~ Video Library ~

The Robots Are Coming by Kyle Dargan

A film by Minneapolis-based animator Julia Iverson for Motionpoems — their latest episode, in partnership with Cave Canem. I love the poem by Kyle Dargan, from his 2015 collection Honest Engine.

Like Breath, Like Air by Mari Pack

From Quail Bell Magazine, here’s a video by Christine Stoddard and David Fuchs featuring a poem by poet, essayist, copywriter, and radio producer Mari Pack. According to a piece in the Huffington Post back in January,

The day after the women’s marches in Washington, D.C., New York, and other cities around the world, Brooklyn-based artist Christine Stoddard photographed feminist poet Mari Pack. She wanted to capture a strong woman caught in a vulnerable time. After Stoddard produced a set of photo collages from the shoot, Pack paired one of the collages with one of her poems. The rest of the photo collages will appear in a poetry film written and narrated by Pack and edited by David Fuchs.

This I presume is that film. Incidentally, in addition to their in-house productions, Quail Bell Magazine does appear to consider others’ multimedia productions as well — see their guidelines for submission. I rather like their mission statement.

1700% Project: Mistaken for Muslim by Anida Yoeu Ali

Made seven years ago, this collaboration between Cambodian-American performance artist and poet Anida Yoeu Ali and Japanese-American filmmaker Masahiro Sugano is, sadly, more relevant than ever, with hate crimes against Muslims (and those erroneously assumed to be Muslim) escalating in the U.S. under an administration that has embraced a white Christian supremacist ideology. This was the Film of the Month for January at Poetryfilmkanal. See the 1700% Project website for much more information about the film, including bios of the collaborators and the text of the poem, a cento based on hate crimes committed shortly after 9/11. The video description reads:

In this video, narratives collide with music, poetry and politics to create a complex and layered experience. A poet, dancer, angel, prisoner converge with members of the Muslim community to speak, deflect, and intervene against racial profiling and hate crimes. This convergence exemplifies a spirit of defiance and resistance from communities of people who refuse to end in violence.

This spoken word video is a collaboration between artist Anida Yoeu Ali and filmmaker Masahiro Sugano with over 50 diverse volunteers, participants and community members in the Chicagoland area. It is part of an ongoing project that engages art as a form of intervention against the racial profiling of Muslims in a post 9/11 era. The larger project titled “The 1700% Project” uses a multi-faceted artistic approach to educate the wider public about the diversity within the Muslim community. The number 1700% refers to the exponential percentage increase of hate crimes against Arabs, Muslims and those perceived to be Arab or Muslim since the events of September 11, 2001.

As the article in Poetryfilmkanal notes, the lack of didacticism makes this film more powerful and provocative than most political poetry. Ali says in her artist’s statement:

The project acknowledges that politically driven works are complex and layered thus often requiring a multitude of ways for expression and encounter. … My work continues to investigate the residual stain of performance and how the live body completes the experience for both audience and performer. Performing narratives is an act of social storytelling that contributes to collective healing. For me, performance and storytelling become ways of bridging the interior and exterior space of self as well as initiate critical dialogues between communities and institutions.

Offering by Paul Perry

This new videopoem by Marc Neys A.K.A. Swoon with a text and reading by Irish poet Paul Perry appears in the inaugural issue of Poetry Film Live, whose editors note:

Marc is a composer/video artist from Belgium and is one of the leading and most prolific figures in modern videopoetry. That makes it a particular privilege that Offering was made for the launch of this site.

Click through for the text of the poem. This is the second third Swoon film based on a Paul Perry poem, following Drift (2012) and River of Light (2103).

Clouds by Lucy English

This recent addition to the Book of Hours project is

A poetryfilm by Jutta Pryor (Aust) with the words of Lucy English (UK) and soundscape created for ‘CLOUDS’ by

Bruno Gussoni: Flute, Alto Flute, Tibetan Bells (Italy)
Claudio Ferrari: Electronics (Italy)
Iao Aea: Fretless Electric Bass (Italy)

Click through for the text for the poem.

Quadrant by Matt Dennison

A 2015 video by Marie Craven, remixing old footage from the Prelinger Archives with a poem and voiceover by Matt Dennison and music by Dementio13.

Night on Klamath River by Patricia Killelea

A videopoem by poet, teacher and musician Patricia Killelea using a text from her collection Counterglow. In an interview with Passages North, where she’s now the poetry editor, Killelea talked about the impetus behind her poetry videos:

I carry a video camera with me wherever I go—I think of it as my visual notebook. For a long time I theorized my poetry mostly in terms of sound and silence, but the more I started thinking about the relationship between my body and language, the more I wanted to create a multi-sensorial experience. We don’t experience language merely through sound or even visually on the page, but everywhere we go. I walk through the woods and I’m reminded of a story told to me by Oneida beadwork artist Karen Ann Hoffman, or I’m watching my bandmate Aubrey Hess cradle a jug of wine and it reminds me of thirst and insatiable longing. I think in terms of interwoven networks between words and images, sounds and movement and so my video poems are an attempt-in-progress to capture both my associative writing process as well as to situate my poetry in the actual, physical world of things.

The Art of Poetry Film with Cheryl Gross: “Streamschool (Patakiskola)”

Streamschool (Patakiskola)
poem: Zsolt Miklya
director: Péter Vácz
background: Kati Egely
narration: Piroska Molnár
music: Yvein Monq
English translation: Joseph Wallace
2012

The Vimeo description reads: “A little girl has an adventure with water as she travels from a small brook to the sea. A tale of growing up based on a Hungarian poem.” And Péter Vácz adds that “The film was made in (MOME) Moholy- Nagy University of Arts and Design in 2012 as my BA graduation in Animation.”

One thing I can say about my own animation students: they are dedicated and make great illustrators. That’s because they are pushed into honing their craft. Some of the best work I’ve seen comes out of film schools. It’s fresh, interesting, and ambitious. It’s always good to see a young artist present their thesis. In my opinion it usually turns out to be among their best work. Such is the case with Péter Vácz.

Streamschool (Patakiskola) is a beautifully rendered work of art. The combination of tactile materials such as plastic and cloth adds to the sweetness of the piece and depicts childhood as an exquisite journey. The music-box effect flows stunningly as well as the gravelly voice of the narrator, which reminds me of a loving grandparent. His use of stop motion (Dragon Stop Motion software) reminds me of the claymation that was very popular during my childhood, and continues to be so. Also, I like the fact that Péter posts the process of his work. Not every artist is this generous.

All in all, Péter Vácz is a serious technician and an amazing craftsperson. It’s good to see that one does not out-weigh the other. I checked out his other films, which are just as charming and a lot of fun. As a bonus, here is the making of Streamschool.

Granite As Heirloom: A Portrait by Caleb Femi

https://vimeo.com/205223348

Caleb Femi, the Young People’s Laureate for London, is a poet-filmmaker whose latest film is

a deconstruction of the white gaze in the portraiture of the black British working-class face; it makes a play on the response to particular black facial features as something sinister, a Hollywoodised alien threat, a dread, out of place, an omen of destruction etc.
The marriage between the poem and the film work as a self-proclamation of the beauty in the black British face and a release from perceived validation of the external gaze.

Although the marginalisation of ‘black’ features in modern aesthetics is a global conversation, this project centres around the aesthetics in the British working-class experience as it is one whose nuances are very much understood by me.

Watch all of his films on Vimeo.

Woke Up Asleep by Meghan McDonald

A new videopoem from Meghan McDonald, a New York-based “Sound experimenter, visual poet, micro filmmaker and absurdist,” not to mention master of the succinct Twitter bio. Here’s the YouTube description:

“Woke Up Asleep” is a poetry video about awakening from the daily routines that seem to put us all in a fear-stricken daze. “The gutless” go on silently in order, but those who choose to step out of line are seen as mad.

Talk About the Apocalypse by Brendan Bonsack

This new videopoem from Melbourne-based poet and songwriter Brendan Bonsack deploys an expert remix of footage from the Prelinger Archive, with a surprising ending that makes one want to watch it all over again.

El fin de la existencia de las cosas / The end of the existence of things by Dalia Huerta Cano

A 2013 filmpoem written, directed and edited by Dalia Huerta Cano. The voiceover is by Patrick Danse, and Luciano Rodríguez Arredondo composed the original score. See the webpage for full credits and the list of festival screenings, as well as this description:

The point of view of a boy who has a big love loss and how he faces it. A voyage that goes through his mind and his sadness, that will take him through memories and the things that are left of that intense relationship, towards a liberating destination.