~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

De Dentro / From Within by Ruth Ministro

Nilson Muniz performs a work by the young Portuguese poet Ruth Ministro. Alexandre Braga directs.

Exposure by Gaia Holmes

Rob Lycett made this beautiful film for a poem by the young British poet Gaia Holmes, whose work has attracted a number of filmmakers and animators in recent years. This is one of six films featured in the latest Third Form column on videopoetry at Connotation Press, a review of The Body Electric film festival. Erica Goss writes:

With an eerie precision, the mash-up of flickering images captures the awkwardness of strangers fingering other strangers’ used things. This video poem shows how public access film footage, reimagined and reassembled, can create a compelling story.

Producer wanted at Motionpoems

The folks at Motionpoems, the Minnesota-based arts organization responsible for so many stunning poetry films in the last several years, are hiring a producer.

Motionpoems is seeking an ambitious, self-starting Producer to bring artist relations, project coordination, and production skills to a 12-month project, July 2013-June 2014. The Producer will manage production of a dozen new Motionpoems shorts and organize a public screening and online distribution of the films.

Click through for the full description.

Grassy Grayson by Grayson Cahal

Grayson Cahal was in the 3rd grade (in Chatham Elementary School, Lodi, Ohio), so 8 or 9 years old, when he wrote this astonishing poem. Ruth Turner did the animation, and the accompanying poster was designed by Ryan Sprowl.

This video is one in a series – part of the second Healing Edition of the Traveling Stanzas project which is a collaborative effort between the Wick Poetry Center‘s outreach program and the Glyphix design studio at Kent State University.

Learning the Letters by Robert Peake

“A film-poem by Valerie Kampmeier and Robert Peake, incorporating footage of children in Britton, South Dakota filmed by Ivan Bessie in 1939.” For the text, see Peake’s blog.

Shame by Richard Wilbur

http://vimeo.com/66795826

This film is called drawing, and its maker, Paul Mounsey, notes only that it was shot on 16mm film. The text may be found online here. The Poetry Foundation has a very good page on Richard Wilbur, along with a generous selection of his poems.

Righteous Utopian by Michael Spering

An author-made, stop-motion videopoem.

Witness by Lissa Kiernan

A film by Swoon for the poem “Witness” by Lissa Kiernan, recorded for qarrtsiluni‘s Animals in the City issue. This is Swoon’s 11th film for a qarrtsiluni poem. A couple of snippets from his blog post about it:

The track I wanted to lay this podcast in had to be a bit dreamy but also suspenseful and foreboding (with a small hint of mysteriousness) […]

The images had to be lush, but with a hint of decay. I had a vase with tulips, way past their ideal point of freshness. The petals falling gave me the idea for this video…

The first time I watched this, the images Swoon chose to accompany the text struck me as possibly a bit too random. But now they strike me as a subtle but inspired match. And the poem is, after all, directly concerned with how we might view an odd conjunction.

Ursonate (excerpt) by Kurt Schwitters

http://vimeo.com/66612735

William Shum says about his film,

A short excerpt from Kurt Schwitters sound poem, “Ursonate”. The typeface was created from scratch and inspired by the “Merz” art Schwitters created, hence the name, “Merzy”.

This may be the first example of a typeface invented for a videopoem.

The Wikipedia article on Kurt Schwitters includes a paragraph on Ursonate:

Schwitters composed and performed an early example of sound poetry, Ursonate (1922–32; a translation of the title is Original Sonata or Primeval Sonata). The poem was influenced by Raoul Hausmann’s poem “fmsbw” which Schwitters heard recited by Hausmann in Prague, 1921. Schwitters first performed the piece on 14 February 1925 at the home of Irmgard Kiepenheuer in Potsdam. He subsequently performed it regularly, both developing and extending it. He published his notations for the recital in the last Merz periodical in 1932, although he would continue to develop the piece for at least the next ten years.

The Barking Horse by Patrick Sheridan

An eccentric and highly enjoyable author-made poetry video by Patrick Sheridan of Paddy Wagon Films.

If I had a white horse, I’d call him Brown Cow, just so I could ask, “How now horse Brown Cow?”

The Barking Horse is a three minute film about a dog named Horse. People have called it inspiring, awesome, confusing, brilliant, moving, and beautiful. You decide.

Paleoacoustics by Forrest Gander

http://vimeo.com/57158868

Forrest Gander‘s description at Vimeo reads: “This video is about Paleoacoustics, traces of the past in the present, poetry, imagination.”

Man and Woman by Sergej Timofejev

Edmunds Jansons made this video for a piece by the Russian-Latvian poet Sergej Timofejev, a member of the Orbita collective and a pioneer of Russian-language videopoetry.