~ calls for work ~

All festivals, events and calls for work are mentioned by Moving Poems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.

Call for work: ZEBRA 2022

The ZEBRA Poetry Film Festival is inviting entries for the 2022 International Poetry Film Competition. Entries open on 1st May.

The event is long-running and very big in the world of poetry film. The organisers describe this year’s event:

“The 13th ZEBRA Poetry Film Festival runs from 3rd to 6th of November 2022 in the Kino in der KulturBrauerei and in the Haus für Poesie. It is the largest international platform for poetry film worldwide. Since 2002 it offers poets, film and festival makers from all over the world a platform for creative exchange, brainstorming and meeting with a broad audience. With a competition, film programmes, poetry readings, retrospectives, exhibitions, performances, workshops, colloquia, lectures and a children’s programme, it presents in various sections the diversity of the genre of poetry film.”

For full details about the call out, please see: https://www.haus-fuer-poesie.org/en/zebra-poetry-film-festival/zebra-poetry-film-festival-2022/call-entries/
Or look out for them on FilmFreeway

FESTIVAL POEM

As well as the international competition open to all poetry, the event also has a ‘festival poem’ – this year THE HAIRCUT by Georg Leß. Filmmakers are invited to make an interpretation of this film for the festival. The three best film adaptations’ directors will be invited to Berlin, where they will be able to present their films and speak with the poet.
Travel and accommodation in Berlin for the three selected directors will be paid for by the Festival.

Call for work: La Poesia che si vede Poetry Film Festival

Italian festival La Punta Della Lingua (or in English ‘Tip of the Tongue’) announces their 2022 poetry film competition as part of their ‘total poetry festival’ …


The organisers say:

“La Poesia che si vede is an international competition for poetry films based in Ancona, Italy. It is the product of the collaboration between two important festivals: La Punta della Lingua International Poetry Festival and Corto Dorico Film Festival. The first edition of La Poesia che si vede was held in July 2021. Its second edition will take place in June 2022.

The competition’s mission is the challenge of researching, promoting and supporting new gazes, poetics, visions. From the kinetic text to the sound text, from the visual text to the cin(e)poetry up to the filmed performance, the videopoetry for La Poesia che si vedo is total poetry, without discrimination of genre or format.”

The FilmFreeway page for the competition is: https://filmfreeway.com/LaPoesiaCheSiVede where you will also find further details and rules for entry. Deadline for submissions: 18th of May 2022.

More information about the wider festival is at: https://www.lapuntadellalingua.it/

Call for work: Living With Buildings festival

Living With Buildings logo

From FilmFreeway:

A festival of films exploring how people interacts with buildings and urban spaces in the public realm. We aim to screen short films/poetry film that investigates how we experience the build environment.

[LIVING WITH BUILDINGS is brought to you by the Disappear Here poetry film project]

We’re looking for work up to 5 mins in length, anything between the poetry-film, experimental, short-documentary strands of film-making. The project is rooted in the UK city of Coventry, famed for its ringroad, modernist architecture and reinvention as a city rising from the ashes and ruins of arial bombing in World War Two – we are happy to consider work from citizens all around the world.

The psychopathology of underpass and overground.

Floating towers holding up the sky.

Living With Buildings.

Finding our way(s) through the subterranean culture and dead roads with no ending.
Exploring internal tensions between regeneration and gentrification.

Remaking and remodelling urban spaces as forces of commerce or gentle revolution take hold and fight for ownership.

Where does the citizen fit into these processes; and how do we interpret or express their experiences of the ground shifting beneath their feet.

Find out more about the Disappear Here project – http://www.disappear-here.org

VENUE
LTB SHOWROOMS (above the Litten Tree pub) – COVENTRY – CV1 1EX – 1 Warwick Road

Please submit one film only – max five minutes in length – we will consider longer documentary work – but please enquire first.

Films must meet the subject theme – this is open to interpretation but expect film-makers to read the submission information for guidance.

The project selection decisions are final.

The deadline is 6 April. £5 to submit, or £4.50 if you’re a student. Here’s the link.

Atticus Review Submissions

Atticus Review has published videopoetry in their Mixed Media section for over 10 years. The journal is currently calling for submissions of work for publication…

Atticus Review seeks all types of mixed media works for publication: videopoetry, short/experimental films, electronic/digital/interactive literature, visual artwork, animation, comics, audio soundscapes, sonic compositions, etc. If you like to push literary boundaries with alternative approaches, send us your best. We do accept previously published/screened work.

We potentially accept work with any theme, but upcoming themed issues are: The Internet (August 15th, 2022), Language (December 15th, 2022).

To submit, send an email with the subject “Mixed Media Submission” to mixedmedia@atticusreview.org. For video, audio, and interactive literature we prefer that you send links on Vimeo or YouTube or Soundcloud (or wherever the work is posted online) rather than send us files directly.

Submissions open through May 31 for Weimar Poetry Film Award 2021

6th Weimar Poetry Film Award banner

It looks as if I might’ve neglected to post the original call-out for the 6th Weimar Poetry Film Award. It’s here, but I’ll paste it in below as well:

Through the Weimar Poetry Film Award the Literary Society of Thuringia and the Weimar Animation Club are looking for innovative poetry films. Filmmakers from any nation and of any age are welcome to participate with up to three short films of up to 10:00 mins, which explore the relation between film and written poetry in an innovative, straightforward way. Films that are produced before 2018 will not be considered.

The competition »Weimar Poetry Film Award« is financed by Kulturstiftung des Freistaats Thüringen and the City of Weimar. The competition is part of the »International Poetry Film Festival of Thuringia«.

From all submitted films selected for the festival competition three Jury members will choose the winner of the main awards (Best Animation, 1200 €; Best Video, 1200 €). Moreover, an audience award of 250 € will be awarded.

Dates & Deadlines

  • November 1, 2020 – Opening Date
  • December 31, 2020 – Earlybird
  • May 31, 2021 – Regular Deadline
  • July 16, 2021 – Notification Date
  • September 25, 2021 – Award Ceremony

 

Form for submissions [pdf] by e-mail to info [at] poetryfilm.de

Call for entries: 2021 Film and Video Poetry Symposium

screenshot of 2021 film and Video Poetry Symposium website

The L.A.-based Film and Video Poetry Society’s 4th annual symposium is open for submissions from “Poets, Writers, filmmakers, animators, video and digital artists, media and performance artists.”

The symposium celebrates and will screen a large scope of film and video projects developed primarily through the medium of poetry.  FVPS2021 will host a series of panels, guest speakers, workshops, and public dialogues regarding film and video poetry throughout the course of the symposium. In addition to the screenings programmers also curate a 30-day gallery exhibition.

There are no restrictions regarding total running time of films submitted. There are no restrictions regarding when the film was produced or if the film has premiered regionally or internationally. There are no restrictions on subject matter, theme, topic, or language of origin.

The Film and Video Poetry Symposium calls for poetry films, filmpoems, digital-poetry, poetry video, Cin(E)-Poetry, spoken word films, videopoema, visual poetry, choreopoems, poetrinca, media poetry, and all films and video that are driven by onscreen text.

The Film and Video Poetry Symposium also excepts and supports experimental film and video work that explores language and/or literature whether it be oral, written, visual, or symbolic. This includes non-narrative work and the avant-guard. We strongly consider work that challenges traditional and current visual communication methods while continuing to function as a mode for exploring narrative forms and personal expression.

The Film and Video Poetry Symposium also calls for essay film, works of epistolary cinema, animation, choreopoems, performance art film and video, episodic content, oratorical works, documentary, video art, media art and installation, works created through immersive technologies, and episodic programming. Please see categories below for more details.

The deadline is September 4 and the submission fee is $20 per film, video, or media project. Click through for descriptions of each category and additional vital details, as well as the submission form and payment button.

Call for Papers and Presentations: MIX 2021

Via their website:

Are you interested in the future of content publishing? Are you a writer, artist, technologist or researcher engaged in finding new ways to tell stories to new audiences? Are you keen to hear from people working across books, digital, sound, video, AR, VR, and games? MIX 2021 offers an opportunity to join us as we think about the future of content creation and publishing.

MIX is a four-day virtual conference that explores the intersection of writing and technology, bringing together people from around the world to make, think and talk. We are looking for writers, artists, practitioners, researchers and creative technologists to share their projects, research and practice through papers or presentations.

After the success of the last five MIX conferences, held across our Bath Spa University campuses, the conference returns in a fully virtual form with an increased focus on making alongside two of our other favourite activities, thinking and talking. We will be hosting two days of making on Saturday 3rd July and Sunday 4th July followed by two days of papers, presentations and discussions on Monday 5th July and Tues 6th July. This includes poetry film screenings on the theme of Amplified Voices curated by Adrian B Earle from Think/Write/Fly and Sarah Tremlett from Liberated Words.

Read the rest.

Call for Submissions: HaikuLife Haiku Film Festival

via press release

The HaikuLife Haiku Film Festival invites your participation for its seventh year of screening short and intermediate-length films featuring haiku and related genres. These films generally fit one of four categories: video haiga, free format (more than one poem, generally, or haibun), feature format (longer, and perhaps featuring story arc beyond the poems themselves), and HaikuLife format, our homegrown approach with a set of parameters followed close or loose (see the introductory film at the link above). We prefer .mp4 but can generally convert if necessary. Haiku may be in any language, with or without English subtitles or accompanying translations. We look forward to sharing your work with our worldwide audience.

Submissions to: jim.kacian@thehaikufoundation.org

Call for entries for the ZEBRA Poetry Film Festival 2021

ZEBRA Poetry Film Festival call for submissions

via a press release

The ZEBRA Poetry Film Festival in Berlin is inviting entries for its competition for the best international poetry films from the 18th of February. Eligible for entry are international short films produced from 1st of January 2020, which are based on poems and are no more than 20 minutes in duration. All languages are allowed. The competition winners will be awarded prize money. A programme committee will select films for the international competition and for all the other festival programmes from among the entries. At the festival, the winning films will be selected by a jury comprising international representatives from the worlds of poetry, film and media.

In addition, ZEBRA is inviting filmmakers to submit a film interpretation of this year’s festival poem “going to Pasárgada” by the poet Odile Kennel. Text and audio of the poem together with translations come from lyrikline.org, a leading online archive for poetry. The directors of the three best film interpretations will be chosen by the programme committee and invited to come to Berlin where they will have the opportunity to present their films at the festival and discuss them with the poet.

Link to the festival poem on lyrikline.org
(The festival poem may be used only for the purpose of film interpretation within the scope of this call for entries. For any other use at other festivals or on other platforms, etc. the film makers must obtain the rights from the rights holders.)

Entry deadline is the 1st of July 2021.

Conditions of participation and entry form haus-fuer-poesie.org

Thank you for using FilmFreeway for your submissions.

The 12th ZEBRA Poetry Film Festival runs from 25th to 28th of November 2021 in the Urania Berlin. It is the largest international platform for poetry film worldwide. Since 2002 it offers poets, film and festival makers from all over the world a platform for creative exchange, brainstorming and meeting with a broad audience. With a competition, film programmes, poetry readings, retrospectives, exhibitions, performances, workshops, colloquia, lectures and a children’s programme, it presents in various sections the diversity of the genre of poetry film. In 2020, 2,000 submissions from more than 100 countries were submitted for the international competition.

The ZEBRA Poetry Film Festival is hosted by the Haus für Poesie in cooperation with Urania Berlin. It is sponsored by funding from the Land Berlin / the Berlin Senate Department for Culture and Europe and from the Federal Foreign Office, and gratefully acknowledges the kind support of the Goethe-Institut, Alfred Ritter GmbH & Co KG and interfilm Berlin.

Call for young filmmakers and poets: Poetry Screen

Here’s a cool-sounding new initiative from the UK’s Poetry Archive:

Poetry Screen is a project aiming to inspire and showcase the innovative work of young artists that combines poetry and film.

We are creating a space for conversations between visual and poetic languages; established and fresh voices; poets and film-makers – across time, backgrounds and borders.

It’s an invitation to play with the Poetry Archive’s rich collection of recorded poetry. You can do this by repurposing a selection of our classic poetry recordings or by writing your own work in response to any of the poems in its collection (including a wide selection of contemporary poems).

We’ll select up to five video poems to publish and will pay a royalty fee of £200/work. The showcased artists will be invited to pitch for one new commission, with a budget of £2000.

A project for film makers and poets

Poets/artists/film makers/musicians/students from all over the world – all are welcome. You can take part if you are 25 and under. If you are working as a team, at least one of you must be 25 or under.

Make a short video poem of up to 5 minutes length maximum (excluding credits). We’re looking for an imaginative approach which goes beyond the obvious. Your visuals can be abstract or narrative, include animation or graphics. You can mix music and sampled sound into the poetry.

Be inventive with your resources – we’re not expecting a big budget production. Video poems need to be publishable but not completely polished at this stage.

June 1 is the deadline to submit. Visit the webpage to register.

Festivals, Competitions, Journals: Open for Submissions

Source: Thomas William, Unsplash
Source: Thomas William, Unsplash

CURRENTLY ACCEPTING POETRY FILM SUBMISSIONS:

Festival Fotogenia, Mexico
Entry fee: US$25
Submissions close: 20 September 2020

Versi di Luce, Italy
Entry fee: US$10
Submissions close: 30 September 2020

Deanna Tulley Multimedia Prize, USA
(from Slippery Elm Literary Journal, University of Findlay, Ohio)
Entry fee: US$10
Submissions close: 30 September 2020

Queensland Poetry Festival: Film & Poetry Challenge, Australia
(for Australian artists)
Entry fee: AUD$15
Submissions close: 10 October 2020

Mayflower 400 Poetry Film Competition, UK
Entry fee: free
Submissions close: 19 October 2020

Helios Sun Poetry Film Festival, Mexico
Entry fee: US$15
Submissions close: 31 October 2020

Athens International Poetry Film Festival, Greece
Entry fee US$6
Submissions close: 27 November 2020

REELPoetry Festival, USA
Entry fee: US$15
Submissions close: 15 December 2020

International Migration & Environmental Film Festival, Portugal
Entry fee: US$20.50
Submissions close: 31 January 2021

Caafa International Film Festival, Nigeria
(for African and African-descended artists)
Entry fee: US$10
Submissions close: 18 June 2021

Open Call: VideoBardo Videopoetry Festival

VideoBardo logo with outline of videocassette

VideoBardo is a bridge to the videocassette era.

I’m not quite sure how I missed this till now (possibly because they’re based mainly on Facebook these days, and I don’t spend much time there), but Buenos Aires-based VideoBardo, currently the world’s longest-running videopoetry festival, is gearing up for 2020. You still have plenty of time to submit: the deadline is 30 August.

VideoBardo, founded in 1996, call artists to participate in the International Videopoetry Festival – VideoBardo 2020, which will be realizated throughout 2020 in different cities and venues around the world and at a CENTRAL WEEK in Buenos Aires, Argentina; on dates to be defined.

We understand as Videopoetry to those audiovisual works in that the poetic verbal language (word, letter, speech, writing, sign) has a leading role or a special transforming treatment. Therefore the three fields: Image in movement, Sound, and Verbal language are in a dialogue to create a fourth reality that is the Videopoetic Work. Then the verbal language in video poetry is experienced in its meanings by visual, sound, corporal and physical dimensions.

Note that Spanish subtitling is generally required for works in other languages. Click through for all the rules, and then submit here.