Diana Palijchuk is the animator, and Arthur Punte did the montage. I found a Facebook page for the author, and he is indeed Latvian — the first to be included on Moving Poems — though, I presume, an ethnic Russian (his poems are in Russian).
Couldn’t agree more! Animation by Matthew Rogers. Hat-tip: Open Culture.
Another MotionPoems production, designed and animated by Angella Kassube with a reading by the poet.
I don’t entirely understand Josephine Gustavsson’s explanation for the method here, but it sounds highly imaginative:
Every day, trains scrape off iron filings from the rails of the tube network. These filings are regularly removed by staff, since they can otherwise interfere with the signaling system. The procedure is carried out using a machine that contains a magnetic force.
The visualisation of the poem ‘Window Interplay’ is made for the moving image screens of the London Underground, to inspire Monday morning commuters. It is made through a series of explorations, making use of iron powder and magnetic fields.
Francisco José Blanco is a Venezuelan artist resident in Sweden.
This is poem XIV from Veinte Poemas de Amor y Una Canción Desesperada (1924), envideoed by Will Jardine.
http://www.vimeo.com/15575046
Alexander Pulido calls this film American Disillusion:
The now-famous (thank you Levi’s) wax cylinder recording of Walt Whitman reading the first verse of his famous poem ‘America’, juxtaposed against imagery of America in reality.
Philip Binder is credited with the cinematography. (For the Levi’s ad using the same wax recording, see here.)
“A blend of rotoscope animation, stop-motion animation, and live action video … Directed and animated by Tom McPhee. Written and spoken by Francesca Eva Ashcroft.” This was the first-place winner of the 2010 Poetry in Film competition.