Poet Robert Peake’s first venture into the genre arose spontaneously and in collaboration with his wife, Valerie Kampmeier, who provided the music and the idea, as she describes on her blog:

This afternoon was the last day of the Christmas holidays, unexpectedly sunny, crisp and breezy. After the departure of some visitors, Robert and I were about to go out for a walk and some tea and cake, when he suddenly pointed to a patch of light on the wall behind me. The reflections from the garden of waving branches and the wrought iron of a clothes post were casting flickering shadows onto the wall in an astonishing fashion, almost like a silent movie. Robert grabbed his iPhone and captured some video. “You could use that for a poem-film, “ I remarked, thinking about the beautiful short videos some friends had made recently.

When we got home from our walk, I began improvising to the footage on the piano, while Robert listened and wrote. Within twenty minutes we both had something. Remarkably, when Robert read his poem aloud, it was exactly the right length. He recorded it, synchronized it with the video, and then I recorded my part on top onto a different track so that we could experiment with individual volume and colour.

Read the rest (and visit Robert’s blog for the text). It’s always exciting to see a new poet entering the videopoem/film-poem genre, and the high quality and organic process here bodes well for Peake and Kampmeier’s future efforts.