Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Video by DJ Berndt for a poem by Nick Sturm that originally appeared in Ink Node. (Hat-tip: “The dA-Zed guide to Alt Lit.”)
Another of Alastair Cook‘s filmpoems for the Poetry Society in partnership with the Canal and River Trust as part of the Canal Laureate 2013 project. See my post of Lifted for more details. Jo Bell writes,
Ian Duhig’s poetry combines a deep learning with a lively wit, and a strong sense of Irish heritage as well as a need to honour the workers of a former age. His poem, Grand Union Canal, takes us to Paddington Basin in London.
Ian Duhig reads his text in the soundtrack, which was composed by Luca Nasciuti.
https://vimeo.com/78441978
A video by Nic S., using a text from The Poetry Storehouse by Canadian media artist Randy Adams.
New poets’ works continue to appear at the Storehouse every week. (There are two more poems by Randy Adams alone.) I really hope it catches on among poetry filmmakers — I’m a big believer in the open-content philosophy behind the site. If you make a film based on something there, be sure to let me know about it. And if you teach film, or know someone who does, be sure to mention The Poetry Storehouse as a place where students can get ideas for good, short films.
Othniel Smith repurposes public-domain imagery from the Internet Archive to accompany Dickinson’s text, which was written in 1862, during the American Civil War.
Another videopoem-trailer for the new collection by Robert Krut, This is the Ocean. As with the other two, it was directed by Nick Paonessa of lowercase productions.
A passage from the autobiography of Scottish-American conservationist John Muir is treated as found poetry in a filmpoem by the Dutch photographer and filmmaker Judith Dekker. She writes:
Made as a part of my residency in Dunbar, Scotland for North Light. For this film I’ve used John Muir’s words as a starting point: my film is an interpretation and carries these words to a different place. All footage was shot during my time there; the poet John Glenday was kind enough to read a passage from John Muir’s autobiography and composer Luca Nasciuti created a soundtrack which fits like a glove.
Thanks to Creative Scotland.
The November selection from Motionpoems is by their co-founder Angella Kassube, and I think it’s one of the best they’ve ever made. The minimalism here really works for me, in part perhaps because I like Dean Young‘s poem so much. The soundtrack (by Carly Zuckweiler) is a perfect match to Tim Nolan’s reading.
Kassube’s process notes are worth a read (scroll down past the poem text). The poem is from Young’s new book, Bender.
Good to see a major player in American poetry film use a reading from someone other than the author. It’s kind of surprising to me that poetry film makers rely so heavily on poets’ own readings, given that all too often we are the least inspired oral interpreters of our own words.
This is Filmpoem 34 by Alastair Cook, who writes:
Fallow Field is a poem by Scott Edward Anderson, from his brand new eponymous collection. It’s been a pleasure to make a Filmpoem for a friend and this harks back to my earlier work, motifs I explored and delighted in a number of years ago which suit Scott’s incredible words.
Scott’s collection Fallow Field is available from Aldrich Press, Amazon and scottedwardanderson.com.
Of the various blurbs on the website, I particularly liked this one:
“Wow, Pop, I had no idea you wrote so many poems!” – Walker Anderson, the author’s 10-year-old son
Anderson blogs at The Green Skeptic and Scott Edward Anderson’s Poetry Blog.
https://vimeo.com/77916729
Nic S.’s latest poetry video is especially noteworthy for its soundtrack, which blends the voices of four different LibriVox readers to great effect.