News about any and all events in which poetry films/videos are prominently featured, whether or not they include an open competition. Please let us know about any we might miss. And don’t forget to check out our page of links to poetry film festivals. All festivals, events and calls for work are mentioned by MovingPoems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.
Duluth, Minnesota’s Prøve Collective (which counts among its members the cellist/composer and videopoem maker Kathy McTavish, whose work I’ve featured on Moving Poems) recently issued a rather unique call for artists to collaborate on multimedia projects with poet Kathleen Roberts, culminating in a two-week exhibition in August. Here’s the call as it appears on mnartists.org:
Accepting submissions of visual, film, and sound art for With Sirens Blaring. Deadline: July 1
Duluth’s Prøve Collective announces an open call to filmmakers and artists for its upcoming show, “With Sirens Blaring”.
Deadline: 1 July, 2014.
Prøve Gallery, Duluth, Minnesota’s independent and artist run contemporary gallery, is proud to announce “With Sirens Blaring”, opening 8 August, 2014.
Show Description: Poetry is, above all things, an attempt to view the world through language. This summer, Prøve Collective will display a body of work linking poetry to visual, film, and sound art. Pursuant to a grant from the McKnight Foundation, award-winning Duluth poet Kathleen Roberts is creating an assembly of films and artwork by local and regional artists based on her words. These works will be displayed permanently on her website and in Prøve’s August exhibition, “With Sirens Blaring”. Artists in all disciplines are encouraged to inquire.
Mission Statement: Prøve Collective is a cultural organization dedicated to the role of art exhibition as a conduit of powerful ideas and diverse viewpoints. Our mission is to foster a greater appreciation of the contemporary arts, to bridge cultures, to create and expand community, and to provide cultural exchange, networking opportunities, and educational outreach through regular interaction with the contemporary arts. It is the goal of Prøve Collective to present monthly gallery shows, collaborate with like- minded arts organizations, and provide an arts retail environment.
Submission guidelines:
Interested parties may contact Kathleen via e-mail at kathleen@provegallery.com. Please include a brief statement of purpose and Curriculum Vitae. These will be works of collaboration, and we are interested in sharing in your ideas about poetry and its intersection with other art forms.All submission materials must be written in English. Prøve Collective will provide publicity, exhibition invitations, mailings, and an opening reception. All work resulting from this project will be under Creative Commons Attribution (CC-BY), which requires that anyone distributing this work or making derivative work must give attribution to the original artists.
Submission does not guarantee that your work will be displayed.
Please e-mail kathleen@provegallery.com if you are interested in participating in this moving poetry project.
Deadlines:
• Submissions are due by 1 July. As this collaboration will take time and communication, it will be necessary for artists to initiate contact well in advance of the deadline for submission.
• The opening reception for “With Sirens Blaring” will be 8 August from 7-11pm.
• The show will run for two weeks and conclude on 23 August.
• Pick up will be August 28-30 from 3-7pm.Please direct any questions to Kathleen Roberts, kathleen@provegallery.com.
PRØVE Gallery 21 North Lake Avenue Duluth, MN 55802 info@provegallery.com www.facebook.com/provecollective www.provegallery.com
Working at break-neck speed, the organizers of the brand-new ReVersed Poetry Film Festival slated for April 4-6 in Amsterdam have scheduled a full program of screenings and events — it looks great. They even found time to make the above trailer. Timo Geschwill is the filmmaker, with text and voiceover by Daniel Vorthuys and sound design by Sinan Guven.
In other poetry festival-related news, Filmpoem has a slick new website — check it out.
Hidden Door is a nine-day festival of art, music and poetry beginning on March 28 at Market Street Vaults, Edinburgh. It offers “FREE ENTRY to Exhibition Spaces, Project Space, Bars, Cinema” every day from noon to 6:00 PM, and this includes three, 40-minute screenings of filmpoems on the last day of the festival, April 5. Here are the details, according to the event listing on Facebook:
3pm -6pm: Alastair Cook and Luca Nasciuti are introducing, performing and talking about Filmpoem in the afternoon from 3pm – come and see previews of this year’s festivals, watch some beautiful films and enjoy the rest of the Hidden Door experience at a leisurely Saturday afternoon pace.
Filmpoem is dedicated to the filming of words and is a collaborative venture committed to attracting new audiences to new writing. Filmpoem at Hidden Door is a match made in filmic festival heaven – on Saturday April 5th, we will be bringing poets, films and performance to these great Edinburgh arches, running three forty-minute screenings:
3pm: Filmpoem Felix Screening – Curation from our archive mixed with sneak peaks at some of the work for Filmpoem in Antwerp on June 14th this year, in partnership with Felix Poetry Festival.
4pm: Filmpoem Live with Luca Nasciuti. Luca explores and performs filmic soundscapes with poetry film, with live readings.
5pm: Filmpoem Poetry Society, an exclusive curation in partnership with The Poetry Society
It’s part of a larger programme of films at the festival called Hidden Cinema — an enticing mix of animation, shorts and experimental film.
A new poetry film festival is slated for Worcester, Massachusetts, USA: the Rabbit Heart Poetry Film Festival, sponsored by Doublebunny Press. The screening is in September, submissions are open until June 1, and — unusually for a poetry film festival — there’s a $25 submissions fee, and six winners will get cash prizes: “Best Overall Picture will win $200, and there will be $100 prizes in categories for Best Animation, Best Music in a Video, Phone Shot, Under 1 Minute, and Valentine.”
Two other unique features of this contest and festival: they want only what I would call videopoetry or filmpoetry — no footage of the poet herself reading her work, and they’re looking for author-made films, requiring the poet to be “directly involved in the process of making the video.” Also, judging is blind, so the film can’t contain any credits. All in all, this is definitely one of the most unique poetry film festival call-outs I’ve seen. Check it out.
Another poetry film festival is scheduled for November in Vienna, Austria. The Art Visuals & Poetry Festival has been going on for several years now, and its website is a good source for information on various film festivals and poetry film-related activities, especially for those who read German. The 2014 festival includes an international competition using a recording of a poem by Georg Trakl as well as a competition for Austrian filmmakers. The deadline is September 30.
The Austria-specific contest is for what they call a textfilm. In contrast to the Rabbit Heart folks, they cast a pretty wide net:
Whether abstract, classic, animation, narrative or cinematographic : the genre of poetry film is colorful and varied. There are also many definitions. The Scottish photographer and filmmaker Alistair Cook defined the poetry film recently with the following words: “A poetry film is… a single entwined entity, a melting, a cleaving together of words, sound and vision. It is an attempt to take a poem and present it through a medium that will create a new artwork, separate from the original poem.” In contrast to the Anglo-American world, we accept all kinds of literary art works, that meet the predicate literary. It can be abstract sound poem or poetic prose or naughty poetry slam. Therefore we sometimes use the word “textfilm” as a synonym for the word “poetry film”.
Anyway, do read their call for entries.
Don’t forget that the main Moving Poems links page includes, as its last category, a nearly complete list of international poetry film festivals. For recent festival news and call-outs, browse the “festivals and other screening events” topic here at the forum.
In her “Third Form” column in Connotation Press this month, Erica Goss reports on her experience introducing an audience of book-lovers to videopoetry. A number of towns and cities around the United States now have community book clubs. Silicon Valley Reads is one such program, and their theme for 2014 is “Books & Technology: Friends or Foes?” So Goss, as Poet Laureate of Los Gatos as well as videopoetry critic and connoisseur, gave a presentation one evening last month called “Off the Page.”
I selected nine video poems that I felt represented the art form well, but kept in mind the fact that most, if not all of the audience had never seen anything like this before. I wanted videos that were accessible, not too challenging, visually stunning, and that showed a variety of approaches: animation, archival film, and documentary-style, to name a few.
Goss also created a kinestatic video using a crowd-sourced collage poem with 100 lines contributed by local residents describing the changes in the Santa Clara Valley/Silicon Valley landscape. She showed that first, followed by the nine videos:
Some were newer and some were old favorites. The album is on Vimeo. In selecting these videos, I wanted them to flow from familiar film style (The Barking Horse) through archival film (Need) to animation (The Trees) and end on a high note (Danatum Passu). I added brief commentary to each video.
Many of the audience members wanted more information about making their own video poems, and wondered if there was a class they could take. This made me think that there might be a need for instruction outside of video poetry festivals. (Anyone want to help me design a video poetry course?)
It was gratifying to hear how well this program was received. There is of course no such thing as a typical audience, and residents of Silicon Valley might be especially atypical in some respects, but I think one of the great promises of videopoetry and animated poetry has always been this perceived potential to reach literate audiences who are not necessarily hardcore fans of contemporary poetry. That seems to have have happened in at least one American community last month. Check it out.
London’s Southbank Centre is holding a love-themed poetry film competition with Alastair Cook, Thomas Zandegiacomo Del Bel and Malgorzata Kitowski as judges.
Shot Through the Heart – Southbank Centre Poetry Film Competition
Friday 14 February – Friday 30 May
Calling all poets and filmmakers! Love is in the air at Southbank Centre and we want you to create poetry films that explore the joy of first love, the pain of lost love, the confusion of displaced love, the purity of platonic love, or any other kind of love.
There are two categories to enter:
Poetry films on the theme of love made for adults
Poetry films on the theme of love made for children (under 12)
Throughout the summer, Southbank Centre’s celebrates the Festival of Love. Our biennial Poetry International festival (17 – 24 July 2014) explores many different themes including the various ways in which love can impact on writers’ lives. Poetry film will be a major part of this year’s Poetry International.
A poetry film can be many different things, as Alastair Cook, Filmmaker and Director of Filmpoem Festival in Dunbar, explains –
‘A poetry film is… a single entwined entity, a melting, a cleaving together of words, sound and vision. It is an attempt to take a poem and present it through a medium that will create a new artwork, separate from the original poem.’
Dates:
Shot Through the Heart Competition opens: Friday 14 February 2014 at 12noon
Shot Through the Heart Competition closes: Friday 30 May 2014 at 6pm
Prizes:
Southbank Centre is very keen that each submission is seen as a collaborative artwork between poet and filmmaker, so this prize is awarded jointly to the winning poet and filmmaker in each category. Poems must be by living poets and follow the copyright guidance and rules here.
Poetry films made for adults:
• Shortlisted films will be shown in Purcell Room at Queen Elizabeth Hall, Southbank Centre, on Friday 18 July 2014 and all shortlisted filmmakers will be invited to the screening. The winner and a runner-up will be announced on the night.
• The winning film will receive £500 to be shared between poet and filmmaker as well as a pair of tickets each to Poetry International’s Gala Reading.
• The runner-up poet and filmmaker will receive a pair of tickets each to Poetry International’s Gala Reading.
Poetry films made for children:
• Shortlisted films will be shown in The Clore Ballroom at Royal Festival Hall, Southbank Centre on Saturday 19 July 2014. The winner and runner-up will be announced on the night.
• The winning children’s film will receive £500 to be shared between poet and filmmaker as well as a pair of tickets each to Poetry International’s Gala Reading.
• The winning film will also be shown in Imagine Children’s Festival 2015 headlining a children’s poetry film event – this is one of our busiest festivals, attracting thousands of audience members every year.
• Both winning films will be shown at 2014’s ZEBRA Poetry Film Festival in Berlin.
The Filmpoem Festival, which debuted last August in Dunbar, Scotland, will be moving to Antwerp this year in partnership with the Felix Poetry Festival. The organizer, filmmaker and artist Alastair Cook, has just posted a call for submissions [PDF]. The deadline is May 1st, and the festival will be held on Saturday, June 14th in the FelixPakhuis in Antwerp.
In other Filmpoem-related news, Erica Goss’ “Third Form” column on videopoetry this month takes an in-depth look at Alastair’s work, including some of his best films and quotes from a telephone interview. Check it out.
And finally, as it says on the Filmpoem website, “Filmpoem has been invited to close the upcoming Hidden Door festival on 5th April 2014″ in Edinburgh. Alastair made the following show reel for the event, using a text from the Scottish poet Morgan Downie:
http://vimeo.com/84677290
Do join the Filmpoem group if you’re on Facebook.
The leading videopoetry festival in North America, Visible Verse, takes place in Vancouver every fall. Heather Haley, the organizer, messaged me on Facebook to let me know that they are already open for submissions again. Here’s the call from their new website:
Call for Entries and Official Guidelines:
- VVF seeks videopoems and poetry films with a 12 minute maximum duration.
- Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
- Please do not send documentaries as they are outside the featured genre.
- Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required. Videopoems may originate in any part of the world.
- Please submit by sending the url/link to your videopoem for previewing to VVF Artistic Director Heather Haley at: hshaley@ emspace.com along with a brief bio and contact information. If selected, you will receive notification and further instructions.
- There is no official application form nor entry fee.
2014 Visible Verse Festival will take place in October
Submission deadline: July 1, 2014
Two other international poetry film festivals are also currently open for submissions: the ZEBRA Poetry Film Festival in Berlin (deadline: 25 April) and The Body Electric Poetry Film Festival in Fort Collins, Colorado (deadline: 16 February).
If you organize, or simply know about, other poetry film festivals and contests, please contact me when they open for submissions so I can help spread the word.
Erica Goss‘ monthly column on videopoetry at Connotation Press, The Third Form, focuses this month on “three video poetry projects … that demonstrate how talent, collaboration and the DIY spirit continue to expand this art form.”
Viewers will see poetry films projected on the gigantic backdrop of St. Paul’s Union Depot train station. Todd Boss, poet, co-founder of Motionpoems and public artist, has embarked on an ambitious project called Arrivals and Departures. The historic Union Depot, saved from demolition and now the focus of a $243 million project, will get the video poetry treatment from Todd and his crew beginning in early October.
[…]
The Poetry Storehouse is Nic S.’s latest venture. Well-known for her vocal interpretations of poetry and for her innovations in the world of video poetry and poetry publishing via the nanopress, Nic said that “the idea came about through a couple of conversations I had about poetry, collaboration and influences.” One of those conversations, with poet and rabbi Rachel Barenblat, got Nic thinking about a place where people could contribute their poetry with the specific agreement that it be used in another artwork. The result was The Poetry Storehouse. Launched in October 2013, it’s already well-stocked and ready for remixing possibilities.
[…]
Finally, I have had the honor to be part of a team that includes Kathy McTavish, Nic S., and Swoon (Marc Neys). 12 Moons is based on twelve poems I wrote, one for every month of the year, with vocals from Nic, music from Kathy, and video plus concept and editing from Swoon. One by one, the team members added their parts: Nic made haunting, poignant recordings of each poem, to which Kathy added the soul-stirring music of her cello. Marc took those building blocks and added his special magic: combing through the archives of public access, vintage film to choose just the right scenes, plus adding his own film, he created twelve videos that explore one person’s life, month-by-month. I blogged about this in several posts at Savvy Verse and Wit.
Asia’s premiere poetry film festival is set for next Wednesday and Thursday, running from 6:30-8:30 each evening.
We showcase films, that broadly fall into following categories:
- Poetry films – based on or inspired by a poem. Most of the films in the festival are of this genre
- Poetic films – films that are highly poetic in their cinematic construction. We include some of the finest of this vast and varied genre in our festival.
- Poetry Discourse – films that engage in a debate about the image, the word and life.
- Film on poets
I was interested to learn that the name Sadho is derived from the poetry of Kabir:
Sadho is a voluntary organization that aims at taking great ‘poetry to people’ from all walks of life, through the innovative use of arts, media and social action.
Sadho is based on the conviction that poetry should not remain confined to books and literary circles. It should reach out to all sensitive people who have an interest in other arts and issues. Towards this end, Sadho tries to create new ways of sharing, promoting and enjoying poetry.
Initiated in 2007, Sadho has set-up Asia’s first poetry films festival, has introduced sign-language poetry films to India, organised workshops on poetry, painting and cinema and created art based on poetry, including poetry souvenirs and wallpapers. IT also tries to encourage poetry among children by publishing their poems on the website and offers special screenings of poetry-films for children.
Sadho soon plans adding a new vertical to its activities – poetry albums. These would include recordings featuring some of the prominent poets from various languages.
Sadho functions as a not-for profit charitable trust supported mostly by the donations of volunteers and well-wishers. Its trustees and core team members are unpaid volunteers, and include people from various fields like literature, cinema, music, art, media and education.
Sadho, which literally means ‘O sage’, is the familiar addressee in the poetry of the great Indian saint poet Kabir. For us ‘Sadho’ is a call to all those with poetic hearts!
(Hat-tip: @ZebraFestival on Twitter)
I’m a little late in sharing this announcement, but the 2014 ZEBRA Poetry Film Festival is open for submissions:
For the seventh time, the ZEBRA Poetry Film Festival is calling for entries to find the best poetry film. Entries may be short films made on the basis of poems. The total value of the prizes in the competition is € 13,000. From among the films submitted, a Programme Committee will nominate the films to be entered for the Competition and select the films for the various sections of the festival programme. The winners will be chose by an international jury.
The Festival is also inviting entries of films based on this year’s »Festival poem«, Love in the Age of the EU by Björn Kuhligk. The directors of the three best films will be invited to Berlin to meet the poet and have the opportunity to present and discuss their films. You can find the poem with a sound recording and various translations here.
Closing date for entries for all the competitions is 25 April 2014
See the complete call for entries [PDF].