~ Videopoems ~
Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
When spring slams birds on trees by Tuija Välipakka
Finnish poet Tuija Välipakka‘s words, translated by Pirjo Raila, appear as text on screen in this film by Tuija’s daughter Mikaela Välipakka. (There’s also a version in Swedish, I assume the original poem: När våren slungar fåglarna i träden.) The music is by Eemeli Sutalainen. The description at Vimeo reads:
Life is an endless stream where birth and death aren’t static. We exist before our birth and we live as long as even one remembers us.
The Art of Poetry Film with Cheryl Gross: “The Clinic”
The Clinic (Kliniken)
poem and voiceover: Annelie Axén
design and animation: Kristian Pedersen
produced by Gasspedal Animert
2010
One of my least favorite activities when I was a child was visiting the dentist. It was a major cause of anxiety. However, there is something about The Clinic that addresses this discomfort in a unique and bizarre way.
Despite my deep love for nostalgia and the fact that I lean left-of-center concerning my taste in entertainment, The Clinic kicked up memories that were not pleasant. Reminiscing about the dentist is not exactly what I call a good time and the sound of drilling puts me over the edge. Despite my discomfort, there is no doubt that it’s a great video. The visuals are clever and fit right in. I am particularly fond of the teeth x-rays, the distressed film look and the brilliant use of typography and Adobe After Effects.
The Clinic uses teeth as a metaphor. From the beginning, we are made to feel as if we are about to encounter impending doom and are made to feel nervous. We are coldly asked questions that feed into our fears and anxiety. There is no comfort offered, just more questions. Eventually it is revealed that we are just a number. As the toothless grind their jaws, perhaps the antidote to the uneasiness we feel is the white powder with our information on it.
The Clinic in my opinion is a very successful, Orwellian piece. Not only does it get the message across, but it creeps me out. Seeing the work is feeling it and again, and at the end of the day this is what matters most. It’s traditionally been said that great art should evoke powerful emotions, and by that standard, The Clinic certainly qualifies as great art.
Starfish Aorta Colossus (excerpt) by Paolo Javier
Filmmakers Lynne Sachs and Sean Hanley collaborated on this piece in response to a text by the Filipino American poet Paolo Javier. Here’s the description from Vimeo:
Starfish Aorta Colossus
poem by Paolo Javier
film Lynne Sachs and Sean Hanley
4 1/2 min., 2015Poetry watches film. Film reads poetry. Paolo Javier’s text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas. Syntactical ruptures and the celebration of nouns illuminate twenty-five years of rediscovered film journeys.
NYC poet Paolo Javier invited filmmaker Lynne Sachs to create a film that would speak to one of his poems from his newly published book Court of the Dragon (Nightboat Books). Sachs chose Stanza 10 from Javier’s poem “Starfish Aorta Colossus”. She then decided to collaborate with film artist Sean Hanley in the editing of the film. Together, they traveled through 25 years of unsplit Regular 8 mm film that Sachs had shot — including footage of the A.I.D.S. Quilt from the late 1980s, a drive from Florida to San Francisco, and a journey into a very untouristic part of Puerto Rico. Throughout the process, Sachs and Hanley explore the celebration of nouns and the haunting resonances of Javier’s poetry.
Regular 8 mm film shot by Lynne Sachs
Edit by Sean Hanley with Lynne Sachs
The Future is Here by Bianca Stone
“Nothing bad can touch this life I haven’t already imagined.” This stunning black-and-white poetry film from UK filmmaker Helen Dewbery and US poet Bianca Stone should serve as a reminder—if any were needed—of the power of international collaboration on this day when the advocates for Little England seem to have triumphed. The poem is from Stone’s 2014 collection Someone Else’s Wedding Vows. Colin Heaney composed the music.
Aubade by Lucy English
A collaboration between Matt Mullins (audiovisual composition) and Lucy English (poem, voiceover) for English’s Book of Hours project.
