~ Video Library ~
Goddank / Thank heavens by Max Temmerman
A day late for American Thanksgiving (I was busy hanging with the fam), here’s a Judith Dekker film of a poem by Flemish poet Max Temmerman, with Willem Groenewegen’s English translation in subtitling (and also in the Vimeo description). Dekker notes:
Max Temmerman’s poems and my images are related in a way. They both show the small movements, moments, objects and try to slow down around them. All the images for this one are shot in a time i had to say goodbye to one home to move to another. They are glimpses from both homes. The soundtrack is made by multi-instrumentalist Jon Birdsong.
Click through to Vimeo to read the rest.
Known Unto God by Bill Manhire
British animator Suzie Hannah teamed up with New Zealand’s poet laureate Bill Manhire for this poetry film, part of the Fierce Light series co-commissioned by 14-18 NOW, Norfolk and Norwich Festival and Writers Centre Norwich. It was “Voiced by Stella Duffy, with Sound Design by Phil Archer,” says the description on Hannah’s website, which continues:
Mud and and pigment animation interpreting Bill Manhire’s poem about tragic death of youths in WW1, comprised of 14 short epitaphs for unknown NZ soldiers killed at the Somme, and for unnamed refugees drowning as they flee from wars now, 100 years later.
The film has been selected for screening at the following: 14th London Short Film Festival 2017, Aesthetica Short Film Festival 2016, O Bhéal Poetry Film Festival 2016, Zebra Poetry Film Festival 2016, Interfilm 32nd International Short Film Festival Berlin 2016
“Known Unto God writes the epitaphs to the lost of our world: those fallen soldiers of the Somme whose bodies were never found; those refugees of today who drown seeking a better life for themselves and their families. Bill Manhire and Suzie Hanna have created a bold and powerful memorial to the voiceless, and a reminder that WW1 was a conflict that shook the entire world, and that our lives have grown ever more interconnected since. ” Sam Ruddock, Writers Centre Norwich
Od’e Miikan / Heart Line (Moose version) by Heid E. Erdrich
The latest videopoem collaboration between Heid E. Erdrich (poetry, voiceover), Jonathan Thunder (animation), and Trevino Brings Plenty (music)
arose out of Erdrich’s vision and understanding of Ojibwe/Anishinaabe star knowledge as told to her by elders and in the Ojibwe Star Map.nativeskywatchers.com/wp-content/uploads/2016/06/NSW_OjibweNorth.pdf
In Ojibwe cosmology, the figure seen hunting corresponds to the constellation known to others as Scorpio. Mooz corresponds to the constellation known to others as Pegasus. The Wolf Trail or Ma’iingn Miikan is the motion of the stars across the year, also known as the ecliptic.This poemo exists in two forms, one with Heid’s voice auto tuned to wolf sounds and one with Heid’s voice auto tuned to moose sounds. You can here composer Trevino Brings Plenty talking about the process here: youtube.com/watch?v=mwIo5THOPNA
This poem film was created to align with the large, interactive animated creatures Wolf and Moose, the Creative City Challenge 2016 Winner that was directed by artist Christopher Lutter with collaborative partners Heid E. Erdrich, Kim Ford, Karl Stroerzinger, Coal Dorius, and Missy Adzick.
Wake Up by Tolu Agbelusi
https://vimeo.com/138338473
A poetry-film collaboration between London-based Nigerian poet Tolu Agbelusi and director HKB FiNN of JustJazz Visuals. Somehow the poem’s story of an interpersonal cycle of abuse seems appropriate to the political moment.
Check out a couple of additional films on the Video & Audio section of Agbelusi’s website.
What is Love? by Lucy English
This latest addition to Lucy English’s Book of Hours poetry-film project was directed by Lori H. Ersolmaz, with English reading her poem in the soundtrack.
The Art of Poetry Film with Cheryl Gross: “It turns out”
It turns out
poem and film by Martha McCollough
2012
Martha McCollough is one of my absolute favorite artists. It turns out is another one of her pieces that is over the top.
She combines one voiceover that uses echo with another that is just plain-spoken. And she gives us two formats in one, the written work and spoken word. It’s as if they are two separate poems. Could it be one is imagined and the other based in reality? What is the message? We ask for help, but does it exist?
There’s a nice collage effect, interlacing texture with line animation and design. I love the voiceover. Images of a floor plan are juxtaposed with talk about no help from a help desk. I often feel that way. Are we to assume that we must venture on alone? Could she be talking about immigration? Electing Trump? Trying to escape from the horrors of war and reality? We are left to fend for ourselves, applying her words however we can to assist us on our journey. Have technology and the media impaired our senses and way of being? Or am I reading too deeply into what has been in front of us all along?
We see imagery of people running, wolves running towards them — a metaphor. There are so many questions to be asked in such uncertain times.
So how does one go about critiquing a work that is perfect in its imperfection? It turns out does seem somehow very fitting for the post-election funk we are feeling. Can we call it prophetic? Is this what people have been trying to say all along? It makes me wonder what is real and what has been manipulated to appear so.
Off the Trail: poetry by Michael McClure and Gary Snyder
This film, a selection from the longer experimental documentary Headlands Lookout by Jacob Cartwright and Nick Jordan, was awarded the prize for Best Poetry Film at this year’s ZEBRA Poetry Film Festival “For a pre-apocalyptic journey [with] a perfect guide in a stitched uniform into a world that’s going to unravel itself.” Here’s how Jordan describes it on his website:
Walk the path, sit the rains, grind the ink, wet the brush, unroll the broad white space….Lead out and tip the moist, black line.
Gary Snyder’s invocation to the muse of a Chinese scroll painter sets the tone in a short film adapted from Cartwright and Jordan’s longer work, Headlands Lookout.
Filmed in former US military barracks, and in the long-abandoned homes and circular library of Gary Snyder and Zen philosopher Alan Watts, Off the Trail follows a central protagonist, a soldier from another era, as he performs a series of actions and rituals. The uniformed figure paints Chinese nature symbols, chants, meditates and wanders dreamlike through a rolling Californian landscape of fog-shrouded hills, coastal defences and dense woodland valleys. Scenes are accompanied by haiku and poetry readings from Michael McClure and Gary Snyder, and the disembodied voice of Alan Watts, ruminating upon the passage of time and our perception of the ‘wild’.
As someone who studied Japanese and Chinese literature at university, there were parts of this that made me wince — the inept brush calligraphy, for example, and occasionally simplistic or misleading characterizations of Daoist and Buddhist thought — but I do recognize the historical importance of mid-20th-century writers such as Watts and Snyder in bringing East Asian thinking to a Western audience, however colored by Orientalism their versions of it may have been. And there’s no denying the beautiful cinematography and intriguing almost-narrative here, not to mention the innate fascination of the ruins where it was shot.
На заре – наимедленнейшая кровь / At dawn – quiet blood by Marina Tsvetaeva
A poem by the great Marina Tsvetaeva in a film directed by Natalia Alfutova. Be sure to click the CC icon for the English translation by Tony Brinkey. Anastasia Somova (Anastasia Somique) and Artem Tkachenko are the actors, Valeria Ordinartseva co-wrote the script with Alfutova, and Mikael Hamzyan was the cameraman.
