A new film by Swoon, who blogged some process notes. Here’s a snippet:
Reading this poem I immediately knew (felt) what I wanted for this video.
I had images made last year (visiting old boats with Alastair Cook) in Antwerp (left screen) and earlier this year on St. Andrew’s beach (right screen)
The images were ‘tested’ on several tracks.
‘Maximum Suspicion‘ worked the best with the images, but I still needed a voice.Nic S. (still the most spot-on reader I know) was willing to participate and she provided me with a great recording almost the same day.
This is Swoon’s entry in the Liberated Words Poetry Film Festival Competition‘s “Four by Four” contest, in which filmmakers are invited to make a video of three minutes or less in response to one of four poems, “The Shipwright’s Love Song” among them. Jo Bell is — I love this — “the UK’s Canal Laureate, appointed by the Poetry Society and the Canal and River Trust.”
Bob Moyler directs.
100% recycled cardboard sewn together. Monster is a short film commissioned by Comma Film as part of the Version Film Festival 2009. Based on a poem by Chris Woods.
Woods is the author of the Comma Press collection Dangerous Driving.
A poetry film by Dan Albright and Jordan Meltzer, with an original score by Meltzer. The Tony Hoagland poem originally appeared in Poetry magazine, and this video was featured recently at The Fluid Raven.
THERE IS NO WORD is the official film adaptation of Tony Hoagland’s poem of the same name that explores the subtle, impossible-to-describe experience of a good friendship changing to a mere acquaintanceship.
Here’s what Tony Hoagland has to say about the film:
“your sense of image is beautiful and intuitive, and there’s a sweet rawness to the story telling which seems brave to me; especially when talking about male friendship-so, good for you and thanks for the honor.”[…]
Made for the 2013 Evelyn Horowitz Video Poetry Competition at Emerson College, Boston, MA.
This is Little Poppies, a student work by Libby Parfitt and Paris Daley, “based on the naturalistic sculpture and black and white photography of Richard Long.”
Meg Tuite reads her poem in this collaboration with Swoon (Marc Neys) for the inaugural issue of Awkword Paper Cut [auto-playing audio alert]. Marc blogged about the making of the film. A snippet:
Something in the combination of her words/voice and these sounds led me back to a movie I used in another video, FF Coppola’s ‘Dementia 13’
I picked out a few scenes and faces and started editing. Looked for the right movements that I could feature as some kind of recurring visual chorus.
In the end I added a layer of lights and colours.
Words are a fugitive, ghostly presence in this film by Kathy McTavish. For more poems by Julia Gard, see her website.
http://vimeo.com/65694129
Directed by Nick Ramey and Lauren Armantrout, who note in the Vimeo description:
In Victor Hugo’s famous poem, demain des l’aube, many have formulated their own adaptation of the plot. Subtitled in English, while the poem is read in French, this story involves the consequences of commitment in a relationship. The notion that love lasts forever couldn’t be further from the truth in this heartbreaking short.
Hugo’s poem has its own page on the French Wikipedia.
http://vimeo.com/64731664
A very short filmpoem about exile and belonging by Laura Wu.
A poetry book trailer that appears to give a pretty good indication of the tone and flavor of the book. (I say that having read a number of Howie Good‘s books and chapbooks, though not this particular one yet.) Sizable chunks of text alternate with underwater footage of swimming penguins, apparently shot on a mobile phone at an aquarium. Unlike so many trailers for poetry books from micropresses, where the initiative to make a video originates with the author, this was made by the publishers themselves.
This is a video promoting the launch of Howie Good’s limited edition poetry collection ‘The Death of Me’ through Pig Ear Press. The text is from Howie’s book, the video was shot in Basel Zoo and the soundtrack was created on a ukulele. The video and audio were created by Mr [Pete] Lally.
Pig Ear Press are a (very) small press using letterpress printing and handbinding to create limited run books of quality. You can purchase Howie’s book and see information about previous publications by visiting pigearpress.co.uk.
I’m a little late in sharing this, but the press run doesn’t seem to be sold out quite yet.