It’s been too long since I last featured one of Kathy McTavish‘s lovely pieces of cello-accompanied video art for a poem by her regular collaborator, poet Sheila Packa. This is a piece from Packa’s new collection, Cloud Birds.
Most of the time, videos that consist only of still images don’t seem like a good fit for a site called Moving Poems, but McTavish’s videos are too full of life and movement to exclude.
http://www.youtube.com/watch?v=pAiik7SKXX8
Another videopoem from John Scott‘s projected feature-length documentary, Elizabeth Bishop and the Art of Losing. See “Sandpiper” for more information and links. Jason Harrington supplied the animation here.
It would be hard to top last year’s animation of “Nicholas Was…” by Beijing motion graphics studio 39 Degrees North, but Trine Malde and narrator Aaron Kay took this in a completely different direction with “a mixture of rotoscoped animation, live action and found footage to comment on the stress and evil of christmas consumerism.”
The latest filmpoem from Alastair Cook, who describes it on Vimeo as follows:
Slow Wave Through The City is a poem by Jacq Kelly, published by Colin Herd this year. It crossed my path digitally and I watched the film in my head as I read, my adopted city of Edinburgh speeding by.
Jacq lives in Edinburgh but dreams of moving to Sweden and becoming a viking. Until this happens, she spends her time writing poetry, fiction and trying to make a difference in politics as a campaigner.
Slow Wave Through the City was filmed in Edinburgh on 8mm film in Summer 2011 on a long walk with the poet; it was shot using Ektachrome Super8, processed in Kansas by Dwaynes.
By way of a coda, this is a first, a Scottish Filmpoem. Looking through all 15 films, this is the only one which has only Scots contributors for the film, narrative and music. This was not deliberate, but is fitting, since it’s devoted to Edinburgh.
Another of Kristian Pedersen’s excellent animations for Gasspedal Animert. The sound effects are nearly are crucial as the images here. In some ways this is closer to a concrete poetry experiment than a kinetic type film.
Joseph Harker‘s poem appeared in qarrtsiluni back in October (whence the recording of his reading). Swoon blogged (in Dutch) about the making of the video here.
For a long time, I’ve wanted to make a film for my father, who died last year. Plenty of ideas. Especially ideas about how things are definitely not allowed to look. Or sound. The epitaph could not be more than a tribute to his own simplicity.
In the poem “Odds and Ends” (Qarrtsiluni Podcast 28.10.2011) by Joseph Harker, I found the words summoned up the right atmosphere for me. I was even more excited when Joseph gave permission to use his poem.
[…]
For the images I wanted a split. 2 tracks of images. Two streams of thought.
I used footage from “And So They Live,” a documentary from 1940 by John Ferno and Julian Roffman. Simplicity and warmth were the central concepts that I was looking at in these images. I also used (self-filmed) images from the train to my hometown. The contrast of the warmth and tranquility in the nostalgic images with the blurred images of the train rushing forward to my roots is, for me, successful evocation.
(Translation by Google and guesswork)
http://vimeo.com/26261699
This is “Holly Moon” from John Siddique‘s Thirteen Moons series. The paintings are by Dania Strong, Clarpupia Hernandez did the animation, and credit for direction and supervision is given to Walter Santucci. As with the others in the series, the original music was composed by Katie Chatburn in response to the video.
A collaboration between filmmaker Glenn-emlyn Richards and Manchester-based poet Michelle Green for Comma Film. For more on Green, see her section on Poetry International Web (which includes the text of this poem).
http://vimeo.com/33484094
A recent video by Nic S. for a poem included in her online audio collection Pizzicati of Hosanna.
http://www.youtube.com/watch?v=fZyj3gXEUis
Filmmaker and television producer John Scott is working on a feature-length documentary called Elizabeth Bishop and the Art of Losing, which will include a number of videos like this one illustrating her poems. He wrote about the project at length for the Elizabeth Bishop Centenary blog.
Each scene will end on a poem whose inspiration comes from the tensions of the time period being described. And thus the poetry will not only be an aesthetically pleasing and rewarding study of genius, it will deepen the emotional content of her life-story.
I learned about the project from a feature at VidPoFilm back on Nov. 18. Brenda Clews sent Scott a couple questions via email. Quoting from his answers:
I am not interested solely in being illustrative — I am interested in at times being playful with the way the visuals/sounds and the words come together in an effort to use the expressive powers of visuals and sounds. There’s lots of potential in the medium itself that I think might otherwise be lost if it is simply slaved word for word to the text. […]
I believe the beauty of Bishop’s poetry is that it is so loaded with the spirit of the moment, in the fragmentary, in the lush, in the juxtaposition of contrasting images and in the point of view of its subjects.
Do read the rest. About this videopoem in particular, Scott noted on YouTube:
“Sandpiper” is a poem that was written by Elizabeth Bishop in 1965 and it is believed that it was based on observations she made on a trip she made as an adult back to Nova Scotia. Bishop’s adult life took her in many directions and places, and she has explicitly compared herself to the sandpiper and (presumably) both of their quests to endlessly seek (enlightenment?) through careful observation.