Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Canadian poet, musician and filmmaker Heather Haley‘s poem (from her first spoken-word album, Surfing Season) gets the Swoon treatment. Marc blogged about it (in Dutch) here and here:
The ideas for these images came fairly quickly. For “sins,” I had the associative thought, “wash in innocence.” So I went searching for “shower” images and found one by Erica Scourti.
Then I made a “rushing” background by processing images from recordings I made half a year ago from a boat, plus a bunch of Ghent pictures of the most diverse things, faces, and symbols.
Kurt Heintz interviewed Heather about Surfing Season after it was released in 2004. Start here.
A motionpoem created by Michael Guncheon and Ben O’Brien.
And speaking of Motionpoems, if you can get to Minneapolis on October 25, they’re planning to screen a whole new season’s worth of films, which will include poems by Jane Hirshfield, Mark Strand, Richard Wilbur and others — a dozen in all, produced to accompany the Best American Poetry 2011 anthology From Scribner. See their website for details.
A timeless meditation on time gets the film noir treatment. Moving Poems’ latest production uses footage from two films in the public domain at the Prelinger Archives and a Creative Commons-licenced William Byrd piece by Vicente Parrilla and company.
http://www.vimeo.com/28855678
This has to be one of my favorite found footage-poem match-ups ever. It’s one of Nic S.’s first solo efforts at videopoem-making (though she doesn’t appear to have blogged it). Here’s the text of the poem.
This comprises the first panel of Propolis, the videopoem triptych produced by Swoon Bildos, Whale Sound (Nic S.) and Cello Dreams (Kathy McTavish). According to the extremely interesting process notes for the project, Swoon took the lead in determining the artistic direction (inspired by Turner, Goya and Bacon, he says) and finding and getting permission for the footage to fit that vision, but his two collaborators took an active role in shaping it, in addition to providing the soundtrack, so I’ve listed all three of them together as filmmakers. I’m departing from tradition and putting up three posts today, because the three videos in the triptych belong together (but the poet-centric format here prevents me from putting them all in one post). Please visit the Propolis website for the full experience, which includes a special mashup of all three videos which I won’t share here, plus the aforementioned process notes and a paragraph on each of the contributors, including this one about Donna Vorreyer:
Donna Vorreyer spends her days convincing middle-schoolers that words matter. Her work has appeared in many journals including Weave, Cider Press Review, qaartsiluni, and Rhino. She is the author of the chapbooks, Womb/Seed/Fruit (Finishing Line Press) and Come Out, Virginia (Naked Mannekin Press) and a contributor to the blog Voice Alpha. You can visit her online at her blog Put Words Together; Make Meaning or her website www.donnavorreyer.com
The site also includes the text of the poem.
This comprises the second panel of Propolis, the videopoem triptych produced by Swoon Bildos, Whale Sound (Nic S.) and Cello Dreams (Kathy McTavish). Here’s the contributor’s note about David Tomaloff:
David Tomaloff (b. 1972) is a writer, photographer, musician, and all around bad influence. His work has appeared in fine publications such as Mud Luscious, >kill author, Thunderclap!, HOUSEFIRE, Prick of the Spindle, DOGZPLOT, elimae, and many more. He is the author of the chapbooks, A SOFT THAT TOUCHES DOWN &REMOVES ITSELF (NAP) Olifaunt (The Red Ceilings Press), EXIT STRATEGIES (Gold Wake Press) and MESCAL NON-PALINDROME CINEMA (Ten Pages Press). He resides in the form of ones and zeros here.
Visit the Propolis site for the text of the poem.
This comprises the third panel of Propolis, the videopoem triptych produced by Swoon Bildos, Whale Sound (Nic S.) and Cello Dreams (Kathy McTavish). Here’s their contributor’s note about Lisa Cihlar:
Lisa J. Cihlar‘s poems have been published in The Pedestal Magazine, Green Mountains Review, In Posse Review, Bluestem, and The Prose-Poem Project. One of her poems was nominated for a Pushcart Prize. She lives in rural Southern Wisconsin.
Visit Propolis to read the text of the poem.
Starting back in March, blogger-poet Hannah Stephenson has been cutting back on her previous pattern of a new poem every weekday to share a multimedia presentation on Fridays (which is actually, I’m sure, more work — I don’t mean to imply she’s been slacking!). Last Friday, she posted this video, which incorporates the text of a previously blogged poem.