Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Moving Poems’ latest production takes advantage of a new free-audio site that other filmmakers might be interested in, too: pizzicati of hosanna: dead poets’ poems read by Nic S. in English & other languages. The footage is from Blackwater Falls State Park, West Virginia. I blogged all about it at Via Negativa.
http://vimeo.com/29969928
Another text-only videopoem, but today with a soundtrack. I’m not crazy about the font-choice — for some reason, I have trouble seeing a Cummings poem in anything but a typewriter font — but otherwise this strikes me as a highly successful re-imagining of the text.
Nic S. blogged about “using text vs voice in videopoems” the other day, and it’s sparked an interesting discussion in the comments, with videopoetry pioneer Tom Konyves weighing in.
http://vimeo.com/26089551
A visually arresting, silent watercolor animation by Lilli Carré. The poem has its own Wikipedia page. (Hat-tip: Hannah Stephenson)
http://vimeo.com/29124206
Another Swoon film for a poem by Howie Good — his seventh to date. The description at Vimeo characterizes this as “an edited, layered compilation of ‘simple’ camera-errors, to fit the jagged music and the title of the poem itself.”
This is A Galaxy Over There — a lavishly produced film by British director Martin Earle, illustrating excerpts from Tranströmer’s poem “Schubertiana,” as translated by Jöns Mellgren and narrated by Graham Sharpe in a kind of bedtime-stories voice. Though much of it is rather too literal for my taste, it’s hard to find fault with such beautiful filmmaking. The flying household objects in the first part seem in keeping with the spirit of Tranströmer’s “miracle speech,” and I love the scene where the landscape turns into a bed quilt. It’s also hard to see how they could’ve used anything other than a Schubert string quartet for the soundtrack!
http://www.vimeo.com/28799428
Making a videopoem for a poem that was written in response to a painting is always a challenge. Nic S. used footage of a California forest fire from 1914 in what strikes me as a fairly successful pairing.
In other Nic S.-related news, she has just launched a new venture that should be of interest to anyone making poetry videos — Pizzicati of Hosanna: dead poets’ poems read by Nic S. in English & other languages. According to a note in the sidebar, “These recordings may be used for any type of creative non-commercial project. No need to ask permission.” Poets recorded so far include Stevens, Baudelaire, Quasimodo and Neruda, all in the original languages.
German animator Susanne Wiegner made this film with audio from the late poet, who “did nothing to court publicity or expand his literary career or reputation,” according to the Wikipedia. A man after my own heart!
Canadian poet, musician and filmmaker Heather Haley‘s poem (from her first spoken-word album, Surfing Season) gets the Swoon treatment. Marc blogged about it (in Dutch) here and here:
The ideas for these images came fairly quickly. For “sins,” I had the associative thought, “wash in innocence.” So I went searching for “shower” images and found one by Erica Scourti.
Then I made a “rushing” background by processing images from recordings I made half a year ago from a boat, plus a bunch of Ghent pictures of the most diverse things, faces, and symbols.
Kurt Heintz interviewed Heather about Surfing Season after it was released in 2004. Start here.
A motionpoem created by Michael Guncheon and Ben O’Brien.
And speaking of Motionpoems, if you can get to Minneapolis on October 25, they’re planning to screen a whole new season’s worth of films, which will include poems by Jane Hirshfield, Mark Strand, Richard Wilbur and others — a dozen in all, produced to accompany the Best American Poetry 2011 anthology From Scribner. See their website for details.