Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
http://www.vimeo.com/18203490
The wacky folks at Teleportal Readings say about this one:
We filmed esteemed poet Ed Hirsch during a shoot Teleportal did in collaboration with Rattapallax at the Bowery Poetry Club last summer. Though “trippy” isn’t a term we’d normally use to describe Hirsch’s work, the hand-painted, rotoscoped animation by Teleportal art director Scott Gelber makes the poet’s “Self Portrait” just that.
For more on Hirsch, see his page at the Poetry Foundation website.
This is “Harenberg,” by Klaus Hommerich and Daniel Gerken,
Shot on film and video; different gauges, resolutions and intentions show the pursuit of quiescene and ease of mind. […] Techniques: 8mm, 16mm, HD 1080P (EOS 5D, 550D), SD, Greenscreen with 8mm and 16mm,Feltpen on b/w film, Snorricam, Ikegami camera tube, GoPro HD, …
The reading is evidently by J. Milsome of the BBC.
Heather Haley wrote and directed this entertaining film about a very serious subject. Here’s her gloss from the video description on YouTube:
The audience is along for a wild ride in AURAL Heather’s “How To Remain” with a compulsive protagonist resolutely heading toward an elusive goal of perfection, perpetually struggling to stay *on* and, or to stay thin. *How to remain in control* is at the heart of anorexia and bulimia. Ubiquitous images of the ideal woman provide pressure and anxiety for us all. She turns to her trusty steed but instead of her body disintegrating, the horse’s body withers away. A symbol of intense desire and instinct, the horse’s ribs start to protrude as it becomes increasingly emaciated until finally disappearing with a *POOF! * Though eating disorders are a serious matter, the story is really about facing our all-too-human mortality. REMAIN is the key word and our secret desire, fueling our heroine’s quest for eternal youth and beauty, i.e., immortality. She is in a race. A horse race. A rat race? Or a labyrinth. Reel time accelerates as it does in real life; time seemingly flying by with advancing years as we move toward our inevitable departure. Of course HOW we live is what really matters.
A new filmpoem by Scottish artist Alastair Cook for a piece by the American poet Scott Edward Anderson. Alastair notes, “Naming was premiered at The Out of the Blue Drill Hall in Edinburgh in January 2011; it was shot entirely on Kodachrome Super8 in 2010 and contains no post production, after effects or erstwhile digital trickery.”
“Midwinter spring” is Peter Stephens‘ first foray into videopoetry, a film for the opening stanza of Eliot’s “Little Gidding.”
Egyptian poet Yahia Lababidi, a Facebook contact, shared the text of his poem at The Idler just after I discovered that Al Jazeera has a cache of Creative Commons-licensed videos available for remix. So with Lababidi’s blessing I pulled this videopoem together, using some of that Egyptian street poetry for a soundtrack. I did the reading myself because he was having internet-connection problems and wasn’t able to send me his own reading.
Videos in the film/animation category at YouTube don’t seem to attract too many views, so I identified it as “News & Politics” instead. We’ll see if that makes a difference. In any case, it needs to be watched by people with an interest in the uprising.
Good advice for anyone making a revolution. According to the note on YouTube,
This motionpoem was created by Jeff Saunders with Scott Olson, Ben Myrick, Adam Tow, Carly Zuckweiler, and Andre Durand. It was shot in Jeff’s studio. The audio is from The Academy Audio Archive POETS.org and was recorded at Poet’s House, March 29, 2004.
Inexplicably, Lux doesn’t appear to have a website or blog, though of course he’s published widely in treeflesh media.
Blake in Turkish kinetic type animation! I think Alper Yildirim really captures the mood of Blake’s poems (see the Wikipedia for the complete text). In the notes on Vimeo, he explains:
This video is done for the typography course, when i was in the post-graduate program of Hacettepe University -i am not studying there now ,thanks to god-. I tried to make a mixage of using moving typographic elements with animation. The Chimney Sweeper is a poem of William Blake, and i used its first verse.
When my mother Died, I was very young,
And my father sold me while yet my tongue,
Could scarcely cry weep weep weep weep,
So your chimneys I sweep & in soot I sleep.