News about any and all events in which poetry films/videos are prominently featured, whether or not they include an open competition. Please let us know about any we might miss. And don’t forget to check out our page of links to poetry film festivals. All festivals, events and calls for work are mentioned by MovingPoems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.
I’ll illustrate this round-up with a trailer excerpt from a personal favourite that I saw this week from the online Juried Selections at REELPoetry Festival in Houston. I Dream my Dream by Monique van Kerkhof and Bo Oudendijk.
Dreaming about showing your work? From Australia to Mexico and other points in between, there are film festivals that are awaiting poetry films. Recent posts here on Moving Poems have included Drumshanbo, Resonans, and Maldito, and these are still open, as well as Midwest which was listed back in January.
In Australia there is a new poetry film festival to be held in conjunction with the Poets on the Mountain Festival and they are looking for Australian poetry films and Australian Bush Poetry films. Deadline 30 June.
La Poesia Che Si Vede is an international competition for poetry films based in Ancona, Italy. The organisers say that “poetry film for La Poesia che si vede is total poetry, without discrimination of genre or format”. Deadline 27 May.
Fotogenia in Mexico City has been running for 6 years. It has a varied programme that includes categories such as avant-garde feature films and video art, with a specific film poetry category. They do have a number of specific rules though – do check carefully. These include mandatory Spanish subtitles if your film is to be shown in the in-person screening, and that films cannot be shown online at any other public website. Deadline 31 July.
The Lyra Bristol Poetry Festival is due to begin on 12th April. Do check out our full programme as we have so much going on!
We have two poetry film events which I would love you to be able to see.
If you can’t be in Bristol many of our events, including the Zebra screening, will be live-streamed. Our ‘festival digital pass’ is only £15 and you will be able to view the events online.
The first poetry film event is Cancer Alley, the poetry film immersive hologram which is going to be screened at The Watershed 18-21st April from 10-5pm.
Cancer Alley is an immersive poetry film hologram which features environmental destruction in ‘Cancer Alley’, Louisiana, the heart of the Global petrochemical industry. The project draws attention to the need for multinational companies to take more responsibility for their impact on the environment and the growing public awareness of how people’s lives are affected by extreme pollution. Cancer Alley is free, and is available to view at the Watershed 17-21st April on a continuous loop.
Cancer Alley has been created by poet Lucy English, US filmmakers Pamela Falkenberg and Jack Cochran, and Bristol based company Holotronica.
The second is the curation of films by the Zebra Poetry Film Festival on Saturday 20th April at The Watershed 3-4pm. Haus für Poesie presents a selection of the best films from the ZEBRA Poetry Film Festival. The programme shows short films on the subject of “Poetry and Technology”. On the one hand, the poetry films are technically extremely sophisticated or deal with topics such as artificial intelligence, algorithms and social media. The films are based on poems by Jörg Piringer, Raed Wahesh and Yehuda Amichai, among others.
Presented by Thomas Zandgiacomo Del Bel, who will join us for a special in-person Q&A all the way from Berlin.
I look forward to seeing you at the festival in person or virtually! Here’s the link.
The 3rd Annual Drumshanbo Written Word Poetry Film Competition is now open for entries on Film freeway at https://filmfreeway.com/DrumshanboWrittenWordPoetryFilmCompetition Drumshanbo in County Leitrim, Ireland, a beautiful lakelands town hosts an annual literary festival in August. The festival brings together some of Ireland’s finest writers and poets. As part of this they host an annual poetry film competition open to all. Each year there is an evening where shortlisted films are screened as part of the opening ceremony.
Shortlisted films will be shown on Friday 23rd Aug 2024. There will be a 1st Prize of €500 Films of up to 10 minutes are welcome.In my recent round-up of where to watch poetry films this month, I forgot to include Athens! The International Video Poetry Festival, as it’s called these days, organized by +The Institute [for Experimental Arts], is in its 11th incarnation.
124 FILMS | 42 COUNTRIES |
40 PERFORMANCES | 2 WORKSHOPSFRIDAY 19 & SATURDAY 20 APRIL 2024
Free Self Organized Theatre Empros
Riga Palamidi 2- Psiri – Athens GreeceInternational Video Poetry Festival celebrates eleven years of creative collaboration with more than 2000 artists from 85 countries in general, a world of poetic visions for the benefit of humanity. Poetry, cinema, music and spoken word come together to communicate the inspiration, dreams, ideas and hopes of all of us.
We welcome you to this magical world.
Click through for the list of countries and filmmaker/poets (also on Facebook) as well as information on the workshop and lecture scheduled for Saturday the 20th. I’m so happy this festival continues to be held.
A Copenhagen-based festival focusing on the poetics of nature and the environment is open for submissions.
RESONANS: A Fringe of Nature and Culture
(Previously known as the Nature & Culture International Poetry Film Festival)
This festival focuses on the poetics of nature and environment, and takes place annually in Copenhagen, Denmark (with headquarters in Sweden and Finland for smaller features) as well as an online festival which is of free access at poeticphonotheque.com during the festival dates.
The Organizers:
The Poetic Phonotheque started in 2020 as an audio collection of poetry from all over the world which now counts with over 500 adiovisual poems in all languages and an international permanent collection of poetry films. The Poetic Phonotheque is managed by Red Door Gallery in Copenhagen, which also counts with its own magazine www.reddoormagazine.com since 2009.
In 2021, Kulturhuset Islands Brygge (Copenhagen, Denmark) became the official home of the Poetic Phonotheque, to house its audio collection and launched a second round of poetry open calls to collect audio poetry recordings in every language with the theme of climate, sustainability, nature, and our planet’s preservation as the focus.
In 2021, Kultivera, a cultural organization in the city of Tranås, Sweden, also became headquarters of the Phonotheque for that country.
In 2022, the screening location of the festival was Husets Biograf, a cultural centre located at Rådhusstræ 13 in central Copenhagen, Denmark.
In 2023, Bokens Hus, in Turku, Finland, joins the team as Finnish headquarters, collaborators and mapping team.
In 2024, Empire Bio in Copenhagen joins as the screening location for the 4th edition of the festival.
We invite you to submit your films on this important subject, whether they’re animation, short film, poetry film, experimental, or documentaries. A focus on the NATURE & CULTURE (humanity’s connection with our environment) is encouraged.
Poetry films are invited to remain as part of the permanent video collection of the Poetic Phonotheque. We encourage BIPOC and LGBTQ+ creators to submit their work.
It’s €10 to submit (Student: €6) and the deadline is May 31. Visit FilmFreeway for rules and terms. Browse the growing library of films at The Poetic Phonoteque.
A new press release from the folks behind the Weimar Poetry Film Festival notes that
With »Lit. Collage« we are setting a special emphasis this year. Paired with the Film Festival, the Collage and Poetry Festival is meant for anyone who enjoys experimenting with cutting and assembling techniques and sharing them with others. […]
This year 479 films from 51 different countries were submitted for the 9th Weimar Poetry Film Award. The award ceremony will take place on June 1st at the Lichthaus Kino in Weimar. Stay tuned for more information about our official selection!
April-May
Workshops and eventsWe invite you to participate in several workshops in April. The courses are led by the Weimar animation artist Franka Sachse, the Berlin Poetry Slam pioneer Bas Böttcher and the Weimar musician Kay Kalytta. Poems by the Belarusian poet Volha Hapeyeva, the Colombian author Ramona de Jesús and the Weimar writer Gisela Kraft (1936–2010) serve as inspiration and source material.
The results of the workshops will be presented on various occasions in May.
APRIL
SAVE THE DATES:13.04. & 14.04.
Stop motion workshop with Franka Sachse
ACC Galerie, Burgplatz 119.04.
Text collage workshop with Bas Böttcher
LiteraturEtage, Marktstr. 2-4 (OG)26.04 & 27.04.
Sound collage workshop with Kay Kalytta
Klangradar Weimar, Fuldaer Str. 185The entry fee is 30 euros per workshop (including festival pass for the Poetryfilmtage on 31st May/1st June).
Registration via mail: info@literarische-gesellschaft.de
For more information, click hereMAY/JUNE
SAVE THE DATES:02.05.
Exhibition opening „Drehmoment“ by Aline Helmcke
LiteraturEtage, Marktstr. 2-4 (OG)25.05.
Silent Party
ACC Galerie, Burgplatz 131.05.
Lit.Collage. Poetry, Performance, Film
Mon ami, Großer Saal, Goetheplatz 1101.06.
Poetryfilmtage / Award ceremony of the 9th Weimar Poetry Film Award
Lichthaus Kino, Am Kirschberg 4
Visit their website for detailed descriptions of the April workshops for Stop-Motion, Text-Collage, and Sound-Collage.
April is Poetry Month in the U.S. and Canada, so it’s no surprise that a couple of major poetry film festivals are held then. First up: Houston’s REELPoetry Festival.
Online April 1-5, 2024
In Person April 6-7, 2024
922 Holman St, Houston, TX 77002
REELpoetry/HoustonTX 2024 is an international poetry film Festival. This week long event showcases 100+ screenings under 6 minutes from 20 different countries. Connect with international curators and presenters in real time online, and in-person on the weekend; watch world premieres from Houston creatives; experience ASL poetry and performances; join use for two fabulous after parties.
Then toward the end of the month, it’s Seattle’s Cadence Video Poetry Festival.
Verse meets visuals in motion at Northwest Film Forum (NWFF) in April 2024. Cadence Video Poetry Festival, presented by Northwest Film Forum, programmed in collaboration with Seattle author Chelsea Werner-Jatzke and intermedia artist Rana San, is a series of screenings, workshops, and discussions on the genre of video poetry, taking place annually during National Poetry Month. This year’s festival takes place in-person April 19–21 and online April 19–28. Cadence approaches video poetry as a literary genre presented as visual media, cultivating new meaning from the combination of text and moving image.
In its seventh year, Cadence Video Poetry Festival remains the only festival dedicated to the form in the Pacific Northwest. The festival program includes four themed screenings with works selected from an open call for submissions, including video poetry by the 2024 screening team and jurors.
“This year, we did away with the submission categories the festival has had in place for the last six years. Moving away from submissions organized by how they were made (collaboration, video by poets, etc) places further emphasis on what is being made in the video poetry genre,” says co-director Chelsea Werner-Jatzke. “For the first time, a screening team of prior Cadence Artists-in-Residence helped program the festival, broadening the diversity of perspectives considering the video poetry that is screened as part of Cadence.”
“The 2024 festival includes video poems from 20 countries in 11 languages with a strong Pacific Northwest contingent, a quarter of the works representing artists based in Washington, British Columbia, and Montana,” notes co-director Rana San. “In conjunction with the online and onsite festival screenings and workshops, there will be gatherings for artists and audiences to connect in-person and virtually. We’re also collaborating with Frye Art Museum again to host a special satellite screening and artist discussion in May following the fest.”
Meanwhile, in Weimar, Germany, though details so far remain scant, one is advised on the Poetryfilmtage Instagram account to
SAVE THE DATES – Lit.Collage x Poetryfilmtage 2024
This year we are setting with „Lit.Collage“ a special accent. The collage and poetry festival is combined with our film festival and is meant for those who enjoy experimenting with editing techniques and sharing them with others.
…so as you can see: this year we have a lot more action going on and you can join our festival from the 13th of April till the 1st of June. Make sure you’ll save the dates! 🤩
More details on the individual events will follow soon.
It’s great that people anywhere in the world with a good internet connection can virtually attend these festivals, but I am just as excited by another new trend: more and more general poetry festivals are including film and video in various innovative ways. In Madison, Wisconsin, for example, the Hawthorn Public Library will be screening “some of our favorite video poems featured in the first four years of the Midwest Video Poetry Fest,” and in Newtown, Pennsylvania, poet Vasiliki Katsarou will be screening her feature film Fruitlands 1843. So be sure to support your local poetry scene!
Spain’s MALDITO FESTIVAL DE VIDEOPOESÍA has just announced open calls for its International Videopoetry Contest (short films) — guidelines here [PDF] — and its International Poetic Film Showcase (medium- to full-length films) — guidelines here. Maldito is
an international videopoetry contest that has been held in Albacete (Spain) since 2017.
MALDITO FESTIVAL launch this contest with the purpose to show two disciplines that, either individually or collectively, are much more isolated and forgotten as we would like. According to our experience, these disciplines are considered marginal and minor in the extent of the great European capitals, moreover, in the humble towns within regional borders where its dissemination is nonexistent.
MALDITO seeks to vindicate video poetry as an art that connects people, transmits feelings and stimulates different ways to see the world. It is also a tiny contribution of enormous people to empower visual art, stopping it from being marginal and damned*.
(* The Spanish word for damned is MALDITO).The festival is organized by non-profit Association Cultural Maldito; formed by a small team of professionals from the film industry, poetry and culture in general.
MALDITO Crew, as lovers of poetry, image and the expressive possibilities of its symbiosis, we pick up the baton and propose to continue the line of action, encouraging their approach to the public, either with the festival events or the educational activities that we carry out.
The festival will be in November 11-17. The deadline is July 10.
It’s the New Year and perhaps a good time to be thinking about film festivals and competitions. Is this the year you will enter for the first time? Or to bring an, as yet, unseen project to light? Or to think about what new films you might create in 2024 …
But first, with a quick pause for thought (or maybe to take the actions suggested) – here is a throwback to a lovely little film posted on Moving Poems way back in 2012.
And now, here are the major festivals for poetry films coming up for entry (linked to their FilmFreeway page where you will find more details). Some were first posted earlier when the calls initially went out (but a reminder that the deadline is coming up closer), and others are fresh!
Remember to check all the rules of entry carefully to make sure you comply (or it is just irritating for the organisers), and make your own judgements on whether to enter. These are all established events, but be aware that there are some dodgy festivals out there that have little merit in getting your film exposed to an interested audience but will take hefty sums in entry fees.
No need to rush it either … festivals and deadlines are an ongoing roll, and if you miss one, there will always be another festival or another year that comes along. Often there is a long or an unlimited timeframe in which a completed film will be eligible, and no impact if you don’t get on the case immediately.
Read more about entering festivals in this past interview with Adam Stone on Moving Poems.
Wishing everyone good luck in 2024!
The Zebra International Poetry Film Festival took place from 12 to 15 October at Haus für Poesie and Kino in der Kulturbrauerei in Berlin, Germany. A jury of Rosa Maria Hopp (editorial director MDR), Federico Italiano (poet) and Maria Mohr (filmmaker and film educator) selected three films for awards from the shortlist of 25 poetry films selected for the international competition. The festival attracts around 1,200 entries from over 90 countries.
The 2023 ZEBRA Prize for the Best International Poetry Film went to Fitzgerald & Rimini – D Frou Bovary de Porrentruy by Yannick Mosimann from Switzerland, with a poem by Ariane von Graffenried.
In their statement, the jury said: “Hemmed in by the mountains, this film not only features a protagonist trapped in the dreariness of daily life but also an image frozen in time—sometimes the 16 mm image is torn, sometimes doubled. And then, there’s that battered post rock over and over. It’s a perfect whirlwind of cinematic elements, interwoven with the three languages of the extraordinary poem that fuels them. And in between, there’s that “disturbing woman.” Hardly any phrase encapsulates this film as well as, “Mrs. Bovary from Porrentruy isn’t who she wants to be / Her needs are big, her life’s petit.””
The Goethe Film Award – Borders went to Kin ma belle by Junior Mozese from the Democratic Republic of the Congo, who is also author of the poem the film is based on.nnhttps://vimeo.com/806089631nnThe jury’s statement: “There are no protagonists in this film, just a city that reveals itself through its contradictions and weaknesses. Singing its praises, the lyrical voice observes the metropolis from unexpected angles, from the sidewalks, from the depths of landfills, in the cracks of life—between healing and exclusion. The film is a vibrant love song to the wayside. This year’s Goethe Film Award goes to an entry that utilizes documentary techniques: “Kin ma belle” by Junior Mozese.”
The 2023 Ritter Sport Film Award went to Legs by Jennifer Still, Christine Fellows and Chantel Mierau from Canada, based on a poem by Jennifer Still.nThe jury’s statement: “Legs create a gap that connects several generations of women. Between a kid’s birthday party and swimming pools, the bodies—shells—cultivate a playful life of their own. The film distinguishes itself through its unique object creations and an extraordinary timing that often borders on the absurd. Colorful mourning in glitter. What’s left when the body’s gone? Stockings.”
Two special mentions were given by the jury.
The first one is a special mention of the Goethe Film Award for Satane Sefid by Shiva Sadegh Asadi from Iran, both director and author of the poem the film is based on: “How should one narrate a border crossing that affects the most intimate sphere? In tightly framed, claustrophobic images, the Iranian filmmaker Shiva Sadegh Asadi succeeds in showing that the private is always political. Woman, life, freedom!”
The second one is a special mention of the Ritter Sport Film Award for Meanwhile, somewhere in the state of Colorado by the Italian Gloria Regonesi, based on a poem by Simon Armitage: “Sometimes, the greatest art lies in visualizing the absolute. Through the simplicity of its visual language, this film is able to emphasize the power of poet Simon Armitage’s words without ever overshadowing them. Unpretentious and free of cliches.”
The ZEBRino Poetry Film Festival audience also awarded an audience award. The 2023 ZEBRino Award for the Best Poetry Film for children and youth was awarded to Abri by Julie Daravan Chea from France, based on a poem by Esther Granek.
A special mention was given to the film Swallows love by Mariya Onishckenko from the Ukraine, based on the Volkslied Shum.
Autumn is a busy time in the poetry film world, especially when the biannual Vienna Poetry Film Festival, AKA Art Visuals & Poetry Filmfestival, is happening. It’ll be held on November 14-17 this year. Here’s the full program.
Highlights of this 10th anniversary edition of the festival include a poetry film competition based on the festival poem “la luna” by Viennese poet Manfred Chobot, with seven selections from around the world, and of course the main competition program, which is split into two sessions: one for Austrian films, and the other for German-language films from Germany and Switzerland.
A few days after that program appeared online, the Midwest Poetry Video Fest organizers uploaded detailed programs for their two-day event in Wisconsin, USA:
There will be two evenings of live Poet + Filmmaker performance followed by film screenings on October 14th and October 15th at ALL in Madison, WI and at Woodland Pattern in Milwaukee, WI. Each evening’s screening will be unique and will include a selection of works from the open call alongside works by artists especially invited by the Curatorial Team.
Each date links to a program, including thumbnails and a description of each of the 29 videopoems.
And then today the big dog, Berlin’s ZEBRA festival, announced its program. The English-language version is here, using what looks to be a repurposed URL from 2022. Each time it has a different national focus, and in 2023 that’s going to be Italy:
With selected poetry films from this year’s submissions, as well as the best Italian films of the past years, ZEBRA will present various facets of Italy film and poetry scene. Landscape, love, culture, tradition, and conflict are just a few of the themes. Films in this program are based on poems by Dante Alighieri, Gioacchino Belli, Elena Chiesa, John Giorno, Giacomo Leopardi, Milena Tipaldo oder Lello Voce.
For the international competition, they note that
About 1,200 entries from over 90 countries were submitted to 2023’s ZEBRA Poetry Film Festival. A program committee nominated 25 of them for the international competition.
The three-member international jury will award the following prizes this year: the “ZEBRA Prize for the Best Poetry Film,” donated by the House of Poetry, the “Goethe Film Prize – Borders,” donated by the Goethe-Institut, and the “Ritter Sport Film Prize,” donated by Alfred Ritter GmbH & Co KG.
There are also four thematically grouped programs, or prisms as they call them: The Worlds inside your mind – MEMORIES & DREAMS; All the What-Ifs – ECO POETRY & DYSTOPIA; Urbanities – CITY & SOCIETY; and How to connect – LOVE & BODIES. A couple of readings, a masterclass on animation, and the awards ceremony round out what looks like a very full and exciting program.
If any Moving Poems readers are planning to attend these events, we’d love to hear they went. Feel free to send in any reports or observations you may have.
The second Drumshanbo Written Word Poetry Film Competition was a great success with nearly a hundred entries from sixteen countries. This was up 15% on last year. We shortlisted down to 16 films, after a rigorous review process. This included five Irish films and films from the UK, Germany, US, Canada, Australia, and the Netherlands. Films were of a very high production quality, varying in theme from the wr in Ukraine to women’s rights in Iran, mental health, and familial tenderness.
An audience of fifty or more arrived at the Mayflower Ballroom Drumshanbo on Friday 26th August, despite the cool weather, to watch and appreciate the magical intertwining of language and light. The feedback from the audience was fantastic, especially when I interviewed two film makers on stage. The up-and-coming poet Liz Houchin, recently in residency at the Scottish Poetry Library, told us how, when she had a little grant money left over she decided to ask poet and filmmaker Luke Morgan to create something out of one of her favourite poems, “If my mother had a retrospective at the V&A” (see below). Have fun, she told them, and by God they did, creating a virtual exhibition space on screen where her mother’s knitting and sewing enterprises were playfully laid out for all to see. A surreal experience, where the ordinary is catapulted onto the halls of one of the great museums, in so doing exploding the whole idea of the ordinary. Made, Liz said, for all the quiet needle workers in the homes of Ireland.
We also talked to the very talented Grace Wells from County Clare. Grace has been making poetry films for many years out of her own poems. Mostly with an ecological slant, advocating for nature and the environment. Grass was a beautifully filmed eco-poetryfilm where the narrator addresses that most important of natures flora as it meanders through its seasons. All in all a great night. Roll on next year. You can view the shortlisted films on YouTube.