Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Video trailers for books are becoming increasingly common, and sometimes, as here, they take the form of videopoetry. This is one of two trailers by Brent Robison for Djelloul Marbrook’s prize-winning collection from Kent State University Press, Far From Algiers.
Marbrook has had a distinguished career in journalism and now authors a blog on literary and cultural affairs.
With the northeastern U.S. just coming out of a heat wave, winter seems a far-off and delicious prospect. This is a poem from the collection The New Planet by Porland, Oregon-based writer Emily Kendal Frey. The video is by Zachary Schomburg, with whom Frey has also done some collaborative writing, according to this interview with her at The Collagist. For this project they also brought in Emily’s sister Elinor Frey, an accomplished cellist, whose music helped create a very wintry ambience indeed.
Beth Fulton writes,
The inspiration of this video comes from Todd Alcott’s poem, Television. I own no rights to his reading of the poem and intend only to share my own personal interpretation. Hope you like!
This is to my knowledge the first English-language videopoem to have gone viral. I first saw it last week on Facebook, where it seems to have been posted quite heavily. It’s been played 445,537 times in just three months, making it currently the most popular videopoem on Vimeo, and second only to Juan Delcan’s animation of Billy Collins’ “The Dead” on YouTube, which has amassed 761,494 views — but over the course of three years. So “Television”‘s refrain, “Look at me!” seems to be working.
Todd Alcott is a screenwriter living in Santa Monica, and judging by the comment he left below the video on Vimeo, seems to be a friend or acquaintance of the filmmaker doesn’t know the filmmaker (though he likes the video — see comments).
Update: this video is no longer online.
Directed by Gerard Docherty. Aside from the sloppy spelling, this is a fine video and seemed worth sharing. Duffy is, of course, the current Poet Laureate of Great Britain. I assume this video was made without her permission, and thus represents a kind of stealing itself — and/or an homage and act of generosity, depending on your view of intellectual property rights.
I’m going back to posting five videos a week here, at least until I can shrink the current queue of draft posts. So much good stuff coming out these days!
Layne Braunstein directed, designed and animated this film for Born Magazine, where the original Flash version still lives (along with the text). Thanks to producer Fake Love for uploading it to Vimeo.
Zachary Schomburg’s website appears to be out of commission, but he does have a blog, as well as a Vimeo account — turns out he makes videopoems himself, too. (Look for examples here in the coming weeks.) The poem is from his second book, Scary, No Scary.
Another animation by Francesca Talenti. You can watch dozens, maybe hundreds of Emily Dickinson videos on YouTube and not find anything so free of cliché as this.
I reason, Earth is short—
And Anguish—absolute—
And many hurt,
But, what of that?I reason, we could die—
The best Vitality
Cannot excel Decay,
But, what of that?I reason, that in Heaven—
Somehow, it will be even—
Some new Equation, given—
But, what of that?
It’s not often I get to see a new videopoem for the work of a poet whose blog I’ve been reading for years. This is a poem from Juliet Wilson’s debut collection, Unthinkable Skies, from the Scottish Calder Wood Press. The film is by the indefatigible Alastair Cook, who adds that this is the “the first of a series of films with Juliet, which will be premiered at my upcoming solo show at the Drill Hall in Leith on 29th July this year: outoftheblue.org.uk“
According to J. P. Dougan’s description on Vimeo, this is one of a series of poems entitled “Poetry of Colours” by English writer Kate Ruse. “It is concerned with the use of campeachy wood in the production of black during the 18th Century.”
I like the silent-movie style of interrupting the action with text. I wonder why more videopoems don’t adopt this style?
This is the work of independent filmmaker Justin Anderson, and is dedicated to Roksanda Ilincic. The Vimeo page contains complete credits as well as the following artist’s statement:
This film takes its structure from a short love poem by Harold Pinter written in 1974 about Lady Antonia Fraser his then lover and subsequent wife. She is and was the ‘Light of his Life’. In making this film I was trying evoke some of the feeling of the mid-seventies YSL, a beautiful girl with a rich dark skin wearing a dress that seems to emit light, she is hit by cracks of sunlight. This a very formal film about colour, form and minimal movement. Roksanda Ilincic is designer I greatly admire; her work is very sculptural, feminine and has a real filmic quality.