A film by Minneapolis-based animator Julia Iverson for Motionpoems — their latest episode, in partnership with Cave Canem. I love the poem by Kyle Dargan, from his 2015 collection Honest Engine.
From Quail Bell Magazine, here’s a video by Christine Stoddard and David Fuchs featuring a poem by poet, essayist, copywriter, and radio producer Mari Pack. According to a piece in the Huffington Post back in January,
The day after the women’s marches in Washington, D.C., New York, and other cities around the world, Brooklyn-based artist Christine Stoddard photographed feminist poet Mari Pack. She wanted to capture a strong woman caught in a vulnerable time. After Stoddard produced a set of photo collages from the shoot, Pack paired one of the collages with one of her poems. The rest of the photo collages will appear in a poetry film written and narrated by Pack and edited by David Fuchs.
This I presume is that film. Incidentally, in addition to their in-house productions, Quail Bell Magazine does appear to consider others’ multimedia productions as well — see their guidelines for submission. I rather like their mission statement.
This new videopoem by Marc Neys A.K.A. Swoon with a text and reading by Irish poet Paul Perry appears in the inaugural issue of Poetry Film Live, whose editors note:
Marc is a composer/video artist from Belgium and is one of the leading and most prolific figures in modern videopoetry. That makes it a particular privilege that Offering was made for the launch of this site.
Click through for the text of the poem. This is the second third Swoon film based on a Paul Perry poem, following Drift (2012) and River of Light (2103).
This recent addition to the Book of Hours project is
A poetryfilm by Jutta Pryor (Aust) with the words of Lucy English (UK) and soundscape created for ‘CLOUDS’ by
Bruno Gussoni: Flute, Alto Flute, Tibetan Bells (Italy)
Claudio Ferrari: Electronics (Italy)
Iao Aea: Fretless Electric Bass (Italy)
Click through for the text for the poem.
A 2015 video by Marie Craven, remixing old footage from the Prelinger Archives with a poem and voiceover by Matt Dennison and music by Dementio13.
Streamschool (Patakiskola)
poem: Zsolt Miklya
director: Péter Vácz
background: Kati Egely
narration: Piroska Molnár
music: Yvein Monq
English translation: Joseph Wallace
2012
The Vimeo description reads: “A little girl has an adventure with water as she travels from a small brook to the sea. A tale of growing up based on a Hungarian poem.” And Péter Vácz adds that “The film was made in (MOME) Moholy- Nagy University of Arts and Design in 2012 as my BA graduation in Animation.”
One thing I can say about my own animation students: they are dedicated and make great illustrators. That’s because they are pushed into honing their craft. Some of the best work I’ve seen comes out of film schools. It’s fresh, interesting, and ambitious. It’s always good to see a young artist present their thesis. In my opinion it usually turns out to be among their best work. Such is the case with Péter Vácz.
Streamschool (Patakiskola) is a beautifully rendered work of art. The combination of tactile materials such as plastic and cloth adds to the sweetness of the piece and depicts childhood as an exquisite journey. The music-box effect flows stunningly as well as the gravelly voice of the narrator, which reminds me of a loving grandparent. His use of stop motion (Dragon Stop Motion software) reminds me of the claymation that was very popular during my childhood, and continues to be so. Also, I like the fact that Péter posts the process of his work. Not every artist is this generous.
All in all, Péter Vácz is a serious technician and an amazing craftsperson. It’s good to see that one does not out-weigh the other. I checked out his other films, which are just as charming and a lot of fun. As a bonus, here is the making of Streamschool.