~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

The Whole Place is Dark by Nick Sturm

Video by DJ Berndt for a poem by Nick Sturm that originally appeared in Ink Node. (Hat-tip: “The dA-Zed guide to Alt Lit.”)

Grand Union Bridge by Ian Duhig

Another of Alastair Cook‘s filmpoems for the Poetry Society in partnership with the Canal and River Trust as part of the Canal Laureate 2013 project. See my post of Lifted for more details. Jo Bell writes,

Ian Duhig’s poetry combines a deep learning with a lively wit, and a strong sense of Irish heritage as well as a need to honour the workers of a former age. His poem, Grand Union Canal, takes us to Paddington Basin in London.

Ian Duhig reads his text in the soundtrack, which was composed by Luca Nasciuti.

Pheasant Hunting by Sara Mithra

Another videopoem using found film by Sara Mithra. The description on Vimeo reads:

A poem film by Sara Mithra with music by Maali Maal for Hameenia. I edited footage from the Prelinger Archives of color home movies from the 50s and 60s, cataloguing at least ten hours of film to select these two minutes of clips. The amateur quality of these films, together with the hand-held cinematography and lack of zoom, inspired me to select clips which show the film’s age and draw attention to its material quality by being discolored, scratched, poorly digitized, etc.
As far as my poem, I wanted visuals which were rich, vibrant, and if not capturing the narrative quality of pheasant hunting, could match its erotic power.

shadow moment by Randy Adams

https://vimeo.com/78441978

A video by Nic S., using a text from The Poetry Storehouse by Canadian media artist Randy Adams.

New poets’ works continue to appear at the Storehouse every week. (There are two more poems by Randy Adams alone.) I really hope it catches on among poetry filmmakers — I’m a big believer in the open-content philosophy behind the site. If you make a film based on something there, be sure to let me know about it. And if you teach film, or know someone who does, be sure to mention The Poetry Storehouse as a place where students can get ideas for good, short films.

“I like a look of agony…” by Emily Dickinson

Othniel Smith repurposes public-domain imagery from the Internet Archive to accompany Dickinson’s text, which was written in 1862, during the American Civil War.

Who’d have thought by Melissa Diem

The latest film from Irish poet-filmmaker Melissa Diem. According to the description on Vimeo, it was filmed in Peru and Ireland. Sound production is by Colm Slattery.

Hold Me, the Walls are Falling by Robert Krut

Another videopoem-trailer for the new collection by Robert Krut, This is the Ocean. As with the other two, it was directed by Nick Paonessa of lowercase productions.

Lark, from the autobiography of John Muir

A passage from the autobiography of Scottish-American conservationist John Muir is treated as found poetry in a filmpoem by the Dutch photographer and filmmaker Judith Dekker. She writes:

Made as a part of my residency in Dunbar, Scotland for North Light. For this film I’ve used John Muir’s words as a starting point: my film is an interpretation and carries these words to a different place. All footage was shot during my time there; the poet John Glenday was kind enough to read a passage from John Muir’s autobiography and composer Luca Nasciuti created a soundtrack which fits like a glove.

Thanks to Creative Scotland.

Discharged into Clouds by Dean Young

The November selection from Motionpoems is by their co-founder Angella Kassube, and I think it’s one of the best they’ve ever made. The minimalism here really works for me, in part perhaps because I like Dean Young‘s poem so much. The soundtrack (by Carly Zuckweiler) is a perfect match to Tim Nolan’s reading.

Kassube’s process notes are worth a read (scroll down past the poem text). The poem is from Young’s new book, Bender.

Good to see a major player in American poetry film use a reading from someone other than the author. It’s kind of surprising to me that poetry film makers rely so heavily on poets’ own readings, given that all too often we are the least inspired oral interpreters of our own words.

Fallow Field by Scott Edward Anderson

This is Filmpoem 34 by Alastair Cook, who writes:

Fallow Field is a poem by Scott Edward Anderson, from his brand new eponymous collection. It’s been a pleasure to make a Filmpoem for a friend and this harks back to my earlier work, motifs I explored and delighted in a number of years ago which suit Scott’s incredible words.

Scott’s collection Fallow Field is available from Aldrich Press, Amazon and scottedwardanderson.com.

Of the various blurbs on the website, I particularly liked this one:

“Wow, Pop, I had no idea you wrote so many poems!” – Walker Anderson, the author’s 10-year-old son

Anderson blogs at The Green Skeptic and Scott Edward Anderson’s Poetry Blog.

Aedh wishes for the Cloths of Heaven by William Butler Yeats

https://vimeo.com/77916729

Nic S.’s latest poetry video is especially noteworthy for its soundtrack, which blends the voices of four different LibriVox readers to great effect.

Broken Horse by Sara Mithra

Sara Mithra is a Vermont-based poet with a particular interest in the use of old home movies and other archival footage for videopoetry. She’s also active on SoundCloud. About Broken Horse, she writes:

This poem film explores the relationship between the labor of the Western frontier and its emotional legacy. Choosing semi-professional archival footage allowed me to present a story of wreckage. Thanks to the Prelinger Archives for providing such a rich trove of creative commons films.