Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Another fine Comma Film video of a poem by Gaia Holmes, this time by Lisa Risbec, with narration by Jo Bryan. There’s a kind of Russian doll effect at work here: a film within a film, and a book within that, and animation enclosed by live action, and letters in envelopes. Archeaology indeed.
Poem by Edgar Allan Poe, video by Orville T. Clark, who says, “This was built entirely in After effects. There’s a bit of everything thrown in here, live action, photography, stop frame animation etc. All just for fun, enjoy!” Too bad he didn’t include a reading of the selections he used from the poem, I thought, but it’s still pretty cool.
The City in the Sea
Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers that tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters lie.No rays from the holy heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently —
Gleams up the pinnacles far and free —
Up domes — up spires — up kingly halls —
Up fanes — up Babylon-like walls —
Up shadowy long-forgotten bowers
Of sculptured ivy and stone flowers —
Up many and many a marvelous shrine
Whose wreathéd friezes intertwine
The viol, the violet, and the vine.
So blend the turrets and shadows there
That all seem pendulous in the air,
While from a proud tower in the town
Death looks gigantically down.There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol’s diamond eye —
Not the gaily-jeweled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass —
No swellings tell that winds may be
Upon some far-off happier sea —
No heavings hint that winds have been
On seas less hideously serene.But lo, a stir is in the air!
The wave — there is a movement there!
As if the towers had thrust aside,
In slightly sinking, the dull tide —
As if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow —
The hours are breathing faint and low —
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.
This seemed an appropriate video with which to resume my now-and-then posting of the Billy Collins poetry animations, which are justly famous among fans of contemporary vidpo. How had I forgotten about them? (Hat tip to Carolee Sherwood for jogging my memory.)
See a larger, Quicktime version at Billy Collins Action Poetry.
http://www.vimeo.com/6053847
Robert Frost’s famous poem admirably envideoed by film student Jon Mitchell. Since it’s out of copyright, here’s the text:
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
There are, as one might easily imagine, skads of Robert Frost videos on the web. The problem is that almost all of them suck.
Angella Kassube animates a poem by Todd Boss. The poem can also be found in higher-quality video and text forms at the new site MotionPoems.com (no direct links available due to Flash overkill).
Louise Bogan reads her poem in this montage by Josep Porcar for the Catalan website Blocs de Lletres. Porcar took the footage from another film on Vimeo: Mary, written and directed by Mel Eslyn. For the text of the poem, see here.
Sylvia Plath’s own reading of her poem in a video by mishima1970, who seems to specialize in Plath video poems.
An excerpt from a 30-minute film by Lisa DeLillo with poetry by expatriate Burmese writer Kyi May Kaung. There’s also a second excerpt on YouTube, which includes a prose intro on Burmese politics and censorship, but I preferred this selection for its striking scenes of puppets and dancers miming puppets.
The full-length film was made in 2001, and DeLillo’s website quotes a review by Art Jones from Shout magazine:
To get at what’s real, “Tongues” focuses on that which can’t be subjugated. Social indictments sprout from the small, personal anecdotes of student leaders. The savaging of national character unfolds in the words of noted poet Kyi May Kaung, now a producer with Radio Free Asia. The horrors of “freedom lost” find voice in Daw Aung San Suu Kyi, Nobel Peace Prize winner and repeated recipient of Burmese house arrest. Yet most irrepressible are “Tongues” images of Burmese rivers. The water providing life is the same water choked with the blood of civilian casualties, water that DiLillo uses as a constant mirror of all the regime would like hidden.
http://blip.tv/the-faux-press-blip-tv-division/yoing-a-film-poem-234109
A 30-second, 35-mm film by Jan McLaughlin based on a poem by Mikki LeMoine. More information at the Blip.tv page.
A poem by Carl Rakoski, read and illustrated by poet Anne Waldman and film artist Ed Bowes. I especially liked the sparing use of song.