~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

Cherry Tree by Robert Louis Stevenson

Stevenson’s dreamy lyrics juxtaposed with footage of a woman restocking a vending machine. Emily Tumbleson notes:

Footage taken on a Canon 7D. Poem by Robert Louis Stevenson from A Child’s Garden of Verses.

I am currently exploring the relationship between desire or aspiration, childhood nostalgia, and social or cultural context.

Flowers by Tim Cumming

Tim Cumming‘s description at Vimeo is worth quoting in full:

A new film poem by Tim Cumming written on a walk from Hampstead Heath station to the Steeles in Belsize Park where he was offered snuff laced with cocaine and heard the story of Moll King, good mixer of Georgian London, a famous bawd and the inspiration for Daniel Defoe’s Moll Flanders. Includes footage of witch dolls, amulets, mandrakes and more from the Museum of Witchcraft in Boscastle, birds on the wire at Bodmin, Lord Byron and the waters of the Thames from Woolwich Dockyard, the paintings of Austin Osman Spare from the 2010 exhibition at the Cuming Museum in south London, 8mm archive film of The Towers in Corfe Mullen in the 1960s and wooden figurines carved in the 1980s by the hand of Peter Cumming.

Landing Under Water, I See Roots by Annie Finch

A beautiful and, to my mind, highly effective book trailer for Spells: New and Selected Poems by Annie Finch, due out this month from Wesleyan University Press. U.K. animator Suzie Hanna describes their creative process in a note at Vimeo:

The film was made through a Transatlantic collaborative shared process. Annie sent her voice recording to me and I responded with clips of tests and animatics which I adjusted, extended or dumped in response to her reactions.

For the text of the poem (and audio of Finch’s reading), see poets.org.

The Woods by Aina Villanger

Another of Kristian Pedersen’s abstract animations, this time with words and voice by Aina Villanger. (There’s also a version without the subtitles.)

Winner of the Bergen Public Librarys poetry competition.
Produced by Gasspedal for Bergen Offentlige Bibliotek

La Ferita (The Cut) by Elena Chiesa

Another brilliant animation by Elena Chiesa, this one with her own text.

Right Through the Earth by Al Rempel

An intriguing, experimental videopoem filmed and directed by the author, Canadian poet Al Rempel. From the description on YouTube:

Right Through the Earth is a video-poem taken from the poem in my book, This Isn’t the Apocalypse We Hoped For. Steph St. Laurent of VideoNexus helped with post-production work & Isaac Smeele composed the original music for the sound-track.

This Isn’t the Apocalypse We Hoped For is due to be published this month by Caitlin Press.

To This Day by Shane Koyczan

Canadian performance poet Shane Koyczan headed up this collaborative project, which has its own website. The YouTube version has gone viral, with more than 5 million views in the first week. Quoting the website:

To This Day Project is a project based on a spoken word poem written by Shane Koyczan called “To This Day”, to further explore the profound and lasting impact that bullying can have on an individual.

Schools and families are in desperate need of proper tools to confront this problem. We can give them a starting point… A message that will have a far reaching and long lasting effect in confronting bullying.

Animators and motion artists brought their unique styles to 20 second segments that will thread into one fluid voice.

This collaborative volunteer effort will demonstrate what a community of caring individuals are capable of when they come together.

This was produced by Leah Nelson, Jorge R. Canedo Estrada and Alicia Katz at Giant Ant. The component 20-second clips were each posted to Vimeo by their creators, if you’d like to investigate any of them further. I’ll just reproduce the list of 86 animators and motion artists from the credits page of the website: Ryan Kothe, Mike Healey, Will Fortanbary, Brian San, Diego De la Rocha, Gizelle Manalo, Adam Plouff, Mike Wolfram, Hyun Min Bae, Oliver Sin, Viraj Ajmeri, Vishnu Ganti, Yun Wang, Boris Wilmot, Cameron Spencer, DeAndria Mackey, Matt Choi, Reimo Õun, Samantha Bjalek, Eli Treviño, Ariel Costa, Caleb Coppock, James Mabery, Samir Hamiche, Waref Abu Quba, Deo Mareza and Clara, Josh Parker, Scott Cannon, Thomas McKeen, Kaine Asika, Marcel Krumbiegel, Teresa del Pozo, Eric Paoli Infanzón, Maxwell Hathaway, Rebecca Berdel, Zach Ogilvie, Anand Mistry, Dominik Grejc, Gideon Prins, Lucy Chen, Mercedes Testa, Rickard Bengtsson, Stina Seppel, Daniel Göttling, Julio C. Kurokodile, Marilyn Cherenko, Tim Darragh, Jaime Ugarte, Joe Donaldson, Josh Beaton, Margaret Schiefer, Rodrigo Ribeiro, Ryan Kaplan, Yeimi Salazar, Daniel Bartels, Joe Donaldson, Daniel Molina, Sitji Chou, Tong Zhang, Luc Journot, Vincent Bilodeau, Amy Schmitt, Bert Beltran, Daniel Moreno Cordero, Marie Owona, Mateusz Kukla, Sean Procter, Steven Fraser, Aparajita R, Ben Chwirka, Cale Oglesby, Igor Komolov, Markus Magnusson, Remington McElhaney, Tim Howe, Agil Pandri, Jessie Tully, Sander Joon, Kumphol Ponpisute, James Waters, Chris Koelsch, Ronald Rabideau, Alessandro & Manfredi, Andrea López, and Howey Mitsakos.

So Be It by Kenneth Patchen

This experimental film, Sperma Mundi III Introduction by Wild Worm Web, includes a recording of Patchen reciting his poem in the soundtrack. (To read the text, see Google Books.)

Found Footage :
Jack Smith + Paul Sharits + Hy Hirsh + Otto Mühl
Poem by Kenneth Patchen
Music Vivid Tribe Of Psychics (Yoshiwaku + Parrhesia Sound System)
soundcloud.com/vivid-tribe-of-psychics

from Tabacaria (The Tobacconist’s) by Álvaro de Campos (Fernando Pessoa)

This is Azulejo ou l’illusion visuelle, an “animated film by Kolja Saksida made in the two week workshop in Lisbon, Portugal,” according to the description on Vimeo from ZVVIKS, the Slovenian Institute for Film and Audiovisual Production. A note at the end of the film adds that it was inspired by a painting on tiles representing Lisbon before the great earthquake of 1755.

The film includes just the first four lines of the poem in the soundtrack, with a French translation in titling. Here’s the English translation given in the description:

I am nothing.
I’ll never be anything.
I can not want to be anything.
Apart from this, I have in me all the dreams of the world.

This is one of the poems Pessoa wrote under the “heteronym” of Álvaro de Campos. Here’s the complete, much longer text and here’s one blogger’s attempt at a translation.

Things That Have No Name by the Psychiatric Intensive Outpatient Therapy Group

An outstanding collaborative poem credited to the Psychiatric Intensive Outpatient Therapy Group, Summa Health Systems. Alex McClelland made this film based on a poster design by fellow Kent State University student Nate Mucha. Poster and animation are part of the Healing Stanzas project. (Here are the poster and the text.)

best parts of you by Kathleen Roberts

This hypnotic combination of kinetic text, video and sound art represents a collaboration between Duluth, Minnesota-based poet Kathleen Roberts (text, reading) and musician/artist Kathy McTavish (music and images) for the Wildwood River micropress.

What I Say Sometimes But Then Stop Myself by Peter Davis

Featured at The Volta: Medium, Issue #56,. Peter Davis “writes, draws, and makes music in Muncie, Indiana,” according to his bio. This poem is from his third book of poems, TINA, forthcoming from Bloof Books. Author-made poetry animations are a relative rarity for obvious reasons: animation is hard. But when poets do possess the skills to animate their own poems, very interesting things can happen, as this video demonstrates.