadence approaches video poetry as a literary genre presented as visual media that makes new meaning from the combination of text and moving image. Send Cadence your video poetry through March 1 via FilmFreeway.
The foregoing is the (slightly altered) text of a social-media-adapted press release that Chelsea Werner-Jatzke emailed me this week—a good indication, I suspect, of just how well organized this festival is generally. In case you missed it, I interviewed Chelsea and her co-conspirator Rana San last July. See “How to start a major new videopoetry festival: an interview with the co-directors of Cadence.”
This week Atticus Review, one of the best online magazines to regularly feature videopoems, poetry films, and other multimedia literary works, announced that their second annual videopoem contest is open for submissions. Marc Neys AKA Swoon is the judge.
Atticus Review is happy to announce our second annual Videopoem Contest judged by Swoon. You can submit up to 3 videopoems. The cost for entry is $10. You may submit video files or links to Vimeo or YouTube pages. Please no submissions from former students or close acquaintances of the Contest Judge. The videopoems can be previously published.
First Prize: $250 & Publication
Second Prize: $50 & Publication
Third Prize: Publication
Deadline: January 12th, 20120
Winner Announced: January 31st, 2020
SUBMIT HERE
ABOUT THE JUDGE:
Marc Neys / Swoon / No One
No One is a composer, Swoon a video-artist, and both personas reside in Marc Neys from Belgium.
As one of the leading and most prolific figures in modern videopoetry he made videopoems for and with writers from all over the globe. He inspired new creators through his workshops and showcases on videopoetry.
He creates works with a focus on the purely poetic quality of the moving image in relation to the spoken or written poem. A sophisticated interplay of constructed soundscapes and images with personal reflections. Through a visual language and references to his everyday life, he creates a framework in which the poems come to a different development.
He released 3 CDs over the last two years and his videos have been selected and featured at festivals all over the world.
Links:
https://musicfromnoone.bandcamp.com/
https://vimeo.com/swoon
Marc follows Moving Poems’ own Marie Craven, who judged the contest last year. (Here are the results.) Marc wrote about his philosophy on judging poetry film contests after his experience on the ZEBRA jury in 2016.
In last week’s round-up I gave the Art Visuals & Poetry Film Festival too brief a mention since I hadn’t found much in English. But I just got a bilingual press release from organizer Sigrun Höllrigl, so I can rectify that. Here’s the English portion of her email. Note that the link at the end also goes to an English-language schedule of events.
FOCUS USA / International film guests
The Art Visuals & Poetry Film Festival will take place for the fifth time from November 29 to December 1, 2019 at the METRO Kinokulturhaus in Vienna. In addition to four competition programmes, Poetry Live and film talks with international guests, numerous curated film programmes will be shown. This year’s focus is on poetry films from the USA. Founded in 2013 by Sigrun Höllrigl, the Poetry Film Festival has grown steadily since its beginnings and, with 101 film screenings on three days it is currently the second largest poetry film festival world-wide. In addition to Todd Boss (Motionpoems USA), film guests from Dubai, Belgium, Germany and Ireland have announced their arrival and are expected to attend. Including the domestic film scene, 40 contributing artists will join the festival.
FILM COMPETITIONS AND AUDIENCE AWARD
In 2019, two international competitions were announced and 170 films submitted, 63 art works came from Austria. The festival will award cash prizes to 4 films: The Main Jury Prize and Special Award (poem by Sophie Reyer) will be awarded on the recommendation of the jury. The Hubert Sielecki Prize goes to an Austrian poetry film of his choice. This year, for the first time, the Audience Prize will be awarded among international films. Have a look at the festival and vote for the winner on Saturday night! Festival tickets can be ordered via the ticket service of the Metro Kinokulturhaus. Phone +43 1 512 18 03 daily from 14:00–21:00 or via reservierung@filmarchiv.at
Find the festival programme online https://www.poetryfilm-vienna.com/en/timetable/2019
We are looking forward to welcoming you at the festival!
* * *
My co-editor Marie Craven is currently on the road (for the poetry film cause) but alerted me to two new-to-me festivals that are still open for submissions:
This Welsh festival includes a POETIC CINEMA section for the first time this year:
Poetry film is a subgenre of film that fuses the use of spoken word poetry, visual images, and sound to create a stronger presentation and interpretation of the meaning being conveyed. This fusion of image and spoken word (both independent and interdependent) creates what William Wees called the “Poetry-film” genre.
We are looking for Submissions that:
• Are based upon an interesting concept;
• Are innovative;
• Are well crafted; and
• Create an emotional resonance
The sidebar category dropdown elaborates:
Poets, filmmakers, and media artists are called to submit their work to this brand new category. We will accept submissions of poetry films, filmpoems, digital-poetry, poetry video, Cin(E)-Poetry, spoken word films, videopoema, visual poetry, poetrinca, media poetry, and all films that are visually driven by text. Eligible submissions must have a maximum length of 40 minutes. CBFF cannot be held liable or responsible for any claim involving copyright, trademark, credits, or royalty infringement.Entries that are not in English must be subtitled in English.
Unfortunately, it’s rather pricey to enter—currently USD $45—so I kind of doubt that they’ll get many submissions from the more avant-garde sub-genres they include in their list. This strikes me as a bunch of film industry types wanting to add a bit of experimental cachet to their program, while not actually welcoming scruffier poets and auteurs. Interesting as a possible sign of the times, though.
AT THE FRINGE International Arts Festival will take place in Tranås (Sweden) from 27th June to 4th July 2020.
The film section of the festival is focused on screening experimental films and videopoems from all over the world and we are happy to open the new call for films!
Submit your film in one of these three sections: […]
GEMS – OPEN CALL FOR VIDEOPOEMS
A collection of precious stones. We are looking for videopoems, those films that stand on the border between audiovisual languages and words – written or performed. The festival is open to national and international filmmakers. Any film with no limitation of theme or duration is welcome to apply.
[…]
The videopoems submitted must have a duration of maximum 30 minutes (opening and ending credits included). They must include subtitles in English or Swedish (where the original language is not one of these two). There is no limitation for the number of works that each author can submit.
It’s great to see something like this in Sweden. And this time, the entry fee is more affordable: USD $10. The deadline is 31 March.
As of November 1, the fifth annual Weimar Poetry Film Prize is open for submissions. And this time, it has its own festival.
Through the new film award, the Literary Society of Thuringia and the study field Multimedia narration of the Bauhaus University are looking for innovative poetry films. Filmmakers from any nation and of any age are welcome to participate with up to three short films of up to 10:00 mins, which should explore the relation between film and written poetry in an innovative, straightforward way. Films that are produced before 2017 will not be considered.
From all submitted films selected for the festival competition three Jury members will choose the winner of the main prize (1000 € Best Animation, 1000,- € Best Video). Moreover, an audience award of 250 € will be awarded.
In 2020, the Weimar Poetry Film Prize will be awarded for the first time as part of its own festival – the International Poetry Film Festival of Thuringia – which will take place from May to July 2020 in several cities in Thuringia. The core program (with the award ceremony) takes place from June 12th–14th in Weimar.
The competition »Weimar Poetry Film Award« is financed by Kulturstiftung des Freistaats Thüringen and the City of Weimar.
Deadline: March 31st, 2020
The Form for submissions [pdf] by e-mail to info[at]poetryfilm.de is coming soon.
The »Weimar Poetry Film Award« call for entries is international. For the submission please send with the other informations a quotable text of the related poem in German or English.
Presentation of awards: June 13th, 2020 at the Lichthaus cinema Weimar.
I apologize for not sharing this back on August 15, the opening date, but videopoets and poetry filmmakers still have until December 9 to submit work for this Texas-based festival, now in its second year.
REELpoetry/Houston TX 2020 is an international poetry film festival screening cinepoetry, documentaries, performance video, plus panels, workshops & more JANUARY 24-26, 2020.
For complete guidelines and submissions:
Our first international poetry film festival took place March 22-24, 2019. You can read all about it HERE
It’s especially embarrassing that I forgot to share this earlier since I’ve agreed to be the judge. It’s a very exciting-sounding event, which filmmaker Pam Falkenberg attended last year and reviewed in these very virtual pages. She noted that “REELpoetry advocates a big-tent approach, preferring an expansive canon rather than a narrow one.” This year again
The Festival will also include workshops, live performances, talks, panel discussions, Q&A with poets and filmmakers. Come to meet international, national and local poets, film makers and artists, network and socialize, see and be seen. All screenings are centrally located and special hotel arrangements will be offered.
NOTE: Submissions in a language other than English must have an English translation of the poetry either presented in the film or as a written handout.
Awards & Prizes
Judges Award $225 Cinepoetry
Audience Award $225 CinepoetryJudges Award $225 Poetry Short Documentary
Audience Award $225 Poetry Short DocumentaryAudience Award $100 – Best Performance
Rules & Terms
REELpoetry 2020 is accepting film and video in three categories: (1) cinepoems (2) short poetry documentaries (3) spoken word videos. You are allowed up to 3 entries in each of the categories, each submitted separately, as follows:.
CINEPOEMS – 5 minutes max
Created by poets or filmmakers or artist collaborations.SHORT POETRY DOCUMENTARIES – 15 minutes max
May document the making of a poem, daily life of a poet, poetry event etc.All cinepoems and documentaries must include closing credits on the screen, and provide up to 3 stills max. You will also need to provide a short (75 word max) statement and brief bio for both the poet and filmmaker( (60 word max))
SPOKEN WORD VIDEO – 3 minutes max
Video of live performance, slam
NOTE: Attendance required. At the Festival you will perform live with your video in the background with the sound turned off.All submissions in a language other than English must have an English translation of the poetry either presented in the film or as a written handout.
By submitting to REELpoetry/Houston TX you acknowledge that work is yours, and that you have obtained permission(s) where required. You also agree to allow your work to be included in a curated series that will travel nationally and internationally.
NOTE: Public Poetry Members receive a 20% discount on the entry fee. Memberships start at $8/mo.
To join Public Poetry as a member go to: http://www.publicpoetry.net/membership-here/
Filmmaker applications and poetry submissions are open now through October 31 for the 2020 series of the Visible Poetry Project. As Marie noted just now in a post to the main site, VPP has been going since 2017, producing and publishing at least a video a day throughout the month of April. There’s also an off-line component to the project, with screenings in New York City and beyond. And in the first three years of its existence, more and more prominent poets and filmmakers have taken part, though as they say on the poetry submissions page, they “strive to emphasize the diversity of the global poetry community, and so encourage you to submit regardless of background or circumstance. Whether poetry is your hobby, profession, private outlet, or public expression, your work is welcome.” A similar statement occurs at the head of the filmmaker guidelines:
The Visible Poetry Project strives to emphasize the diversity of the global film community, and so encourage you to apply regardless of background or circumstance. Whether filmmaking is your hobby, profession, private outlet, or public expression, your work is welcome.
Within your application, please provide a reel and/or links to previous films you’ve created. All work samples must be original, and you must be one of the main contributors. You may submit up to three links. We recommend submitting samples that you believe to be representative of the greater styles and themes in your work. If you are accepted, this will help inform which poet you may get paired with.
You may apply as part of a team (up to two filmmakers). If you are applying as part of a team, please submit only one application. Please include links to reels for both collaborators, and send an email to visiblepoetryproject@gmail.com, CC’ing your co-director.
If you are a producer, director of photography, or editor, and are interested in being involved in the 2020 series, please email visiblepoetryproject@gmail.com.
Click through to apply. Or, if you write poetry, submit here.
Credit: Daniel R. Strebe, 15 August 2011, CC BY-SA 3.0, Link
Belgium, 10 August 2019
See wildwhispers.blog.
UK, 10 August 2019
See llangwmlitfest.eventcube.io/events/18635/women-of-west-wales-unearthed-poetry-prose-and-film.
Wales, UK
Early bird deadline: 31 August 2019
Fee US $35 standard / US $20 student
Awards given but not specified on web page for this BAFTA Cymru/Wales qualifying festival.
See filmfreeway.com/CarmarthenBayFilmFestival.
Albacete, Spain
Deadline 8 September 2019
No fee specified on the website. Prize money is awarded. Films need to have Spanish subtitles.
See malditofestival.com/plazo-de-inscripcion-iii-edicion19.
Athens, Greece
Deadline: 20 November 2019
The festival suggests a voluntary fee of 5 euros by bank deposit.
See movingpoems.com/2019/08/call-for-work-8th-international-video-poetry-festival-athens-2019.
Submissions are open for the third Newlyn PZ International Film Festival, to be held April 24-26, 2020, with a Poetry Film category judged once again by Lucy English and Sarah Tremlett. There’s a submissions page on the website with the rules and guidelines.